Homer Odyssey 1.421

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

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Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 1.421 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 1.388 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 1.421 focus
The suitors then returned to their singing and dancing until the evening; but when night fell upon their pleasuring they went home to bed each in his own abode. [425] Telemachus’ room was high up in a tower that looked on to the outer court; there, then, he went, brooding and full of thought. A good old woman, Eurykleia, daughter of Ops, the son of Peisenor, went before him with a couple of blazing torches. [430] Laertes had bought her with his own wealth when she was quite young; he gave the worth of twenty oxen for her, and showed as much respect to her in his household as he did to his own wedded wife, but he did not take her to his bed for he feared his wife’s resentment. She it was who now lighted Telemachus to his room, and she loved him [435] better than any of the other women in the house did, for she had nursed him when he was a baby. He opened the door of his bed room and sat down upon the bed; as he took off his khiton he gave it to the good old woman, who folded it tidily up, [440] and hung it for him over a peg by his bed side, after which she went out, pulled the door to by a silver catch, and drew the bolt home by means of the strap. But Telemachus as he lay covered with a woolen fleece kept thinking all night through of his intended voyage and of the counsel that Athena had given him.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 1.421 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 1.421 focus
Thus he, though conscious of th' ethereal guest,
Answer'd evasive of the sly request.
530
Meantime the lyre rejoins the sprightly lay;
Love-dittied airs, and dance, conclude the day.
But when the star of eve with golden light
Adorn'd the matron brow of sable night,
The mirthful train dispersing quit the court,
535
And to their several domes to rest resort.
A towering structure to the palace join'd;
To this his steps the thoughtful prince inclin'd:
In his pavilion there, to sleep repairs;
The lighted torch the sage Euryclea bears :
540
(Daughter of Ops, the just Pisenor's son,
For twenty beeves by great Laërtes won;
In rosy prime with charms attractive graced,
Honour'd by him, a gentle lord and chaste,
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 1.421 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 1.421 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 1.421 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 1 focus

Notes on the current edition

Odyssey

1. 1

New Alexandria Commentaries

Gregory Nagy

The comments I offer on Odyssey Rhapsody 1 through Rhapsody 24, starting here with Rhapsody 1, were based mostly on details that derive from seven books that I indicate in the Bibliography by way of these abbreviations: BA, GMP, H24H, HC, HPC, HQ, HR, MoM, PasP, PH. Each one of these books has its own index locorum. My colleague Anita Nikkanen, an Associate Editor for this online project, tracked the sequences of Homeric verses as listed in the indices for six of these books and then summarized my comments on those verses. Following up on her meticulous work, I am in the process of converting her summaries into a form of commentary. My comments on the Odyssey as I presented them in Classical Inquiries are merely samplings of the content that I hope to contribute to the overall commentary, to which a number of other colleagues are also contributing their own comments. That said, I now proceed to offer a sampling of comments on Rhapsody 1. At this point, my comments about the beginning of the Odyssey need no further introduction of their own.

draft js image errorZeus, Athena, and Hermes (1810). Drawing by John Flaxman. Image via Wikimedia Commons.

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