Homer Odyssey 10.348

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 10.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 10.345 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 10.345 focus
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 10.345 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 10.345 focus
The goddess swore: then seiz'd my hand and led
To the sweet transports of the genial bed.
Ministrant to the queen, with busy care
Four faithful handmaids the soft rites prepare;
Nymphs sprung from fountains, or from shady woods,
415
Or the fair offspring of the sacred floods.
One o'er the couches painted carpets threw,
Whose purple lustre glow'd against the view:
White linen lay beneath. Another placed
The silver stands, with golden flaskets graced:
420
With dulcet beverage this the beaker crown'd
Fair in the midst, with gilded cups around;
That in the tripod 1 o'er the kindled pile
The water pours; the bubbling waters boil;
An ample vase receives the smoking wave;
425
And, in the bath prepar'd, my limbs I lave:
Reviving sweets repair the mind's decay,
And take the painful sense of toil away.
A vest and tunic o'er me next she threw,
Fresh from the bath, and dropping balmy dew;
430
Then led and placed me on the sovereign seat,
With carpets spread; a footstool at my feet.
The golden ewer a nymph obsequious brings,
Replenish'd from the cool translucent springs;
With copious water the bright vase supplies
435
A silver laver of capacious size.
I wash'd. The table in fair order spread,
They heap the glittering canisters with bread;
Viands of various kinds allure the taste,
Of choicest sort and savour, rich repast!
440
Circe in vain invites the feast to share;
Absent I ponder, and absorb'd in care:
While scenes of woe rose anxious in my breast,
The queen beheld me, and these words address'd:
"Why sits Ulysses silent and apart,
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Some hoard of grief close harbour'd at his heart?
Untouch'd before thee stand the cates divine,
And unregarded laughs the rosy wine.
Can yet a doubt or any dread remain,
When sworn that oath which never can be vain?"
450
I answered: "Goddess! human is my breast,
By justice sway'd, by tender pity press'd:
Ill fits it me, whose friends are sunk to beasts,
To quaff thy bowls, or riot in thy feasts.
Me would'st thou please? for them thy cares employ,
455
And them to me restore, and me to joy."
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 10.345 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 10.345 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 10.345 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 10 focus

New Alexandria Commentaries

Gregory Nagy

This Rhapsody centers on the bewitching goddess Circe, whose mystical powers will lead Odysseus to make direct contact with the dead—and with the world of heroes who have already died.

draft js image error“Circe Invidiosa,” (1892). J. W. Waterhouse (English, 1849–1917). Image via Wikimedia Commons.

Circe, like her mystical island, is at first disorienting for Odysseus, but the goddess will in due course reorient the hero, making it possible for him to learn how he will ultimately make his way back home. Odysseus will find his reorientation in the realm of the unconscious.

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The use of this verb here in the context of ‘grabbing at’ food is relevant to the wording in Pindar Nemean 8.22, with reference to the language of blame.

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