Homer Odyssey 17.424

Samuel Butler (Translator)

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but it pleased Zeus, son of Kronos, to take all away from me. [425] He sent me with a band of roving robbers to Egypt; it was a long voyage and I was undone by it. I stationed my ships in the river Aegyptus, and bade my men stay by them and keep guard over them, [430] while I sent out scouts to reconnoiter from every point of vantage.

Odyssey. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 17.462 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 17.424 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 17.409 focus
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 17.424 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 17.424 focus
'But Jove, all-governing, whose only will
'Determines fate, and mingles good with ill,
'Sent me (to punish my pursuit of gain)
'With roving pirates o'er th' Egyptian main:
510
'By Egypt's silver flood our ships we moor;
'Our spies commission'd straight the coast explore;
'But, impotent of mind, with lawless will
'The country ravage and the natives kill.
'The spreading clamour to their city flies,
515
'And horse and foot in mingled tumult rise:
'The reddening dawn reveals the hostile fields
'Horrid with bristly spears, and gleaming shields:
'Jove thunder'd on their side: our guilty head
'We turn'd to flight; the gathering vengeance spread
520
'On all parts round, and heaps on heaps lay dead.
'Some few the foe in servitude detain;
'Death ill-exchang'd for bondage and for pain!
'Unhappy me a Cyprian took aboard,
'And gave to Dmetor, Cyprus' haughty lord:
525
'Hither, to 'scape his chains, my course I steer,
'Still curs'd by fortune, and insulted here!'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 17.424 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 17.424 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 17.424 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 17 focus

New Alexandria Commentaries

Gregory Nagy

Back in Rhapsody 16, Eumaios the swineherd had left behind in his shelter an unrecognized Odysseus and had gone off to the palace in order to contact Penelope; in the swineherd’s absence, Telemachus, left alone with Odysseus, could now get to see his father transformed into an idealized godlike hero, made visible through a luminous epiphany produced by the sacred wand of the goddess Athena. This way, Telemachus could recognize the true Odysseus. But this true hero must not yet be recognized by the returning Eumaios. So, before the swineherd had ever made his return from the palace to the shelter, Athena had already produced a reverse transformation of Odysseus, and the hero could thus revert to his disguise as a lowly beggar. Now, at the beginning of Rhapsody 17, Odysseus can ready himself to go off to the palace in order to engage the suitors as a beggar, thus testing them. The testing will clearly reveal that all the suitors, down to the last man, are morally debased on the inside while seeming to be noble on the outside. Odysseus, in his degraded state as an elderly beggar, is matched by the degradation of his beloved hunting dog Argos, who at least lives long enough to recognize the hero.

draft js image error“Ulysses and his Dog” (1805). John Flaxman (English, 1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

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