Homer Odyssey 2.267

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Odyssey. Homer. Boston. 1873.

Current edition Experimental

English (William Cullen Bryant, 1873) (OCR draft) (English) (English (William Cullen Bryant, 1873))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 2.267 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 2.267 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 2.260 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 2.267 focus
As he thus prayed, Athena came close up to him in the likeness and with the voice of Mentor. [270] “Telemachus, you will not be weak or resourceless in the future 271 if truly the goodly power [ menos] of your father has been instilled in you, for Odysseus never broke his word nor left his work half done. If, then, you take after him, your voyage will not be fruitless, but unless you have the blood of Odysseus and of Penelope in your veins [275] I see no likelihood of your succeeding. Sons are seldom as good men as their fathers; they are generally worse, not better; still, as you are not going to be either fool or coward henceforward, and are not entirely without some share of your father’s wise discernment, [280] I look with hope upon your undertaking. But mind you never have thoughts [ noos] like those of any of those foolish suitors, for they are neither sensible nor just [ dikaioi], and give no thought to death and to the doom that will shortly fall on one and all of them, so that they shall perish on the same day. [285] As for your voyage, it shall not be long delayed; your father was such an old friend of mine that I will find you a ship, and will come with you myself. Now, however, return home, and go about among the suitors; begin getting provisions ready for your voyage; see everything well stowed, [290] the wine in jars, and the barley meal, which is the staff of life, in leather bags, while I go round the district [ dēmos] and round up volunteers at once. There are many ships in Ithaca both old and new; I will run my eye over them for you and will choose the best; [295] we will get her ready and will put out to sea without delay.”
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 2.267 focus
Indulgent to his prayer, the goddess took
Sage Mentor's form, and thus like Mentor spoke:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 2.267 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 2.267 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 2.267 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 2 focus

New Alexandria Commentaries

David Elmer

This line marks the first occurrence in the Odyssey of a formulaic expression"then he/she thought of other things"(ἔνθ᾽ αὖτ᾽ ἀλλ᾽ ἐνόησε) that occurs, with minor variations, eleven times in the Odyssey and twice in the Iliad. The formula shows interesting patterns of restriction in both poems. In the Odyssey, it is always used with a female subject (Athena [2.382, 2.393, 4.795, 5.382, 6.112, 18.187, 23.242, 23.344], Helen [4.219], Nausikaa [6.251], or Penelope [16.409]). In the Iliad, it is used exclusively of Achilles (23.140, 23.193). See Iliad 23.140 for discussion of the two Iliadic instances; here I concentrate on the formula’s occurrences in the Odyssey.

\r\nFrom a narratological point of view, the expression has an important function: as noted by de Jong 2001:66, it “highlights a new, often sudden or unexpected turn in the story,” in this case “the—abrupt—change of scene from Telemachus to Athena.” In other words, the formula marks the development of the plot in a new direction that is not a mere continuation of what has preceded. (Odyssey 23.242 is a significant exception.) Furthermore, it links this new development with the intervention of some specific agent, who is thus momentarily represented as controlling the plot. De Jong 2001:66 notes that the frequency with which the expression is used of Athena corresponds to the goddess’s “role of ‘director’ of the story of the Odyssey.” Occurrences of the formula with Helen, Nausikaa, and Penelope as subjects extend this plot-making power to other prominent women. In this way, a convenient narrative device serves also to underscore one of the poem’s major thematic concerns, namely, the way in which the story of Odysseus’ homecoming—the plot of the Odyssey—depends upon the favorable disposition of certain women, above all Penelope. The poem has numerous ways of signaling that its plot hinges on female agents (see Odyssey 11.226, Odyssey 11.436-39). This should not, however, be interpreted as a subversive gesture: as stressed by Murnaghan 2005, Athena as “source and sponsor” of the Odyssey’s plot works to uphold the authority of the patriarchal oikos.

\r\n\r\nReferences

\r\nde Jong, Irene J. F. 2001. A Narratological Commentary on the Odyssey. Cambridge and New York.

\r\nMurnaghan, Sheila. 1995. “The Plan of Athena.” In The Distaff Side: Representing the Female in Homer’s Odyssey (ed. B. Cohen) 61-80. New York and Oxford.

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Gregory Nagy

The mentoring of Telemachus by Athena continues. First the goddess was Méntēs. Now she will become Méntōr to the young hero. Through the mentorship of the goddess, Telemachus modulates into mental connectivity: he will no longer be disconnected from the epic legacy of his father. As he boards the ship that will take him to Pylos, he is ready to connect with the Odyssey in progress.

draft js image errorTelemachus with Athena as Mentor (1810). Drawing by John Flaxman. Image via Wikimedia Commons.

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This word may be related to the name Larikhos: Nagy 2015.10.01 §54.

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Odysseus’ double frame of reference – unlike Achilles, he gets both kleos and nostos – in the context of analyzing the application of the phrase “best of the Achaeans” to him

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On nostos ‘homecoming, song of homecoming’ as the direct object of both punthanesthai ‘learn’ and akouein ‘hear’, see again the comment on O.01.088–095.

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