Homer Odyssey 7.240

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

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Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 7.240 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 7.240 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 7.240 focus
And resourceful Odysseus answered, “It would be a long story, my Lady, were I to relate in full the tale of my misfortunes, for the hand of the gods has been laid heavy upon me; but as regards your question, there is an island far away in the sea which is called ‘the Ogygian’. [245] Here dwells the cunning and powerful goddess Kalypsō, daughter of Atlas. She lives by herself far from all neighbors human or divine. A superhuman force [ daimōn], however, led me to her hearth all desolate and alone, for Zeus struck my ship with his thunderbolts, [250] and broke it up in mid-ocean. My brave comrades were drowned every man of them, but I stuck to the keel and was carried here and there for the space of nine days, till at last during the darkness of the tenth night the gods brought me to the Ogygian island where the great goddess Kalypsō of ordered hair [255] lives. She took me in and treated me with the utmost kindness; indeed she wanted to make me immortal that I might never grow old, but she could not persuade me to let her do so.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 7.240 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 7.240 focus
"Hard is the task, O princess! you impose,"
(Thus sighing spoke the man of many woes,)
"The long, the mournful series to relate
Of all my sorrows sent by Heaven and Fate!
325
Yet what you ask, attend. An island lies
Beyond these tracts, and under other skies,
Ogygia nam'd, in Ocean's watery arms;
Where dwells Calypso, dreadful in her charms!
Remote from gods or men she holds her reign,
330
Amid the terrors of the rolling main.
Me, only me, the hand of fortune bore,
Unblest! to tread that interdicted shore:
When Jove tremendous in the sable deeps
Launch'd his red lightning at our scatter'd ships,
335
Then, all my fleet, and all my followers lost,
Sole on a plank, on boiling surges toss'd,
Heaven drove my wreck th' Ogygian isle to find,
Full nine days floating to the wave and wind.
Met by the goddess there with open arms,
340
She bribed my stay with more than human charms;
Nay, promis'd, vainly promis'd, to bestow
Immortal life, exempt from age and woe;
But all her blandishments successless prove,
To banish from my breast my country's love.
345
I stay reluctant seven continued years,
And water her ambrosial couch with tears;
The eighth she voluntary moves to part,
Or urged by Jove, or her own changeful heart.
A raft was form'd to cross the surging sea;
350
Herself supplied the stores and rich array,
And gave the gales to waft me on the way.
In seventeen days appear'd your pleasing coast,
And woody mountains half in vapours lost.
Joy touch'd my soul: my soul was joy'd in vain,
355
For angry Neptune rous'd the raging main;
The wild winds whistle, and the billows roar;
The splitting raft the furious tempest tore;
And storms vindictive intercept the shore.
Soon as their rage subsides, the seas I brave
360
With naked force, and shoot along the wave,
To reach this isle; but there my hopes were lost;
The surge impell'd me on a craggy coast.
I chose the safer sea, and chanced to find
A river's mouth impervious to the wind,
365
And clear of rocks. I fainted by the flood;
Then took the shelter of the neighbouring wood.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 7.240 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 7.240 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 7.240 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 7 focus

New Alexandria Commentaries

Gregory Nagy

Odysseus arrives at the palace and garden of Alkinoos (Alcinous), king of the Phaeacians, whose island was equated in ancient times with Kerkyra/Corcyra, the modern Corfù.

draft js image errorView of Garitsa, region right outside the northern walls of the city of Corfu, and according to the legend the site of Alcinous’s gardens (1867). Étienne Rey (French, 1789–1867). Image via the Aikaterini Laskaridis Foundation.

Following the instructions of Nausicaa, Odysseus approaches the palace of her father Alkinoos (latinized as Alcinous), king of the Phaeacians. This palace and the adjacent garden of Alkinoos are not only enchanting but even enchanted, as will be argued in the comments for Rhapsody 7 here. And, as we will see later in the comments for Rhapsody 13, the garden of Alkinoos was thought to have survived on the island of Kerkyra, known in Roman sources as Corcyra and in modern times as Corfù. In ancient times, the people of Kerkyra claimed that their island was in fact the fabled realm of the Phaeacians.

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This adverb endukéōs ‘continuously, uninterruptedly’ expresses the idea of an uninterrupted sequence. The opposite of this adverb endukéōs ‘continuously, uninterruptedly’ can be seen in the adjective adeukḗs, which can be interpreted as ‘discontinuous, interrupting’. See the anchor comment at O.04.489. In terms of this interpretation, the root duk-/deuk- for this adverb/adjective conveys the sense of ‘continue’.

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The project of Calypso was to make Odysseus immortal, he reports.

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Leonard Muellner

association of endukeōs with philein, in the context of the analysis of the language affirming the rules of reciprocal exchange in Achilles’ ransoming Hektor/receiving Priam (Zeus’ words), with particular comment on endukeōs

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