Homer Odyssey 4.183

View: By Book

Odyssey. Homer. Boston. 1873.

Current edition Experimental

English (William Cullen Bryant, 1873) (OCR draft) (English) (English (William Cullen Bryant, 1873))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 4.183 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 4.183 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 4.190 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 4.183 focus
Thus did he speak, and his words set them all to weeping. Helen of Argos, daughter of Zeus, wept, Telemachus [185] wept, and so did Menelaos the son of Atreus, nor could Nestor’s son Peisistratos keep his eyes from filling, when he remembered his dear brother stately Antilokhos whom the son of bright Dawn had killed. Then he said to Menelaos,
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 4.183 focus
He ceas'd; a gust of grief began to rise;
250
Fast streams a tide from beauteous Helen's eyes;
Fast for the sire the filial sorrows flow;
The weeping monarch swells the mighty woe:
Thy cheeks, Pisistratus, the tears bedew,
While pictur'd to thy mind appear'd in view
255
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 4.183 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 4.183 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 4.183 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 4 focus

New Alexandria Commentaries

Gregory Nagy

With the continued aid of the goddess Athena, young Telemachus now becomes an ideal guest for his new hosts, Menelaos together with Helen. The identity of Helen as a goddess becomes more evident now that she is back in Sparta. This divine identity will point to the future immortalization of the hero Menelaos by virtue of his winning back Helen as his consort.

draft js image error“The Fair Helen.” Willy Pogany (Hungarian, 1882–1955). Image via.

source

Helen presents her story about the sorrows of the Trojan War as an entertainment, marked by the the programmatic word terpesthai ‘feel delight’, O.04.239. Evidently, the drug nēpenthes has occluded the sorrow of her listeners. See the comment on O.04.220–226.

source

Here, unlike elsewhere, the cognitive act of recognizing Odysseus, as marked by the verb anagignōskein ‘recognize’, does not require the explicit use of the word sēma ‘sign’.

source

Helen refers to her elopement with Paris=Alexandros as an atē ‘aberration’ caused by Aphrodite.

source

φωνὴν ἴσκουσ’ ἀλόχοισιν.

‘She [= Helen] was likening [eïskein] her voice to the voices of their wives.’

Helen possesses the art of ‘making a likeness’ of the voices of others. By ‘likening’ her voice to the voices of any wife of any Homeric hero, she is actually making her voice the same as theirs. We see here a Muse-like feat of verbal art. On this point, I have more to say in the comment on O.19.203.

source