Homer Odyssey 15.222

Samuel Butler (Translator)

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But as Telemachus was thus busied, praying also and sacrificing to Athena in the ship’s stern, there came to him a man from a distant locale [ dēmos], a seer [ mantis], who was fleeing from Argos because he had killed a man. [225] He was descended from Melampos, who used to live in Pylos, the land of sheep; he was rich and owned a great house, but he was driven into exile by the great and powerful King Neleus. [230] Neleus seized by force [ biē] his goods and held them for a whole year, during which he was a close prisoner in the house of King Phylakos, and in much distress of mind both on account of the daughter of Neleus and because he was haunted by a great aberration [ atē] that dread Furies [ Erinyes] had laid upon him. [235] In the end, however, he escaped with his life, drove the cattle from Phylake to Pylos, avenged the wrong that had been done him, and gave the daughter of Neleus to his brother. Then he left the dēmos and went to horse-pasturing Argos, where it was ordained [240] that he should reign over much people. There he married, established himself, and had two famous sons Antiphates and Mantios. Antiphates became father of great-hearted Oikles, and Oikles of Amphiaraos, [245] who was dearly loved both by Zeus and by Apollo, but he did not live to old age, for he was killed in Thebes by reason of a woman’s gifts. His sons were Alkmaion and Amphilokhos. Mantios, the other son of Melampos, was father to Polypheides and Kleitos. [250] The Dawn goddess, throned in gold, carried off Kleitos 251 on account of his beauty, so that he might be among the Immortals, but Apollo made high-hearted Polypheides the greatest seer [ mantis] in the whole world now that Amphiaraos was dead. He quarreled with his father and went to live in Hyperesia, [255] where he remained and prophesied for all men.

Odyssey. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 15.222 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 15.222 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 15.195 focus
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 15.222 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 15.222 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 15.222 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 15.222 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 15.222 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 15 focus

New Alexandria Commentaries

Gregory Nagy

Now that Odysseus is back home in Ithaca, it is time for his son Telemachus to return home as well. The goddess Athena now travels to Sparta, where she will initiate the return of Telemachus back home to Ithaca.

draft js image errorDetail from a fresco found at Hagia Triadha in Crete. Reconstruction by Mark Cameron, p. 96 of the catalogue Fresco: A Passport into the Past. Minoan Crete through the eyes of Mark Cameron. 1999. Catalogue curated by Doniert Evely. Athens: British School at Athens; and N. P. Goulandris Foundation, Museum of Cycladic Art. Reproduced with the permission of the British School at Athens. BSA Archive: Mark Cameron Personal Papers: CAM 1.

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