Homer Odyssey 8.199

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 8.199 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 8.234 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 8.199 focus
Much-enduring great Odysseus was glad [200] when he found he had a friend among the lookers-on, so he began to speak more pleasantly. “Young men,” said he, “come up to that throw if you can, and I will throw another disc as heavy or even heavier. If anyone wants to have a bout with me [205] let him come on, for I am exceedingly angry; I will box, wrestle, or run, I do not care what it is, with any man of you all except Laodamas, but not with him because I am his guest, and one cannot compete with one’s own personal friend. At least I do not think it a prudent or a sensible thing [210] for a guest to challenge his host’s family at any game [ āthlos], especially when he is in a foreign dēmos. He will cut the ground from under his own feet if he does; but I make no exception as regards any one else, for I want to have the matter out and know which is the best man. I am a good hand at every kind of athletic sport [ āthlos] known among humankind. [215] I am an excellent archer. In battle I am always the first to bring a man down with my arrow, no matter how many more are taking aim at him alongside of me. Philoctetes was the only man who could shoot better than I could [220] when we Achaeans were before the dēmos of the Trojans. I far excel every one else in the whole world, of those who still eat bread upon the face of the earth, but I should not like to shoot against the mighty dead, such as Hēraklēs, or Eurytos of Oikhalia— [225] men who could shoot against the gods themselves. This in fact was how great Eurytos came prematurely by his end, for Apollo was angry with him and killed him because he challenged him as an archer. I can throw a dart farther than any one else can shoot an arrow. [230] Running is the only point in respect of which I am afraid some of the Phaeacians might beat me, for I have been brought down very low at sea; my provisions ran short, and therefore I am still weak.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 8.199 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 8.199 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 8.199 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 8.199 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 8.199 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 8 focus

New Alexandria Commentaries

Douglas Frame

analysis of the use of nóos and nóēma as the proper reappearance of Odysseus’ nóos when he awakens in his homeland

source
Gregory Nagy

Odysseus encounters the blind singer Demodokos, who performs three songs that reveal hidden truths about the hero of the Odyssey.

draft js image errorBlind Demodokos sings of the siege of Troy (1810), by John Flaxman (English, 1755–1826). Image via Wikimedia Commons.

Alkinoos prepares a feast for Odysseus, who has not yet identified himself. This feast becomes a mythologized replica of a festival that puts on display a dazzling variety of old poetic traditions, soon to be replaced by the new poetry of the Odyssey.

source

Here at O.08.200 the word agōn ‘competition’ is used with reference to a continuum of competitive athletic events. In this context, it becomes clear that the entire series of athletic events in this festive continuum can be viewed as an agōn ‘competition’. See also O.08.238.

source

In the Second Song, Ο.08.329–332, Hephaistos as the god who is slow on his feet will catch up with the fleet-footed god Ares the adulterer. Similarly, Odysseus says here at O.08.230–233 that he is slow on his feet. But, when the time comes, we know that he too will catch up with those fleet-footed would-be adulterers, the suitors of his wife.

source
Leonard Muellner

in a list of instances where phanai substitutes for eukhesthai where it is combined with comparative/superlative

source