Homer Odyssey 18.206

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 18.206 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 18.206 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 18.206 focus
With these words she came down from her upper room, not alone but attended by two of her maidens, and when she, shining among women, reached the suitors she stood by one of the bearing-posts supporting the roof of the hall, [210] holding a veil before her face, and with a staid maid servant on either side of her. As they beheld her the suitors were so overpowered and became so desperately enamored of her, that each one prayed he might win her for his own bedmate.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 18.206 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 18.206 focus
Thus wailing, slow and sadly she descends;
On either hand a damsel train attends :
Full where the dome its shining valves expands,
Radiant before the gazing peers she stands;
A veil translucent, o'er her brow display'd,
250
Her beauty seems, and only seems, to shade:
Sudden she lightens in their dazzled eyes,
And sudden flames in every bosom rise;
They send their eager souls with every look,
Till silence thus th' imperial matron broke:
255
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 18.206 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 18.206 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 18.206 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 18 focus

New Alexandria Commentaries

Gregory Nagy

In Rhapsody 18, Odysseus as a make-believe beggar is challenged by a most questionable character named Iros, who figures as a real beggar. What makes Iros so questionable is his similarity to characters who figure in a poetic form that can best be described as mock epic.

draft js image error“Ulysses Preparing to Fight with Irus” (1805). John Flaxman (English, 1755–1826) Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

source

Here the reference to mōlos ‘struggle’ is comic, in that the fight between Odysseus and Iros is a mock struggle, not serious fighting that befits epic, as in the case of mōlos Arēos ‘struggle of Ares’, analyzed in the comment at I.02.401.

source

Syntactically, the premise here reinforces the probability of the wish. See also the comments on O.14.440–441 and O.15.341–342.

source
Leonard Muellner

in a list of examples of the functional relationship between eukhesthai and phanai (in the context of analyzing genos eukhesthai einai formulas)

source