Homer Odyssey 14.285

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Odyssey. Homer. Boston. 1873.

Current edition Experimental

English (William Cullen Bryant, 1873) (OCR draft) (English) (English (William Cullen Bryant, 1873))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 14.360 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 14.285 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 14.321 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 14.285 focus
I stayed there for seven years and got together much wealth among the Egyptians, for they all gave me something; but when it was now going on for eight years there came a certain Phoenician, a cunning rascal, who had already committed all sorts of villainy, [290] and this man talked me over into going with him to Phoenicia, where his house and his possessions lay. I stayed there for a whole twelve months, but at the end of that time when months and days had gone by till the same season [ hōrā] had come round again, [295] he set me on board a ship bound for Libya, on a pretence that I was to take a cargo along with him to that place, but really that he might sell me as a slave and take the wealth I fetched. I suspected his intention, but went on board with him, for I could not help it.
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 14.285 focus
'In Aegypt thus with peace and plenty bless'd,
315
'I liv'd (and happy still had liv'd) a guest.
'On seven bright years successive blessings wait;
'The next chang'd all the colour of my fate.
'A false Phœnician, of insidious mind,
'Vers'd in vile arts, and foe to humankind,
320
'With semblance fair invites me to his home
'I seiz'd the proffer (ever fond to roam):
'Domestic in his faithless roof I stay'd,
'Till the swift sun his annual circle made.
'To Libya then he meditates the way;
325
'With guileful art a stranger to betray,
'And sell to bondage in a foreign land:
'Much doubting, yet compell'd, I quit the strand.
'Through the mid seas the nimble pinnace sails,
'Aloof from Crete, before the northern gales:
330
'But when remote her chalky cliffs we lost,
'And far from ken of any other coast,
'When all was wild expanse of sea and air,
'Then doom'd high Jove due vengeance to prepare.
'He hung a night of horrors o'er their head;
335
'(The shaded ocean blacken'd as it spread;)
'He launch'd the fiery bolt; from pole to pole
'Broad burst the lightnings, deep the thunders roll;
'In giddy rounds the whirling ship is toss'd,
'And all in clouds of smothering sulphur lost.
340
'As from a hanging rock's tremendous height,
'The sable crows with intercepted flight
'Drop endlong; scarr'd and black with sulphurous hue,
'So from the deck are hurl'd the ghastly crew.
'Such end the wicked found! but Jove's intent
345
'Was yet to save th' oppress'd and innocent.
'Placed on the mast, (the last resource of life,)
'With winds and waves I held unequal strife;
'For nine long days the billows tilting o'er,
'The tenth soft wafts me to Thesprotia's 1 shore.
350
'The monarch's son a shipwreck'd wretch reliev'd,
'The sire with hospitable rites receiv'd,
'And in his palace like a brother placed,
'With gifts of price and gorgeous garments graced.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 14.285 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 14.285 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 14.285 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 14 focus

New Alexandria Commentaries

Gregory Nagy

Now that he has finally returned to his homeland of Ithaca, Odysseus must accomplish another kind of return: he must be restored to kingship. Such a restoration, however, must start from the bottom up. The goddess Athena, his ultimate benefactor but occasional antagonist, has made Odysseus seem to be ‘base’ on the outside, hiding his inner moral nobility. Only those who are likewise morally ‘noble’ will be able to read, as it were, the hero’s true nature. Meanwhile, the coded tales told by Odysseus point toward the truth of his kingship—without revealing it outright. A telling example here in Rhapsody 14 is the second Cretan tale told by Odysseus: it is about a Cretan princeling, not unlike the dapper figure we see in the romanticized restoration of a Minoan fresco as featured in the cover-illustration for Rhapsody 14.

draft js image errorMinoan—probably Neopalatial—fresco commonly known as the “Lily Prince.” Whatever the exact type of this personage (perhaps a crowned acrobat, according to the interpretation of Maria Shaw), the Lily Prince is certainly a Minoan of elite standing. Public domain image based on a famous watercolor by Émile Gilliéron of a reconstruction by Arthur Evans. Image via Wikimedia Commons.

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Here at O.14.192–359 we see the second example of “Cretan lies” told by Odysseus in the context of his re-entry into the kingdom of Ithaca. The first example is at O.13.256–286. The concept of “Cretan lies” was introduced in the anchor comment at O.01.284–286 on Cretan Odyssey.

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The theme of abduction by gusts of winds is analyzed at length in the comment at O.15.250–251.

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