Homer Odyssey 7.107

ed. George Chapman

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Odyssey. Homer. ed. George Chapman. London. 1857.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1667, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 7.107 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 7.107 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 7.78 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 7.107 focus
As the Phaeacians are the best sailors in the world, so their women [110] excel all others in weaving, for Athena has taught them all manner of useful arts, and they are very intelligent.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 7.107 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 7.107 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 7.107 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 7.107 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 7 focus

Notes on the current edition

Odyssey

1. Vulcan.
2. Querns—hand-mills. (Anglo-Sax. cweorn.)

New Alexandria Commentaries

Gregory Nagy

Odysseus arrives at the palace and garden of Alkinoos (Alcinous), king of the Phaeacians, whose island was equated in ancient times with Kerkyra/Corcyra, the modern Corfù.

draft js image errorView of Garitsa, region right outside the northern walls of the city of Corfu, and according to the legend the site of Alcinous’s gardens (1867). Étienne Rey (French, 1789–1867). Image via the Aikaterini Laskaridis Foundation.

Following the instructions of Nausicaa, Odysseus approaches the palace of her father Alkinoos (latinized as Alcinous), king of the Phaeacians. This palace and the adjacent garden of Alkinoos are not only enchanting but even enchanted, as will be argued in the comments for Rhapsody 7 here. And, as we will see later in the comments for Rhapsody 13, the garden of Alkinoos was thought to have survived on the island of Kerkyra, known in Roman sources as Corcyra and in modern times as Corfù. In ancient times, the people of Kerkyra claimed that their island was in fact the fabled realm of the Phaeacians.

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Alkinoos here qualifies for an epithet that would mean ‘he whose mental-power [menos] is sacred [hieron]’. Instead, however, the name of Alkinoos is expressed periphrastically: ‘the sacred [hieron] mental-power [menos] of Alkinoos’, as if the agency of the king originated from his mental power, not from his existence as a person. See also O.07.178.

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Leonard Muellner

analysis of the functional overlap between hiketēs and xeinos, argument that in Homer hiketēs still means ‘he who comes, arrives’

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