Homer Odyssey 14.72

ed. Robert Southey

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Odyssey. Homer. ed. Robert Southey. London. 1837.

Sponsored by Tufts University.

Current edition Experimental

English (William Cowper, 1791, ed. Southey) (OCR draft) (English) (English (William Cowper, 1791, ed. Southey))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 14.72 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 14.72 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 14.72 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 14.72 focus
As he spoke he bound his belt round him and went to the sties where the young sucking pigs were penned.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 14.72 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 14.72 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 14.72 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 14.72 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 14 focus

Notes on the current edition

Odyssey

1. It may be proper to suggest that Ulysses was lord of part of the continent opposite to Ithaca—viz. of the peninsula Nericus or Leuca, which afterward became an island, and is now called Santa Maura. F.

New Alexandria Commentaries

Douglas Frame

example of stock nature of the description of Odysseus’ possessions

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Gregory Nagy

Now that he has finally returned to his homeland of Ithaca, Odysseus must accomplish another kind of return: he must be restored to kingship. Such a restoration, however, must start from the bottom up. The goddess Athena, his ultimate benefactor but occasional antagonist, has made Odysseus seem to be ‘base’ on the outside, hiding his inner moral nobility. Only those who are likewise morally ‘noble’ will be able to read, as it were, the hero’s true nature. Meanwhile, the coded tales told by Odysseus point toward the truth of his kingship—without revealing it outright. A telling example here in Rhapsody 14 is the second Cretan tale told by Odysseus: it is about a Cretan princeling, not unlike the dapper figure we see in the romanticized restoration of a Minoan fresco as featured in the cover-illustration for Rhapsody 14.

draft js image errorMinoan—probably Neopalatial—fresco commonly known as the “Lily Prince.” Whatever the exact type of this personage (perhaps a crowned acrobat, according to the interpretation of Maria Shaw), the Lily Prince is certainly a Minoan of elite standing. Public domain image based on a famous watercolor by Émile Gilliéron of a reconstruction by Arthur Evans. Image via Wikimedia Commons.

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Here is the first time in the Odyssey that Eumaios is mentioned by name. On the meaning of Eúmaios, see the note on O.17.292.

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See the anchor comment at O.07.256. Here at O.14.063, the idea of ritual and moral correctness in host-guest relationships is conveyed by the idea of not interrupting the proper sequence of procedures and protocols.

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See the comment on O.14.063.

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The wording at O.14.124–125 refers indirectly to itinerant poets/singers who are ready to adapt the content of their poetry/song to whatever the local audience expects to hear as its own local truth-value. It is as if such poets/singers were ‘lying’, as expressed at O.14.125 by the verb pseudesthai, which is contrasted here in this line with the adjective alēthe- ‘true’. Such itinerant poets/singers are described here as if they were wanderers in general who are ready to adapt the content of whatever they say to the standards of whomever they encounter in a given locale. By implication, those standards represent the real truth, while the mental process of adapting the truth is the equivalent of lying. Wandering beggars are like that: they will lie in order to please those who might give them food to express their pleasure. By implication, hunger for food in the stomach drives the poet as guest to say what his host wants to hear. The poet, then, is dependent on the patronage of his local audiences. See also the comment on O.07.215–221. There is a relevant passage in Hesiod Theogony 26–28, quoted in the comment on O.19.203.

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Here again Ithaca is figured as one single dēmos ‘community, district’. See already the comment on O.01.103.

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Leonard Muellner

analysis of the interconnections of mēnis, exchange rules, and timē for xenoi

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association of endukeōs with philein, in the context of the analysis of the language affirming the rules of reciprocal exchange in Achilles’ ransoming Hektor/receiving Priam (Zeus’ words), with particular comment on endukeōs

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analysis of the passages in the Odyssey that imply that a basic component of the story of Odysseus’ return, the massacre of the suitors, is a variant of the mēnis theme

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analysis of philotēs and timē going together with this passage as an example

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