Homer Odyssey 11.362

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 11.361 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 11.361 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.361 focus
“Odysseus,” replied Alkinoos, “not one of us who sees you has any idea that you are a charlatan or a swindler. I know there are many people [365] going about who tell such plausible stories that it is very hard to see through them, but there is a style about your language which assures me of your good disposition. Moreover you have told the story of your own misfortunes, and those of the Argives, as though you were a practiced bard; [370] but tell me, and tell me true, whether you saw any of the mighty heroes who went to Troy at the same time with yourself, and perished there. 373 This night is very long—immeasurably so. It is not yet time [ hōrā] 374 to sleep in the palace. But go on telling me about your wondrous deeds. [375] And I myself could hold out until the bright dawn, if only 376 you could bear to tell me, here in the palace, of your sufferings.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 11.361 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 11.361 focus
"O king! for such thou art, and sure thy blood
450
Through veins" (he cried) "of royal fathers flow'd;
Unlike those vagrants who on falsehood live,
Skill'd in smooth tales, and artful to deceive;
Thy better soul abhors the liar's part,
Wise is thy voice, and noble is thy heart.
455
Thy words like music every breast control,
Steal through the ear, and win upon the soul;
Soft, as some song divine, thy story flows,
Nor better could the Muse record thy woes.
But say, upon the dark and dismal coast,
460
Saw'st thou the worthies of the Grecian host?
The godlike leaders who, in battle slain,
Fell before Troy, and nobly press'd the plain?
And lo! a length of night behind remains,
The evening stars still mount th' ethereal plains.
465
Thy tale with raptures I could hear thee tell,
Thy woes on earth, the wondrous scenes in hell,
Till in the vault of heaven the stars decay,
And the sky reddens with the rising day."
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.361 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 11.361 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.361 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 11 focus

New Alexandria Commentaries

Gregory Nagy

The encounter of Odysseus with the seer Teiresias in Hādēs is a mystical experience that defines the hero of the Odyssey in a new way: Odysseus now learns that he will have a homecoming that leads to a most startling discovery of his own self as a cult hero in the making.

draft js image error“Teiresias appears to Ulysses during the sacrifice,” (1780–1785). Henry Fuseli (German, 1741–1825). Image via Wikimedia Commons.

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At O.11.330, Odysseus breaks off his performance, and the break continues till O.11.385, when the performance recommences. In between, there is a series of polite exchanges between Odysseus as performer and Alkinoos as the primary representative of the audience. The question is, has the duration of the performance become overlong? The answer is: no. On behalf of the audience, Alkinoos insists that Odysseus continue, and the master performer obliges.

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