Homer Odyssey 12.420

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 12.327 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 12.426 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 12.426 focus
The gale from the West had now spent its force, and the wind got into the South again, which frightened me lest I should be taken back to the terrifying whirlpool of Charybdis. This indeed was what actually happened, for I was borne along by the waves all night, and by sunrise [430] had reached the rock of Scylla, and the dreaded whirlpool. She was then sucking down the salt sea water, but I was carried aloft toward the fig tree, which I caught hold of and clung on to like a bat. I could not plant my feet anywhere so as to stand securely, [435] for the roots were a long way off and the boughs that overshadowed the whole pool were too high, too vast, and too far apart for me to reach them; so I hung patiently on, waiting till the pool should discharge my mast and raft again—and a very long while it seemed. One who judges [ krinein] is not more glad to get home to supper, [440] after having been long detained in court by troublesome cases, than I was to see my raft beginning to work its way out of the whirlpool again. At last I let go with my hands and feet, and fell heavily into the sea, hard by my raft on to which I then got, and began to row with my hands. [445] As for Scylla, the father of gods and men would not let her get further sight of me—otherwise I should have certainly been lost.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 12.426 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 12.426 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 12.426 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 12.426 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 12.426 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 12 focus

New Alexandria Commentaries

Gregory Nagy

The storytelling of Odysseus is about to confront three of its most mystical moments here: the Song of the Sirens, Scylla and Charybdis, the Cattle of the Sun. The myths that shape these moments will become for Odysseus a set of powerful metaphors that drive his own odyssey.

draft js image error“Ulysses and the Sirens” (ca. 1909). Herbert James Draper (English, 1863–1920). Image via Wikimedia Commons.

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(The following is epitomized from H24H 10§28.) At O.07.241–266, Odysseus told the story of his liaison with the goddess Calypso, and that part of the story ended there with the releasing of Odysseus from the cave of the goddess. Here at O.12.447–450, the storytelling comes full circle as Odysseus revisits that story about the liaison, which had led into the story of his arrival in the land of the Phaeacians. The hero’s arrival as revisited at the end of the storytelling in Odyssey 12 is implicitly a return to light and life from the cave of Calypso, comparable to the return of the hero to light and life from the darkness and death that were linked with the cave of the Cyclops Polyphemus at the end of the storytelling in Odyssey 9. Similarly at the end of the storytelling in Odyssey 11, Odysseus was ready to emerge from the darkness and death of Hādēs and return to light and life at the beginning of Odyssey 12.

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