Homer Odyssey 7.198

ed. George Chapman

View: By Book

Odyssey. Homer. ed. George Chapman. London. 1857.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1667, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 7.240 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 7.198 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 7.182 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 7.198 focus
It is possible, however, that the stranger is one of the immortals who has come down from the sky to visit us; [200] but in this case the gods are departing from their usual practice, for hitherto they have made themselves perfectly clear to us when we have been offering them hecatombs. They come and sit at our feasts just like one of our selves, and if any solitary wayfarer happens to stumble upon some one or other of them, [205] they affect no concealment, for we are as near of kin to the gods as the Cyclopes and the savage giants are.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 7.198 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 7.198 focus
But if, descended from th' Olympian bower,
265
Gracious approach us some immortal power;
If in that form thou com'st a guest divine;
Some high event the conscious gods design.
As yet, unbid they never graced our feast,
The solemn sacrifice call'd down the guest;
270
Then manifest of heaven the vision stood,
And to our eyes familiar was the god.
Oft with some favour'd traveller they stray,
And shine before him all the desert way;
With social intercourse, and face to face,
275
The friends and guardians of our pious race.
So near approach we their celestial kind,
By justice, truth, and probity of mind;
As our dire neighbours of Cyclopean birth
Match in fierce wrong the giant-sons of earth. 1 "
280
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 7.198 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 7.198 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 7 focus

Notes on the current edition

Odyssey

1. Eustathius will have this comparison of the Phæacians with the Giants and Cyclops to proceed out of the inveterate virulency of Antinous to the Cyclops, who were cause (as is before said) of their remove from their country; and with great endeavour labours the approbation of it; but (under his peace) from the purpose: for the sense of the Poet is clear, that the Cyclops and Giants being in part the issue of the Gods, and yet afterward their defiers, (as Polyp. hereafter dares profess) Antinous (out of bold and manly reason, even to the face of one that might have been a God, for the past manly appearance he made there) would tell him, and the rest in him, that if they graced those Cyclops with their open appearance, that, though descended from them, durst yet deny them, they might much more do them the honour of their open presence that adored them.—CHAPMAN.

New Alexandria Commentaries

Gregory Nagy

Odysseus arrives at the palace and garden of Alkinoos (Alcinous), king of the Phaeacians, whose island was equated in ancient times with Kerkyra/Corcyra, the modern Corfù.

draft js image errorView of Garitsa, region right outside the northern walls of the city of Corfu, and according to the legend the site of Alcinous’s gardens (1867). Étienne Rey (French, 1789–1867). Image via the Aikaterini Laskaridis Foundation.

Following the instructions of Nausicaa, Odysseus approaches the palace of her father Alkinoos (latinized as Alcinous), king of the Phaeacians. This palace and the adjacent garden of Alkinoos are not only enchanting but even enchanted, as will be argued in the comments for Rhapsody 7 here. And, as we will see later in the comments for Rhapsody 13, the garden of Alkinoos was thought to have survived on the island of Kerkyra, known in Roman sources as Corcyra and in modern times as Corfù. In ancient times, the people of Kerkyra claimed that their island was in fact the fabled realm of the Phaeacians.

source

Alkinoos here qualifies for an epithet that would mean ‘he whose mental-power [menos] is sacred [hieron]’. Instead, however, the name of Alkinoos is expressed periphrastically: ‘the sacred [hieron] mental-power [menos] of Alkinoos’, as if the agency of the king originated from his mental power, not from his existence as a person. See also O.07.178.

source

Hunger for food in the gastēr ‘stomach’ drives the poet as guest to say what his host wants to hear. The poet, then, is dependent on the patronage of his local audiences.

source

The idea of forgetting as expressed by lēth- is the poetic foil for the idea of remembering as expressed by mnē- 'mentally connect'.

source

This adverb endukéōs ‘continuously, uninterruptedly’ expresses the idea of an uninterrupted sequence. The opposite of this adverb endukéōs ‘continuously, uninterruptedly’ can be seen in the adjective adeukḗs, which can be interpreted as ‘discontinuous, interrupting’. See the anchor comment at O.04.489. In terms of this interpretation, the root duk-/deuk- for this adverb/adjective conveys the sense of ‘continue’.

source

The project of Calypso was to make Odysseus immortal, he reports.

source

The Ionian island of Euboea is ostentatiously described as very far away from the island of the Phaeacians. The point of this description may be related to the poetic agenda of the Odyssey in describing the kingdom of the Phaeacians as a mythological replica of the confederation known as the Ionian Dodecapolis as it existed around the late eighth and early seventh centuries BCE. (On the Ionian Dodecapolis, see the anchor comment on I.01.463; also the comment on I.02.867–869 and on I.20.403–405; see also under Ionian Dodecapolis in the inventory of Words and Ideas.) For a reconstruction of the poetic agenda originating from the Ionian Dodecapolis around the late eighth and early seventh centuries BCE, I recommend the analysis of Frame 2009 ch. 7. (As for a relatively later phase of the poetic agenda, where the kingdom of Alkinoos is reshaped as a mythological replica of the island-state of Kerkyra / Corcyra, I refer to my initial comments on Rhapsody 7 of the Odyssey, where I cross-refer to my further comments on Rhapsody 11.) From the standpoint of Ionian Dodecapolis, dominated by the city-state of Miletus in Asia Minor, the island of Euboea was situated far away to the west. The territory of Euboea was shared by two rival Ionian cities, Eretria and Khalkis, and the first of the two was a close ally of Miletus. The distancing of the Ionian Dodecapolis from Ionian Euboea could be explained as a playfully ostentatious reference to the far reach of East Greeks in dealing with West Greeks.

source
Leonard Muellner

analysis of the functional overlap between hiketēs and xeinos, argument that in Homer hiketēs still means ‘he who comes, arrives’

source

association of endukeōs with philein, in the context of the analysis of the language affirming the rules of reciprocal exchange in Achilles’ ransoming Hektor/receiving Priam (Zeus’ words), with particular comment on endukeōs

source