Homer Odyssey 8.521

Samuel Butler (Translator)

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So these were the things that the singer [ aoidos] most famed was singing. As for Odysseus, 522 he dissolved [ tēkesthai] into tears. He made wet his cheeks with the tears flowing from his eyelids, 523 just as a woman cries, falling down and embracing her dear husband, 524 who fell in front of the city and people he was defending, [525] trying to ward off the pitiless day of doom that is hanging over the city and its children. 526 She sees him dying, gasping for his last breath, 527 and she pours herself all over him as she wails with a piercing cry. But there are men behind her, 528 prodding her with their spears, hurting her back and shoulders, 529 and they bring for her a life of bondage, which will give her pain and sorrow. [530] Her cheeks are wasting away with a sorrow [ akhos] that is most pitiful [ eleeinon]. 531 So also did Odysseus pour out a piteous tear [ dakruon] from beneath his brows; 532 there he was, escaping the notice of all while he kept pouring out his tears [ dakrua]. 533 But Alkinoos was the only one of all of them who was aware, and he took note [ noeîn]. [535] The king, therefore, at once rose and said:

Odyssey. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 8.521 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 8.521 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 8.548 focus
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 8.521 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 8.521 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 8.521 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 8.521 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 8.521 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 8 focus

New Alexandria Commentaries

Gregory Nagy

Odysseus encounters the blind singer Demodokos, who performs three songs that reveal hidden truths about the hero of the Odyssey.

draft js image errorBlind Demodokos sings of the siege of Troy (1810), by John Flaxman (English, 1755–1826). Image via Wikimedia Commons.

Alkinoos prepares a feast for Odysseus, who has not yet identified himself. This feast becomes a mythologized replica of a festival that puts on display a dazzling variety of old poetic traditions, soon to be replaced by the new poetry of the Odyssey.

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