Homer Odyssey 14.441

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 14.446 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 14.446 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 14.446 focus
As he spoke he cut off the first piece and offered it as a burnt sacrifice to the immortal gods; then he made them a drink-offering, put the cup in the hands of Odysseus, ransacker of cities, and sat down to his own portion. Mesaulios brought them their bread; [450] the swineherd had bought this man on his own account from among the Taphians during his master’s absence, and had paid for him with his own wealth without saying anything either to his mistress or old Laertes. They then laid their hands upon the good things that were before them, and when they had had enough to eat and drink, [455] Mesaulios took away what was left of the bread, and they all went to bed after having made a hearty supper.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 14.446 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 14.446 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 14.446 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 14.446 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 14.446 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 14 focus

New Alexandria Commentaries

Gregory Nagy

Now that he has finally returned to his homeland of Ithaca, Odysseus must accomplish another kind of return: he must be restored to kingship. Such a restoration, however, must start from the bottom up. The goddess Athena, his ultimate benefactor but occasional antagonist, has made Odysseus seem to be ‘base’ on the outside, hiding his inner moral nobility. Only those who are likewise morally ‘noble’ will be able to read, as it were, the hero’s true nature. Meanwhile, the coded tales told by Odysseus point toward the truth of his kingship—without revealing it outright. A telling example here in Rhapsody 14 is the second Cretan tale told by Odysseus: it is about a Cretan princeling, not unlike the dapper figure we see in the romanticized restoration of a Minoan fresco as featured in the cover-illustration for Rhapsody 14.

draft js image errorMinoan—probably Neopalatial—fresco commonly known as the “Lily Prince.” Whatever the exact type of this personage (perhaps a crowned acrobat, according to the interpretation of Maria Shaw), the Lily Prince is certainly a Minoan of elite standing. Public domain image based on a famous watercolor by Émile Gilliéron of a reconstruction by Arthur Evans. Image via Wikimedia Commons.

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Syntactically, the premise here reinforces the probability of the wish.

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|462 κέκλυθι νῦν, Εὔμαιε καὶ ἄλλοι πάντες ἑταῖροι, |463 εὐξάμενός τι ἔπος ἐρέω· οἶνος γὰρ ἀνώγει, |464 ἠλεός, ὅς τ’ ἐφέηκε πολύφρονά περ μάλ' ἀεῖσαι |465 καί θ’ ἁπαλὸν γελάσαι καί τ' ὀρχήσασθαι ἀνῆκε, |466 καί τι ἔπος προέηκεν, ὅ πέρ τ' ἄρρητον ἄμεινον. |467 ἀλλ' ἐπεὶ οὖν τὸ πρῶτον ἀνέκραγον, οὐκ ἐπικεύσω.

|462 Listen to me now, Eumaios and all you other companions! |463 Speaking proudly [eukhesthai], I will tell you an utterance. The wine is telling me to do so. |464 Wine, distracting as it is, impels even the thinking man to sing |465 and to laugh softly. And it urges him on to dance. |466 It even prompts an utterance that may be better left unsaid. |467 But now that I have shouted out loud [anakrazein], I will not suppress it.

The wording here, as delivered by the disguised Odysseus to Eumaios, is cognate with the poeticized replication of a festive occasion in the words of Pindar, Nemean 7.75–76:

ἔα με· νικῶντί γε χάριν, εἴ τι πέραν ἀερθείς | ἀνέκραγον, οὐ τραχύς εἰμι καταθέμεν.

Your indulgence, please! If I—to reciprocate the victor—shouted something out loud [anakrazein] as I soared too far up, I am not unversed in bringing it back down.

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The discourse of the disguised Odysseus, shown here in the act of speaking to Eumaios, matches the discourse of a poet/singer who is performing at a festive occasion.

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Leonard Muellner

in a list of secular eukhesthai indicating direct speech (introducing speech)

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analysis of the non-formulaic eukhesthai introducing speech in this verse, which is nevertheless analogous to formula (X) (death eukhesthai), though it is not followed by a death announcement but an adventure tale (traditional function aborted by genre-suppression)

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analysis of the non-formulaic eukhesthai introducing speech in these verses, which is nevertheless analogous to formula (X) (death eukhesthai), though it is not followed by a death announcement but an adventure tale (traditional function aborted by genre-suppression)

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analysis of the non-formulaic eukhesthai introducing this speech, which is nevertheless analogous to formula (X) (death eukhesthai), though it is not followed by a death announcement but an adventure tale (traditional function aborted by genre-suppression)

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comment on Odysseus’ lack of a cloak in the Doloneia in I.10 in contrast to the other heroes’ elaborately described cloaks, in the context of analyzing O.14.463-466, where the disguised Odysseus tells Eumaios a story of when he tricked Thoas out of his cloak during an ambush

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