Homer Odyssey 17.1

Samuel Butler (Translator)

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When the child of morning, rosy-fingered Dawn, appeared, Telemachus, beloved son of godlike Odysseus, bound on his sandals and took a strong spear that suited his hands, [5] for he wanted to go into the city. “Old friend,” said he to the swineherd, “I will now go to the town and show myself to my mother, for she will never leave off grieving till she has seen me. [10] As for this unfortunate stranger, take him to the town and let him beg there of any one who will give him a drink and a piece of bread. I have trouble enough of my own, and cannot be burdened with other people. If this makes him angry [15] so much the worse for him, but I like to tell what is true [ alēthēs].”

Odyssey. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 17.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 17.1 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 17.1 focus
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 17.1 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 17.1 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 17.1 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 17.1 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 17.1 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 17 focus

New Alexandria Commentaries

Gregory Nagy

Back in Rhapsody 16, Eumaios the swineherd had left behind in his shelter an unrecognized Odysseus and had gone off to the palace in order to contact Penelope; in the swineherd’s absence, Telemachus, left alone with Odysseus, could now get to see his father transformed into an idealized godlike hero, made visible through a luminous epiphany produced by the sacred wand of the goddess Athena. This way, Telemachus could recognize the true Odysseus. But this true hero must not yet be recognized by the returning Eumaios. So, before the swineherd had ever made his return from the palace to the shelter, Athena had already produced a reverse transformation of Odysseus, and the hero could thus revert to his disguise as a lowly beggar. Now, at the beginning of Rhapsody 17, Odysseus can ready himself to go off to the palace in order to engage the suitors as a beggar, thus testing them. The testing will clearly reveal that all the suitors, down to the last man, are morally debased on the inside while seeming to be noble on the outside. Odysseus, in his degraded state as an elderly beggar, is matched by the degradation of his beloved hunting dog Argos, who at least lives long enough to recognize the hero.

draft js image error“Ulysses and his Dog” (1805). John Flaxman (English, 1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

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