Homer Odyssey 14.321

Samuel Butler (Translator)

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There it was that I heard news of Odysseus, for the king told me he had entertained him, and shown him much hospitality while he was on his homeward journey. He showed me also the treasure of gold and wrought iron that Odysseus had got together. [325] There was enough to keep his family for ten generations, so much had he left in the house of King Pheidon. But the king said Odysseus had gone to Dodona that he might learn Zeus’ mind from the god’s high oak tree, and know whether after so long an absence he should return to the district [ dēmos] of Ithaca [330] openly, or in secret. Moreover the king swore in my presence, making drink-offerings in his own house as he did so, that the ship was by the water side, and the crew found, that should take him to his own country. He sent me off however before Odysseus returned, for there happened to be a Thesprotian ship [335] sailing for the wheat-growing island of Doulikhion, and he told those in charge of her to be sure and take me safely to King Akastos.

Odyssey. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 14.360 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 14.321 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 14.321 focus
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 14.321 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 14.321 focus
'While here I sojourn'd, oft I heard the fame
355
'How late Ulysses to the country came,
'How lov'd, how honour'd, in this court he stay'd,
'And here his whole collected treasure laid;
'I saw myself the vast unnumber'd store
'Of steel elaborate, and refulgent ore,
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'And brass high heap'd amidst the regal dome;
'Immense supplies for ages yet to come!
'Meantime he voyaged to explore the will
'Of Jove, on high Dodona's holy hill,
'What means might best his safe return avail,
365
'To come in pomp, or bear a secret sail?
'Full oft has Phidon, 1 whilst he pour'd the wine,
'Attesting solemn all the powers divine,
'That soon Ulysses would return, declar'd,
'The sailors waiting, and the ships prepar'd.
370
'But first the king dismiss'd me from his shores,
'For fair Dulichium 2 crown'd with fruitful stores;
'To good Acastus's 3 friendly care consign'd:
'But other counsels pleas'd the sailors' mind:
'New frauds were plotted by the faithless train,
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'And misery demands me once again.
'Soon as remote from shore they plough the wave,
'With ready hands they rush to seize their slave;
'Then with these tatter'd rags they wrapp'd me round
'(Stripp'd of my own,) and to the vessel bound.
380
'At eve, at Ithaca's delightful land
'The ship arriv'd: forth issuing on the sand,
'They sought repast: while, to th' unhappy kind,
'The pitying gods themselves my chains unbind.
'Soft I descended, to the sea applied
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'My naked breast, and shot along the tide.
'Soon pass'd beyond their sight, I left the flood,
'And took the spreading shelter of the wood.
'Their prize escap'd the faithless pirates mourn'd;
'But deem'd inquiry vain, and to their ships return'd.
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'Screen'd by protecting gods from hostile eyes,
'They led me to a good man and a wise,
'To live beneath thy hospitable care,
'And wait the woes heaven dooms me yet to bear.'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 14.321 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 14.321 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 14.321 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 14 focus

New Alexandria Commentaries

Gregory Nagy

Now that he has finally returned to his homeland of Ithaca, Odysseus must accomplish another kind of return: he must be restored to kingship. Such a restoration, however, must start from the bottom up. The goddess Athena, his ultimate benefactor but occasional antagonist, has made Odysseus seem to be ‘base’ on the outside, hiding his inner moral nobility. Only those who are likewise morally ‘noble’ will be able to read, as it were, the hero’s true nature. Meanwhile, the coded tales told by Odysseus point toward the truth of his kingship—without revealing it outright. A telling example here in Rhapsody 14 is the second Cretan tale told by Odysseus: it is about a Cretan princeling, not unlike the dapper figure we see in the romanticized restoration of a Minoan fresco as featured in the cover-illustration for Rhapsody 14.

draft js image errorMinoan—probably Neopalatial—fresco commonly known as the “Lily Prince.” Whatever the exact type of this personage (perhaps a crowned acrobat, according to the interpretation of Maria Shaw), the Lily Prince is certainly a Minoan of elite standing. Public domain image based on a famous watercolor by Émile Gilliéron of a reconstruction by Arthur Evans. Image via Wikimedia Commons.

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