Homer Odyssey 11.225

ed. Robert Southey

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Odyssey. Homer. ed. Robert Southey. London. 1837.

Sponsored by Tufts University.

Current edition Experimental

English (William Cowper, 1791, ed. Southey) (OCR draft) (English) (English (William Cowper, 1791, ed. Southey))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 11.361 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 11.225 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 11.225 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.225 focus
Thus did we converse, and then proud Persephone sent up the spirits of the wives and daughters of all the most famous men. They gathered in crowds about the blood, and I considered how I might question them severally. [230] In the end I thought that it would be best to draw the keen blade that hung by my sturdy thigh, and keep them from all drinking the blood at once. So they came up one after the other, and each one as I questioned her told me her birth and lineage.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 11.225 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 11.225 focus
Thus while she spoke, in swarms hell's empress brings
Daughters and wives of heroes and of kings;
Thick and more thick they gather round the blood,
275
Ghost throng'd on ghost (a dire assembly) stood!
Dauntless my sword I seize; the airy crew,
Swift as it flash'd along the gloom, withdrew;
Then shade to shade in mutual 1 forms succeeds,
Her 2 race recounts, and their illustrious deeds.
280
Tyro began, whom great Salmoneus 3 bred;
The royal partner of famed Cretheus' bed.
For fair Enipeus, as from fruitful urns
He pours his watery store, the virgin burns;
Smooth flows the gentle stream with wanton pride,
285
And in soft mazes rolls a silver tide. 4
As on his banks the maid enamour'd roves,
The monarch of the deep beholds and loves;
In her Enipeus' form and borrow'd charms
The amorous god descends into her arms:
290
Around, a spacious arch of waves he throws,
And high in air the liquid mountain rose;
Thus in surrounding floods conceal'd he proves
The pleasing transport, and completes his loves.
Then softly sighing, he the fair address'd,
295
And as he spoke her tender hand he press'd:
"Hail, happy nymph! no vulgar births are ow'd
To the prolific raptures of a god:
Lo! when nine times the moon renews her horn,
Two brother heroes shall from thee be born;
300
Thy early care the future worthies claim,
To point them to the arduous paths of fame;
But in thy breast th' important truth conceal,
Nor dare the secret of a god reveal:
For know, thou Neptune view'st! and at my nod
305
Earth trembles, and the waves confess their god."
He added not, but mounting spurn'd the plain,
Then plunged into the chambers of the main.
Now in the time's full process forth she brings
Jove's dread vicegerents in two future kings;
310
O'er proud Iolcos Pelias stretch'd his reign,
And godlike Neleus rul'd the Pylian plain:
Then fruitful, to her Cretheus' royal bed
She gallant Pheres and famed Aeson bred:
From the same fountain Amythaon rose,
315
Pleas'd with the din of war, and noble shout of foes.
There mov'd Antiopè, 5 with haughty charms,
Who bless'd th' almighty Thunderer in her arms:
Hence sprung Amphion, hence brave Zethus came,
Founders of Thebes, and men of mighty name;
320
Though bold in open field, they yet surround
The town with walls, and mound inject on mound;
Here ramparts stood, there towers rose high in air,
And here through seven wide portals rush'd the war.
There with soft step the fair Alcmena trod,
325
Who bore Alcides to the thundering god:
And Megara, who charm'd the son of Jove, 6
And soften'd his stern soul to tender love.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.225 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 11.225 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 11 focus

New Alexandria Commentaries

Douglas Frame

analysis of language used to describe the imprisonment of Melampus

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analysis of survival of the role of nóos in the story of Melampus, which suggests a the context of prophesy similar to Teiresias’ relationship to the theme of “returning from death”

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brief analysis of the Dioscuri, who as a combination of immortal and mortal elements, experience an alternation between life and death

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This passage featuring three Athenian heroines belongs to the Panathenaic version of the catalogue of heroines. It is the final such Athenian expansion of the catalogue, and functions as an "Athenian signature." In the last line of the passage the god Dionysus is mentioned in connection with the third Athenian heroine, Ariadne. The form of his name in Greek is the Athenian form versus the usual Homeric form (Διόνυσος, with a short -o- vs. the usual Epic form Διώνυσος, with -ō-), and this is part of the "signature." If the whole signature is deliberate - if it is asserting its Athenian origin- the phrase containing the name Dionysus may have a double meaning. On the surface of the narrative Ariadne is killed Dionusou marturiēisi "on the evidence of Dionysus." In terms of an "Athenian signature" the "evidence of Dionysus" could suggest a slightly different translation, "the evidence of the word Dionysus."

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Gregory Nagy

The encounter of Odysseus with the seer Teiresias in Hādēs is a mystical experience that defines the hero of the Odyssey in a new way: Odysseus now learns that he will have a homecoming that leads to a most startling discovery of his own self as a cult hero in the making.

draft js image error“Teiresias appears to Ulysses during the sacrifice,” (1780–1785). Henry Fuseli (German, 1741–1825). Image via Wikimedia Commons.

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I defer here to the definitive analysis of Frame 2009:227-329.

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As we saw at I.02.658, the name of Hēraklēs is linked with the epic theme of biē in the sense of martial ‘force, violence, strength’; even the name of Hēraklēs can be formulated periphrastically as ‘the force of Hēraklēs’. And now we see the same pattern of naming applied to a hero named Iphiklēs. The application is all the more apt here, since the element īs ‘force, violence, strength’ in the name of Iphiklēs is a synonym of biē ‘force, violence, strength’.

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See the comment on O.11.290.

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Kastōr and Poludeukēs, the Divine Twins, are also mentioned at I.03.237. See the comment there.

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Leonard Muellner

in a list of secular eukhesthai reporting speech (absolute usage)

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one of Corlu’s examples of eukhesthai referring to past actions

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analysis of secular eukhesthai (genos-formula) in catalogue poetry in which phanai can substitute for eukhesthai

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analysis of secular eukhesthai (genos-formula) in catalogue poetry in which phanai can substitute for eukhesthai

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place where neither phanai nor eukhesthai are used in the genealogies of the catalogue of heroes in O.11, in the context of the analysis of secular eukhesthai (genos-formula) in catalogue poetry in which phanai can substitute for eukhesthai [MRBTP: 'ff']

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place where neither phanai nor eukhesthai are used in the genealogies of the catalogue of heroes in O.11, in the context of the analysis of secular eukhesthai (genos-formula) in catalogue poetry in which phanai can substitute for eukhesthai [MRBTP: 'ff']

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analysis of secular eukhesthai (genos-formula) in catalogue poetry in which phanai can substitute for eukhesthai

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