Homer Odyssey 1.280

A. T. Murray (Translator)

Odyssey. Homer. A. T. Murray (Translator). London. 1919.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Odyssey (English) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 1.325 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 1.314 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 1.280 focus
to take the best ship you can get, with a crew of twenty men, and go in quest of your father who has so long been missing. Some one may tell you something, or (and people often hear things in this way) some message [ kleos] sent from the gods may direct you. First you go to Pylos and ask radiant Nestor; [285] and then from there to Sparta and to golden-haired Menelaos, the one who was the last of the Achaeans, wearers of bronze tunics, to come back home; if you hear that your father is alive and about to achieve his homecoming [ nostos], you can put up with the waste these suitors will make for yet another twelve months. If on the other hand you hear of his death, [290] come home at once, celebrate his funeral rites with all due pomp, build a grave marker [ sēma] to his memory, and make your mother marry again. Then, having done all this, think it well over in your mind how, by fair means or foul, [295] you may kill these suitors in your own house. You are too old to plead infancy any longer; have you not heard how people are singing Orestes’ praises [ kleos] for having killed [300] his father’s murderer treacherous Aegisthus? You are a fine, smart looking young man; show your mettle, then, and make yourself a name in story. Now, however, I must go back to my ship and to my crew, who will be impatient if I keep them waiting longer; [305] think the matter over for yourself, and remember what I have said to you.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 1.280 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 1.280 focus
'Instant, to foreign realms prepare to sail,
365
'To learn your father's fortunes: Fame may prove,
'Or omen'd voice, (the messenger of Jove,)
'Propitious to the search. Direct your toil
'Through the wide ocean first to sandy Pyle;
'Of Nestor, hoary sage, his doom demand :
370
'Thence speed your voyage to the Spartan strand;
'For young Atrides 1 to th' Achaian coast
'Arriv'd the last of all the victor host:
'If yet Ulysses views the light, forbear,
'Till the fleet hours restore the circling year.
375
'But if his soul hath wing'd the destin'd flight,
'Inhabitant of deep disastrous night;
'Homeward with pious speed repass the main,
'To the pale shade funereal rites ordain,
'Plant the fair column o'er the vacant grave,
380
'A hero's honours let the hero have.
'With decent grief the royal dead deplor'd,
'For the chaste queen select an equal lord.
'Then let revenge ycur daring mind employ,
'By fraud or force the suitor-train destroy,
385
'And, starting into manhood, scorn the boy.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 1.280 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 1.280 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 1.280 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 1 focus

Notes on the current edition

Odyssey

1. 1

New Alexandria Commentaries

Gregory Nagy

The comments I offer on Odyssey Rhapsody 1 through Rhapsody 24, starting here with Rhapsody 1, were based mostly on details that derive from seven books that I indicate in the Bibliography by way of these abbreviations: BA, GMP, H24H, HC, HPC, HQ, HR, MoM, PasP, PH. Each one of these books has its own index locorum. My colleague Anita Nikkanen, an Associate Editor for this online project, tracked the sequences of Homeric verses as listed in the indices for six of these books and then summarized my comments on those verses. Following up on her meticulous work, I am in the process of converting her summaries into a form of commentary. My comments on the Odyssey as I presented them in Classical Inquiries are merely samplings of the content that I hope to contribute to the overall commentary, to which a number of other colleagues are also contributing their own comments. That said, I now proceed to offer a sampling of comments on Rhapsody 1. At this point, my comments about the beginning of the Odyssey need no further introduction of their own.

draft js image errorZeus, Athena, and Hermes (1810). Drawing by John Flaxman. Image via Wikimedia Commons.

source

The text as transmitted by Aristarchus (see inventory of Words and Ideas) reads:

πρῶτα μὲν ἐς Πύλον ἐλθὲ καὶ εἴρεο Νέστορα δῖον,

κεῖθεν δὲ Σπάρτηνδε παρὰ ξανθὸν Μενέλαον·

ὃς γὰρ δεύτατος ἦλθεν Ἀχαιῶν χαλκοχιτώνων.

‘First you [= Telemachus] go to Pylos and ask radiant Nestor

and then from there to Sparta and to golden-haired Menelaos,

the one who was the last of the Achaeans, wearers of bronze tunics, to come back home.’

But the text as transmitted by Zenodotus (see again the inventory of Words and Ideas) reads:

πρῶτα μὲν ἐς Πύλον ἐλθέ, …

κεῖθεν δ’ ἐς Κρήτην τε παρ’ Ἰδομενῆα ἄνακτα,

ὃς γὰρ δεύτατος ἦλθεν Ἀχαιῶν χαλκοχιτώνων.

‘First go to Pylos …

and then from there to Crete and to king Idomeneus

who was the last of the Achaeans, wearers of bronze tunics, to come back home.’

Here at O.01.284–286, as also already at O.01.093, the variant reading that we see transmitted by Zenodotus (quoted in the scholia for O.03.313) indicates a variant epic tradition to which I have already referred as a Cretan Odyssey in my comment on O.01.093. As I argue in Nagy 2015.09.24§§36–37, what we see in these variant verses is a trace of a Cretan Odyssey as primarily represented in our Odyssey by the “Cretan lies,” which are micro-narratives embedded in the epic macro-narrative of the Homeric Odyssey. In comments forthcoming, there will be more to say about these “Cretan lies.” Here I confine my comments to points that are relevant to what we read at O.01.093 and O.01.284–286. In “our” Odyssey, as Nestor reports at O.03.191–192, Idomeneus after the Trojan War returns to Crete with all his men safe and sound. In the Cretan Odyssey, by contrast, Idomeneus seems to have traveled with Odysseus after the conquest of Troy by the Achaeans, and this king of the Cretans even experienced, together with Odysseus, the horrors of the Cave of the Cyclops: such a story about joint adventures experienced by Idomeneus and Odysseus is attested in a painting on a red-figure stamnos, 480 BCE, featuring the name-tags ΙΔΑΜΕΝΕΥΣ ‘Ida-meneus’ [sic] and ΟΔΥΣΥΣ ‘Odusus’ [sic] appended to images of these two heroes, showing each one of the two clinging to a ram’s underbelly (Levaniouk 2011:105).

source

This expression ep’ anthrōpous ‘throughout humankind’ is conventionally associated with words referring to remembrance by way of song. See the anchor comment at I.10.213.

source

The noun thūmos, which I translate here as ‘heart’, expresses in Homeric diction the human capacity to feel and to think, taken together. In some Homeric contexts, thūmos is used as a synonym of phrenes, which can also be translated as ‘heart’, as in my comment on O.01.089. In other Homeric contexts, on the other hand, thūmos is pictured as the vital force that is contained by the phrenes (details in GMP 113n111). Even in such contexts, both words can be approximated as ‘heart’. In still other contexts, phrenes is best translated as ‘thinking’. Such a meaning is not contradictory, since Homeric diction leaves room for the idea that you can think with your heart.

source

|320 … Into his heart [thūmos] |321 she [= Athena] had placed mental power [menos] and daring, and she had mentally-connected [hupo-mnē-] him with his father |322 even more than before.

(Here I epitomize from H24H 9§§18–19.) The idea of menos as ‘mental power’ is elegantly recapitulated here at O.01.320–321. The goddess Athena has just finished the first phase of her role as mentor to Telemachus. She had initiated this phase at O.01.088–089 after having assumed, as we saw at O.01.105, the human shape of the fatherly Méntēs. This name Méntēs, as I indicated in the comment on O.01.088–089, means ‘he who connects mentally’. Having finished with the role of Méntēs, the goddess now transforms herself into a bird and flies out of the palace through a lightwell on the roof, and what we see here at O.01.320–321 is the wording that describes what Athena had accomplished so far in connecting the mind of Telemachus with the mind of his father. In her role as Méntēs, ‘he who connects mentally’, the goddess has given to the hero Telemachus the menos or ‘mental power’ of connecting with the heroic identity of his father. That act of doing this is expressed here at O.01.321 by the verb hupo-mnē-, which means literally ‘mentally connect’ (details in GMP 113). But the mental connectivity of Telemachus is not yet complete, as we will see in the comment on O.01.346–352.

source
Leonard Muellner

association of menos with memnēmai, and argument against the distinction between derivatives from the root mnā- meaning ‘think, remember’ and those from men- meaning ‘to be enraged’ (contra Considine 1985)

source

comment on the meaning of Mentes and his purpose (reminding Telemachus of his father/putting menos/tharsos in him)

source