Homer Odyssey 16.266

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Odyssey. Homer. Boston. 1873.

Current edition Experimental

English (William Cullen Bryant, 1873) (OCR draft) (English) (English (William Cullen Bryant, 1873))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 16.266 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 16.266 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 16.240 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 16.266 focus
“These two,” continued long-suffering great Odysseus, “will not keep long out of the fray, when the suitors and we join fight in my house. [270] Now, therefore, return home early tomorrow morning, and go about among the suitors as before. Later on the swineherd will bring me to the city disguised as a miserable old beggar. If you see them ill-treating me, [275] steel your heart against my sufferings; even though they drag me feet foremost out of the house, or throw things at me, look on and do nothing beyond gently trying to make them behave more reasonably; but they will not [280] listen to you, for the day of their reckoning is at hand. Furthermore I say, and lay my saying to your heart, when Athena shall put it in my mind, I will nod my head to you, and on seeing me do this you must collect all the armor that is in the house [285] and hide it in the strong store room. Make some excuse when the suitors ask you why you are removing it; say that you have taken it to be out of the way of the smoke, inasmuch as it is no longer what it was when Odysseus went away, [290] but has become soiled and begrimed with soot. Add to this more particularly that you are afraid Zeus, son of Kronos, may set them on to quarrel over their wine, and that they may do each other some harm which may disgrace both banquet and wooing, for the sight of arms sometimes tempts people to use them. [295] But leave a sword and a spear apiece for yourself and me, and a couple ox-hide shields so that we can snatch them up at any moment; Zeus and Athena will then soon quiet these people. There is also another matter; [300] if you are indeed my son and my blood runs in your veins, let no one know that Odysseus is within the house—neither Laertes, nor yet the swineherd, nor any of the servants, nor even Penelope herself. Let you and me make trial of the women alone, [305] and let us also make trial of some other of the men servants, to see who is on our side and whose hand is against us.”
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 16.266 focus
'Mark well my voice,' (Ulysses straight replies,)
280
'What need of aids, if favour'd by the skies?
'If shielded to the dreadful fight we move,
'By mighty Pallas, and by thundering Jove?'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 16.266 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 16.266 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 16.266 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 16 focus

New Alexandria Commentaries

Gregory Nagy

Odysseus, because of his external appearance as an old beggar, cannot be recognized by his own son Telemachus. To make the recognition happen, the goddess Athena temporarily transforms the father into a young aristocrat. For Telemachus, however, the transformation itself can be read as the epiphany of a god.

draft js image error“Minerva Restoring Ulysses to his Own Shape” (1805). John Flaxman (English, 1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

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