Homer Odyssey 18.337

ed. Robert Southey

View: By Book

Odyssey. Homer. ed. Robert Southey. London. 1837.

Sponsored by Tufts University.

Current edition Experimental

English (William Cowper, 1791, ed. Southey) (OCR draft) (English) (English (William Cowper, 1791, ed. Southey))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 18.337 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 18.337 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 18.337 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 18.337 focus
“Vixen,” replied resourceful Odysseus, scowling at her, “I will go and tell Telemachus what you have been saying, and he will have you torn limb from limb.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 18.337 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 18.337 focus
To whom with frowns: 'O impudent in wrong!
385
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 18.337 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 18.337 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 18 focus

New Alexandria Commentaries

Douglas Frame

suggests that transitive force of Nestor’s name could have created new transitive verb néō, which was restricted to hieratic contexts

source

analysis of the verb anései, which is argued in the phrase m’anései stands for original *me nései – a future of the hitherto hypothetical verb néō. This would have the lines read “therefore I do not know whether the god will bring me home or whether I will die in Troy.” Argues that proposed verb néō can mean to “bring back from death”

source

reference to Odysseus’ statement that he did not think all the Achaeans would return home

source
Gregory Nagy

In Rhapsody 18, Odysseus as a make-believe beggar is challenged by a most questionable character named Iros, who figures as a real beggar. What makes Iros so questionable is his similarity to characters who figure in a poetic form that can best be described as mock epic.

draft js image error“Ulysses Preparing to Fight with Irus” (1805). John Flaxman (English, 1755–1826) Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

source

See the comments at O.05.160–161 and I.01.052.

source

Here the reference to mōlos ‘struggle’ is comic, in that the fight between Odysseus and Iros is a mock struggle, not serious fighting that befits epic, as in the case of mōlos Arēos ‘struggle of Ares’, analyzed in the comment at I.02.401.

source

Syntactically, the premise here reinforces the probability of the wish. See also the comments on O.14.440–441 and O.15.341–342.

source

The speaker here is Antinoos himself: whoever succeeds in marrying Penelope, he says, would surely qualify as ‘the best of the Achaeans’. As the narrative will make clear, however, Antinoos is the least worthy of all the suitors in pursuit of this double goal of marrying Penelope and thus qualifying as ‘the best of the Achaeans’. See also the comments at O.11.179, O.15.521–522, and O.16.076.

source

The insults hurled by Melantho at the disguised Odysseus are replete with words indicating the language of blame poetry. For aiskhro- ‘disgraceful, shameful’, see the comments at I.02.216, I.03.038, I.06.325. For oneideio- ‘insulting’, see the comments on oneidos (plural oneidea) ‘words of insult’ at I.01.291, I.02.222, I.03.242, I.20.244–256. As for eniptein ‘scold’ at O.18.321 and O.18.326, it applies not only to unrighteous blame, as here, but also to righteous blame, as when Penelope scolds Antinoos at O.16.417.

source

See the comment on lōbeuein ‘say words of insult’ at O.02.323.

source

On kertomeîn ‘say words of insult’, see the comments at O.02.323 and I.02.256.

source

What Odysseus says to Eurymakhos here at O.18.366–386 can be seen as a poetic admonition given by the righteous to the unrighteous, especially in the wording at O.18.366–375, which is comparable to what Hesiod says to Perses in the Hesiodic Works and Days.

source

The suitor Eurymakhos is stung by the words spoken to him by the disguised Odysseus. These words, spoken tharsaleōs ‘boldly’, O.18.390, can be seen as blame poetry—but here the blame is justified, unlike the blame that is hurled at Odysseus by the suitors and by the disloyal members of his own household.

source

In the immediate context, here at O.18.424, only the surface meaning of therapōn as ‘attendant’ is evident.

source
Leonard Muellner

in a list of examples of the functional relationship between eukhesthai and phanai (in the context of analyzing genos eukhesthai einai formulas)

source

among examples of formal divergence between phrases which are functionally parallel but occur in spoken dialogue as against narrative (transformations of (A) paralleled in a secular series, of which this verse is an example)

source

analysis of the interconnections of mēnis, exchange rules, and timē for xenoi

source

comment on the nature of the return expected when making a libation that can be either implicit and ordained by custom or made explicit verbally, with this verse as an example of the inexplicit version of the rite

source