Homer Odyssey 10.388

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

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Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 10.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 10.406 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 10.388 focus
When I had said this she went straight through the court with her wand in her hand and opened the pigsty doors. [390] My men came out like so many prime hogs and stood looking at her, but she went about among them and anointed each with a second drug, whereon the bristles that the bad drug had given them fell off, [395] and they became men again, younger than they were before, and much taller and better looking. They knew me at once, seized me each of them by the hand, and wept for joy till the whole house was filled with the sound of their shouting, [400] and Circe herself was so sorry for them that she came up to me and said, ‘Resourceful Odysseus, noble son of Laertes, go back at once to the sea where you have left your ship, and first draw it on to the land. Then, hide all your ship’s gear and property in some cave, [405] and come back here with your men.’
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 10.388 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 10.388 focus
With that she parted: in her potent hand
She bore the virtue of the magic wand.
Then, hastening to the sties, set wide the door,
Urged forth, and drove the bristly herd before;
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Unwieldy, out they rush'd with general cry,
Enormous beasts dishonest to the eye.
Now, touch'd by counter-charms, they change again,
And stand majestic, and recall'd to men.
Those hairs of late that bristled every part,
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Fall off, miraculous effect of art!
Till all the form in full proportion rise,
More young, more large, more graceful to my eyes. 1
They saw, they knew me, and with eager pace
Clung to their master in a long embrace:
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Sad, pleasing sight! with tears each eye ran o'er,
And sobs of joy re-echoed through the bower;
Ev'n Circe wept, her adamantine heart
Felt pity enter, and sustain'd her part.
"Son of Laërtes!" (then the queen began)
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"Oh much-enduring, much-experienced man!
Haste to thy vessel on the sea-beat shore,
Unload thy treasures, and the galley moor;
Then bring thy friends, secure from future harms,
And in our grottoes stow thy spoils and arms."
480
She said. Obedient to her high command
I quit the place, and hasten to the strand.
My sad companions on the beach I found,
Their wistful eyes in floods of sorrow drown'd.
As from fresh pastures and the dewy field,
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(When loaded cribs their evening banquet yield,)
The lowing herds return; around them throng
With leaps and bounds their late imprison'd young,
Rush to their mothers with unruly joy,
And echoing hills return the tender cry:
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So round me press'd, exulting at my sight,
With cries and agonies of wild delight,
The weeping sailors; nor less fierce their joy
Than if return'd to Ithaca from Troy.
"Ah master! ever honour'd, ever dear!"
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(These tender words on every side I hear)
"What other joy can equal thy return?
Not that lov'd country for whose sight we mourn,
The soil that nurs'd us, and that gave us breath:
But ah! relate our lost companions' death."
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I answer'd cheerful: "Haste, your galley moor,
And bring our treasures and our arms ashore:
Those in yon hollow caverns let us lay;
Then rise, and follow where I lead the way.
Your fellows live; believe your eyes, and come
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To taste the joys of Circe's sacred dome."
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 10.388 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 10.388 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 10.388 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 10 focus

New Alexandria Commentaries

Douglas Frame

evidence for Circe episode as a “return from death”

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evidence for Circe episode as a “return from death”

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evidence for Circe episode as a “return from death”

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analysis of Homer’s use of the verb nostḗsein

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Gregory Nagy

This Rhapsody centers on the bewitching goddess Circe, whose mystical powers will lead Odysseus to make direct contact with the dead—and with the world of heroes who have already died.

draft js image error“Circe Invidiosa,” (1892). J. W. Waterhouse (English, 1849–1917). Image via Wikimedia Commons.

Circe, like her mystical island, is at first disorienting for Odysseus, but the goddess will in due course reorient the hero, making it possible for him to learn how he will ultimately make his way back home. Odysseus will find his reorientation in the realm of the unconscious.

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