Homer Odyssey 8.250

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Odyssey. Homer. Boston. 1873.

Current edition Experimental

English (William Cullen Bryant, 1873) (OCR draft) (English) (English (William Cullen Bryant, 1873))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 8.295 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 8.250 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 8.234 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 8.250 focus
Let’s get started. I want the best of the Phaeacian acrobatic dancers [ bētarmones] 251 to perform their sportive dance [ paizein], so that the stranger, our guest, will be able to tell his near-and-dear ones, 252when he gets home, how much better we (Phaeacians) are than anyone else 253 in sailing and in footwork, in dance and song. 254 One of you go and get for Demodokos the clear-sounding phorminx, [255] bringing it to him. It is in the palace somewhere.” 256 Thus spoke Alkinoos, the one who looks like the gods, and the herald [ kērux] got up, 257 ready to bring the well carved phorminx from the palace of the king. 258 And the organizers [ aisumnētai], the nine selectmen, all got up 259 —they belonged to the district [ dēmos]—and they started arranging everything according to the rules of the competition [ agōn]. [260] They made smooth the place of the singing and dancing [ khoros], and they made a wide space of competition [ agōn]. 261 The herald [ kērux] came near, bringing the clear-sounding phorminx 262 for Demodokos. He moved to the center of the space. At his right and at his left were boys [ kouroi] 263 in the first stage of adolescence [ prōthēboi], standing there, well versed in dancing [ orkhēthmos]. 264 They pounded out with their feet a dance [ khoros], a thing of wonder, and Odysseus [265] was observing the sparkling footwork. He was amazed in his heart [ thūmos].
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 8.250 focus
Rise, then, ye skill'd in measures; let him bear
Your fame to men that breathe a distant air:
And faithful say, to you the powers belong
To race, to sail, to dance, to chant the song.
290
But, herald, to the palace swift repair,
And the soft lyre to grace our pastimes bear."
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 8.250 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 8.250 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 8.250 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 8 focus

New Alexandria Commentaries

Douglas Frame

example of the appearance of nóos linked to Odysseus’ return. Analysis of Athena as representation of the intelligence of Odysseus

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citation of Athena’s creation and then removal of the mist upon Odysseus’ arrival. Argues this reinforces the thematic connections between the arrival of Odysseus and the Sun

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Gregory Nagy

Odysseus encounters the blind singer Demodokos, who performs three songs that reveal hidden truths about the hero of the Odyssey.

draft js image errorBlind Demodokos sings of the siege of Troy (1810), by John Flaxman (English, 1755–1826). Image via Wikimedia Commons.

Alkinoos prepares a feast for Odysseus, who has not yet identified himself. This feast becomes a mythologized replica of a festival that puts on display a dazzling variety of old poetic traditions, soon to be replaced by the new poetry of the Odyssey.

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verses matching these quoted in the Derveni Papyrus and considered by the commentator as Orphic (Obbink 1997:41n4)

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