Homer Odyssey 7.287

ed. George Chapman

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Odyssey. Homer. ed. George Chapman. London. 1857.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1667, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 7.240 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 7.287 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 7.302 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 7.287 focus
Sick and sorry as I was I slept among the leaves all night, and through the next day till afternoon, when I woke as the sun was setting in the west, [290] and saw your daughter’s maid servants playing upon the beach, and your daughter among them looking like a goddess. I besought her aid, and she proved to be of an excellent disposition, much more so than could be expected from so young a person—for young people are apt to be thoughtless. [295] She gave me plenty of bread and wine, and when she had had me washed in the river she also gave me the clothes in which you see me. Now, therefore, though it has pained me to do so, I have told you the whole truth [ alētheia].”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 7.287 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 7.287 focus
'Twas night, and cover'd in the foliage deep,
Jove plunged my senses in the death of sleep.
All night I slept, oblivious of my pain:
370
Aurora dawn'd, and Phœbus shin'd in vain,
Nor, till oblique he sloped his evening ray,
Had Somnus dried the balmy dews away.
Then female voices from the shore I heard:
A maid amidst them, goddess-like, appear'd;
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To her I sued, she pitied my distress;
Like thee in beauty, nor in virtue less.
Who from such youth could hope considerate care?
In youth and beauty wisdom is but rare!
She gave me life, reliev'd with just supplies
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My wants, and lent these robes that strike your eyes.
This is the truth: and oh, ye powers on high!
Forbid that want should sink me to a lie."
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 7.287 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 7.287 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 7 focus

Notes on the current edition

Odyssey

1. Αἴθοψ οἶνος, Vinum calefaciendi vim habens.—CHAPMAN.

New Alexandria Commentaries

Gregory Nagy

Odysseus arrives at the palace and garden of Alkinoos (Alcinous), king of the Phaeacians, whose island was equated in ancient times with Kerkyra/Corcyra, the modern Corfù.

draft js image errorView of Garitsa, region right outside the northern walls of the city of Corfu, and according to the legend the site of Alcinous’s gardens (1867). Étienne Rey (French, 1789–1867). Image via the Aikaterini Laskaridis Foundation.

Following the instructions of Nausicaa, Odysseus approaches the palace of her father Alkinoos (latinized as Alcinous), king of the Phaeacians. This palace and the adjacent garden of Alkinoos are not only enchanting but even enchanted, as will be argued in the comments for Rhapsody 7 here. And, as we will see later in the comments for Rhapsody 13, the garden of Alkinoos was thought to have survived on the island of Kerkyra, known in Roman sources as Corcyra and in modern times as Corfù. In ancient times, the people of Kerkyra claimed that their island was in fact the fabled realm of the Phaeacians.

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Alkinoos here qualifies for an epithet that would mean ‘he whose mental-power [menos] is sacred [hieron]’. Instead, however, the name of Alkinoos is expressed periphrastically: ‘the sacred [hieron] mental-power [menos] of Alkinoos’, as if the agency of the king originated from his mental power, not from his existence as a person. See also O.07.178.

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Hunger for food in the gastēr ‘stomach’ drives the poet as guest to say what his host wants to hear. The poet, then, is dependent on the patronage of his local audiences.

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The idea of forgetting as expressed by lēth- is the poetic foil for the idea of remembering as expressed by mnē- 'mentally connect'.

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This adverb endukéōs ‘continuously, uninterruptedly’ expresses the idea of an uninterrupted sequence. The opposite of this adverb endukéōs ‘continuously, uninterruptedly’ can be seen in the adjective adeukḗs, which can be interpreted as ‘discontinuous, interrupting’. See the anchor comment at O.04.489. In terms of this interpretation, the root duk-/deuk- for this adverb/adjective conveys the sense of ‘continue’.

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The project of Calypso was to make Odysseus immortal, he reports.

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The Ionian island of Euboea is ostentatiously described as very far away from the island of the Phaeacians. The point of this description may be related to the poetic agenda of the Odyssey in describing the kingdom of the Phaeacians as a mythological replica of the confederation known as the Ionian Dodecapolis as it existed around the late eighth and early seventh centuries BCE. (On the Ionian Dodecapolis, see the anchor comment on I.01.463; also the comment on I.02.867–869 and on I.20.403–405; see also under Ionian Dodecapolis in the inventory of Words and Ideas.) For a reconstruction of the poetic agenda originating from the Ionian Dodecapolis around the late eighth and early seventh centuries BCE, I recommend the analysis of Frame 2009 ch. 7. (As for a relatively later phase of the poetic agenda, where the kingdom of Alkinoos is reshaped as a mythological replica of the island-state of Kerkyra / Corcyra, I refer to my initial comments on Rhapsody 7 of the Odyssey, where I cross-refer to my further comments on Rhapsody 11.) From the standpoint of Ionian Dodecapolis, dominated by the city-state of Miletus in Asia Minor, the island of Euboea was situated far away to the west. The territory of Euboea was shared by two rival Ionian cities, Eretria and Khalkis, and the first of the two was a close ally of Miletus. The distancing of the Ionian Dodecapolis from Ionian Euboea could be explained as a playfully ostentatious reference to the far reach of East Greeks in dealing with West Greeks.

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Leonard Muellner

analysis of the functional overlap between hiketēs and xeinos, argument that in Homer hiketēs still means ‘he who comes, arrives’

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association of endukeōs with philein, in the context of the analysis of the language affirming the rules of reciprocal exchange in Achilles’ ransoming Hektor/receiving Priam (Zeus’ words), with particular comment on endukeōs

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