Homer Odyssey 9.116

ed. George Chapman

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Odyssey. Homer. ed. George Chapman. London. 1857.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1667, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 9.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 9.116 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 9.82 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 9.116 focus
Now off their harbor there lies a wooded and fertile island not quite close to the land of the Cyclopes, but still not far. It is overrun with wild goats, that breed there in great numbers and are never disturbed by foot of man; [120] for sportsmen—who as a rule will suffer so much hardship in forest or among mountain precipices—do not go there, nor yet again is it ever plowed or fed down, but it lies a wilderness untilled and unsown from year to year, and has no living thing upon it but only goats. [125] For the Cyclopes have no ships, nor yet shipwrights who could make ships for them; they cannot therefore go from city to city, or sail over the sea to one another’s country as people who have ships can do; [130] if they had had these they would have colonized the island, for it is a very good one, and would yield everything in due season. There are meadows that in some places come right down to the sea shore, well watered and full of luscious grass; grapes would do there excellently; there is level land for plowing, and it would always yield heavily [135] at harvest time [ hōrā], for the soil is deep. There is a good harbor where no cables are wanted, nor yet anchors, nor need a ship be moored, but all one has to do is to beach one’s vessel and stay there till the wind becomes fair for putting out to sea again. [140] At the head of the harbor there is a spring of clear water coming out of a cave, and there are poplars growing all round it.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 9.116 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 9.116 focus
Oppos'd to the Cyclopean coasts, there lay
An isle, whose hills their subject fields survey;
Its name Lachaea, 1 crown'd with many a grove,
135
Where savage goats through pathless thickets rove:
No needy mortals here, with hunger bold,
Or wretched hunters through the wintry cold
Pursue their flight; but leave them safe to bound
From hill to hill, o'er all the desert ground.
140
Nor knows the soil to feed the fleecy care,
Or feels the labours of the crooked share;
But uninhabited, untill'd, unsown
It lies, and breeds the bleating goat alone.
For there no vessel with vermilion prore,
145
Or bark of traffic, glides from shore to shore;
The rugged race of savages, unskill'd
The seas to traverse, or the ships to build,
Gaze on the coast, nor cultivate the soil,
Unlearn'd in all th' industrious arts of toil.
150
Yet here all products and all plants abound,
Sprung from the fruitful genius of the ground;
Fields waving high with heavy crops are seen,
And vines that flourish in eternal green,
Refreshing meads along the murmuring main,
155
And fountains streaming down the fruitful plain.
A port there is, inclos'd on either side,
Where ships may rest, unanchor'd and untied;
Till the glad mariners incline to sail,
And the sea whitens with the rising gale.
160
High at the head from out the cavern'd rock,
In living rills a gushing fountain broke:
Around it, and above, for ever green,
The bushy alders form'd a shady scene.
Hither some favouring god, beyond our thought,
165
Through all-surrounding shade our navy brought;
For gloomy night descended on the main,
Nor glimmer'd Phœbe in th' ethereal plain:
But all unseen the clouded island lay,
And all unseen the surge and rolling sea,
170
Till safe we anchor'd in the shelter'd bay:
Our sails we gather'd, cast our cables o'er,
And slept secure along the sandy shore.
Soon as again the rosy morning shone,
Reveal'd the landscape and the scene unknown,
175
With wonder seiz'd, we view the pleasing ground,
And walk delighted, and expatiate round.
Rous'd by the woodland nymphs at early dawn,
The mountain goats came bounding o'er the lawn:
In haste our fellows to the ships repair,
180
For arms and weapons of the sylvan war;
Straight in three squadrons all our crew we part,
And bend the bow, or wing the missile dart;
The bounteous gods afford a copious prey,
And nine fat goats each vessel bears away:
185
The royal bark had ten. Our ships complete
We thus supplied (for twelve were all the fleet).
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 9.116 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 9.116 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 9 focus

Notes on the current edition

Odyssey

1. The description of all these countries have admirable allegories besides their artly and pleasing relation.—CHAPMAN.

New Alexandria Commentaries

Douglas Frame

comparison to Paṇi myth in which a cave dwelling demon keeps flocks he encloses at night and releases by day

source
Gregory Nagy

The time has come for Odysseus himself to sing his own epic odyssey, and the hero chooses to start with the most celebrated story of the Homeric Odyssey, about the blinding of the Cyclops.

draft js image error“Ulysses Giving Wine to Polyphemus” (1805). John Flaxman (1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund, 1996. Image via the Tate.

The transition from Rhapsody 8 to Rhapsody 9 marks a change in the form of singing for the singer of tales. The poetic bravura of Demodokos, blind singer of the Phaeacians, will now be superseded by a masterpiece of epic narration performed by Odysseus himself, who is starting to sing his own epic odyssey. The hero’s song will extend from the beginning of Rhapsody 9 here all the way through the end of Rhapsody 12, and the size of this song, consisting of four rhapsodies, will correspond to one-twelfth of the Homeric Iliad and Odyssey combined. Odysseus will perform his song in the style of the Homēridai, notional descendants of Homer who performed the Iliad and Odyssey in relay. The relay performance, which was competitive as well as collaborative, consisted of twelve units, each unit consisting of four rhapsodies, and it took place at the seasonally recurring festival of the Panionia at a place called the Panionion in Asia Minor. As already noted before, this festival was the political and cultural self-expression of the Ionian Dodecapolis, a confederation of twelve states that reached its apogee in the eastern Greek world during the late eighth and early seventh century BCE. (On the Ionian Dodecapolis, see the anchor comment on I.01.463; also the comment on O.07.321; also on I.02.867–869 and on I.20.403–405; see also under Ionian Dodecapolis in the inventory of Words and Ideas.) The division of the Iliad and Odyssey into twelve units, six for the Iliad and six for the Odyssey, with each unit containing four rhapsodies, corresponds to the division of the Ionian confederation into twelve states. It may be argued, then, that each one of the twelve states of the Ionian Dodecapolis fielded a rhapsode for performing competitively one of the twelve epic units. Which rhapsode was assigned which one of the twelve epic units could have been determined by lottery or perhaps by way of seasonal rotation. It may also be argued that the rhapsodic unit extending from the start of Rhapsody 9 here all the way through the end of Rhapsody 12 represents an idealized rhapsodic performance in the style of the Homēridai. And Rhapsody 9 begins with a kind of Homeric signature at O.09.03–011—the mark of Homer, as it were.

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Leonard Muellner

comparison of the diction here with that in I.24.039-048 regarding persons incurring mēnis

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