Homer Odyssey 10.208

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 10.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 10.229 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 10.208 focus
twenty-two men, and they wept, as also did we who were left behind.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 10.208 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 10.208 focus
He march'd with twice eleven in his train; 1
Pensive they march, and pensive we remain.
The palace in a woody vale they found,
240
High raised of stone; a shaded space around;
Where mountain wolves and brindled lions roam,
(By magic tamed,) familiar to the dome.
With gentle blandishment our men they meet,
And wag their tails, and fawning lick their feet.
245
As from some feast a man returning late,
His faithful dogs all meet him at the gate,
Rejoicing round, some morsel to receive,
(Such as the good man ever used to give,)
Domestic thus the grisly beasts drew near;
250
They gaze with wonder not unmix'd with fear.
Now on the threshold of the dome they stood,
And heard a voice resounding through the wood:
Placed at her loom within, the goddess sung;
The vaulted roofs and solid pavement rung.
255
O'er the fair web the rising figures shine,
Immortal labour! worthy hands divine.
Polites to the rest the question mov'd,
(A gallant leader, and a man I lov'd:)
"What voice celestial, chanting to the loom,
260
(Or nymph, or goddess,) echoes from the room?
Say, shall we seek access?' With that they call;
And wide unfold the portals of the hall.
The goddess, rising, asks her guests to stay,
Who blindly follow where she leads the way.
265
Eurylochus alone of all the band,
Suspecting fraud, more prudently remain'd.
On thrones around with downy coverings graced,
With semblance fair, th' unhappy men she placed.
Milk newly press'd, the sacred flour of wheat,
270
And honey fresh, and Pramnian wines 2 the treat:
But venom'd was the bread, and mix'd the bowl,
With drugs of force to darken all the soul:
Soon in the luscious feast themselves they lost,
And drank oblivion of their native coast.
275
Instant her circling wand the goddess waves,
To hogs transforms them, and the sty receives.
No more was seen the human form divine;
Head, face, and members, bristle into swine:
Still curs'd with sense, their minds remain alone,
280
And their own voice affrights them when they groan.
Meanwhile the goddess in disdain bestows
The mast and acorn, brutal food! and strows
The fruits and cornel, as their feast, around;
Now prone and grovelling on unsavoury ground.
285
Eurylochus, with pensive steps and slow,
Aghast returns; the messenger of woe,
And bitter fate. To speak he made essay;
In vain essay'd, nor would his tongue obey.
His swelling heart denied the words their way:
290
But speaking tears the want of words supply,
And the full soul burst copious from his eye.
Affrighted, anxious for our fellows' fates,
We press to hear what sadly he relates:
"We went, Ulysses! (such was thy command,)
295
Through the lone thicket and the desert land.
A palace in a woody vale we found,
Brown with dark forests, and with shades around.
A voice celestial echoed through the dome,
Or nymph or goddess, chanting to the loom.
300
Access we sought, nor was access denied:
Radiant she came; the portals open'd wide:
The goddess mild invites the guests to stay:
They blindly follow where she leads the way.
I only wait behind of all the train:
305
I waited long, and ey'd the doors in vain:
The rest are vanish'd, none repass'd the gate;
And not a man appears to tell their fate."
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 10.208 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 10.208 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 10.208 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 10 focus

Notes on the current edition

Odyssey

1. 1

New Alexandria Commentaries

Douglas Frame

evidence of “witlessness” of the companions as a negative indication of the thematic presence of nóos

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evidence for suggestion that collocations utilizing forms of lanthánomai with nóstos are semantically related to theme of a loss of “mind.” Comparison with intended effect of Circe’s drugs: to make the companion forget their homeland

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analysis of ambiguity about nature of companions who are turned into swine but retain their nóos

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Gregory Nagy

This Rhapsody centers on the bewitching goddess Circe, whose mystical powers will lead Odysseus to make direct contact with the dead—and with the world of heroes who have already died.

draft js image error“Circe Invidiosa,” (1892). J. W. Waterhouse (English, 1849–1917). Image via Wikimedia Commons.

Circe, like her mystical island, is at first disorienting for Odysseus, but the goddess will in due course reorient the hero, making it possible for him to learn how he will ultimately make his way back home. Odysseus will find his reorientation in the realm of the unconscious.

source

See the anchor comment at O.04.489. Again I note the use of this word adeukḗs in a context referring to an interrupted sequence. The potmos ‘fate’ of Odysseus’ companions is adeukḗs because they have been turned into swine and their journey home has thus been interrupted.

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Leonard Muellner

evidence for suggestion that collocations utilizing forms of lanthánomai with nóstos are semantically related to theme of a loss of “mind.” Comparison with intended effect of Circe’s drugs: to make the companion forget their homeland

source