Homer Odyssey 1.113

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 1.125 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 1.125 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 1.125 focus
He led the way as he spoke, and Athena followed him. When they were within he took her spear and set it in the spear-stand against a strong bearing-post along with the many other spears of his unhappy father, patient-hearted Odysseus [130] and he conducted her to a richly decorated seat under which he threw a cloth of damask. There was a footstool also for her feet, and he set another seat near her for himself, away from the suitors, that she might not be annoyed while eating by their noise and insolence, [135] and that he might ask her more freely about his father.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 1.125 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 1.125 focus
Thus affable and mild, the prince precedes,
And to the dome th' unknown celestial leads.
The spear receiving from her hand, he placed
Against a column, fair with sculpture graced;
Where seemly ranged in peaceful order stood
170
Ulysses' arms, now long disus'd to blood.
He led the goddess to the sovereign seat,
Her feet supported with a stool of state;
(A purple carpet spread the pavement wide ;)
Then drew his seat, familiar, to her side;
175
Far from the suitor-train, a brutal crowd,
With insolence, and wine, elate and loud;
Where the free guest, unnoted, might relate,
If haply conscious, of his father's fate.
The golden ewer a maid obsequious brings,
180
Replenish'd from the cool translucent springs;
With copious water the bright vase supplies
A silver laver of capacious size :
They wash. The tables in fair order spread,
They heap the glittering canisters with bread :
185
Viands of various kinds allure the taste,
Of choicest sort and savour, rich repast!
Delicious wines th' attending herald brought;
The gold gave lustre to the purple draught.
Lur'd with the vapour of the fragrant feast,
190
In rush'd the suitors with voracious haste:
Marshall'd in order due, to each a sewer
Presents, to bathe his hands, a radiant ewer.
Luxurious then they feast. Observant round
Gay stripling youths the brimming goblets crown'd.
195
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 1.125 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 1.125 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 1.125 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 1 focus

New Alexandria Commentaries

Gregory Nagy

The comments I offer on Odyssey Rhapsody 1 through Rhapsody 24, starting here with Rhapsody 1, were based mostly on details that derive from seven books that I indicate in the Bibliography by way of these abbreviations: BA, GMP, H24H, HC, HPC, HQ, HR, MoM, PasP, PH. Each one of these books has its own index locorum. My colleague Anita Nikkanen, an Associate Editor for this online project, tracked the sequences of Homeric verses as listed in the indices for six of these books and then summarized my comments on those verses. Following up on her meticulous work, I am in the process of converting her summaries into a form of commentary. My comments on the Odyssey as I presented them in Classical Inquiries are merely samplings of the content that I hope to contribute to the overall commentary, to which a number of other colleagues are also contributing their own comments. That said, I now proceed to offer a sampling of comments on Rhapsody 1. At this point, my comments about the beginning of the Odyssey need no further introduction of their own.

draft js image errorZeus, Athena, and Hermes (1810). Drawing by John Flaxman. Image via Wikimedia Commons.

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