Homer Odyssey 12.364

ed. George Chapman

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Odyssey. Homer. ed. George Chapman. London. 1857.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) (English) (English (George Chapman, 1667, ed. Hooper 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 12.327 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 12.364 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 12.352 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 12.364 focus
then, when the thigh bones were burned and they had tasted the innards, [365] they cut the rest up small and put the pieces upon the spits.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 12.364 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 12.364 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 12.364 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 12.364 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 12 focus

New Alexandria Commentaries

Douglas Frame

analysis of the Sun’s apparent endowment with an all-embracing consciousness. Compare to Xenophanes frag.20 (Diehl)

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interpretation of Helios episode as “return from death.” Sleep, or unconsciousness, is analyzed as the death from which nóstos is the “return”

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analysis of possible reminiscence of Helios’ descent into Hades as the means by which the companions, who equated with sunset, were put to death

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Gregory Nagy

The storytelling of Odysseus is about to confront three of its most mystical moments here: the Song of the Sirens, Scylla and Charybdis, the Cattle of the Sun. The myths that shape these moments will become for Odysseus a set of powerful metaphors that drive his own odyssey.

draft js image error“Ulysses and the Sirens” (ca. 1909). Herbert James Draper (English, 1863–1920). Image via Wikimedia Commons.

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(The following is epitomized from H24H 10§28.) At O.07.241–266, Odysseus told the story of his liaison with the goddess Calypso, and that part of the story ended there with the releasing of Odysseus from the cave of the goddess. Here at O.12.447–450, the storytelling comes full circle as Odysseus revisits that story about the liaison, which had led into the story of his arrival in the land of the Phaeacians. The hero’s arrival as revisited at the end of the storytelling in Odyssey 12 is implicitly a return to light and life from the cave of Calypso, comparable to the return of the hero to light and life from the darkness and death that were linked with the cave of the Cyclops Polyphemus at the end of the storytelling in Odyssey 9. Similarly at the end of the storytelling in Odyssey 11, Odysseus was ready to emerge from the darkness and death of Hādēs and return to light and life at the beginning of Odyssey 12.

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Leonard Muellner

analysis of the enjambed attestations of #[eukh– –] with dative

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in a list of examples of eukhesthai + dative (formulas which report prayers)

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in a list of examples of absolute use of eukhesthai to report prayers, and this verse as a case in point about the abundance of finite verbs in the indicative that characterizes the sub-genre of narratives or ritual scenes

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