Homer Odyssey 12.73

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Odyssey. Homer. Boston. 1873.

Current edition Experimental

English (William Cullen Bryant, 1873) (OCR draft) (English) (English (William Cullen Bryant, 1873))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 12.1 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 12.73 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 12.37 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 12.73 focus
Of these two rocks the one reaches the sky and its peak is lost in a dark cloud. [75] This never leaves it, so that the top is never clear not even in summer and early autumn. No man though he had twenty hands and twenty feet could get a foothold on it and climb it, for it runs sheer up, as smooth as though it had been polished. [80] In the middle of it there is a large cavern, looking West and turned towards Erebos; you must take your ship this way, but the cave is so high up that not even the stoutest archer could send an arrow into it. [85] Inside it Scylla sits and yelps with a voice that you might take to be that of a young hound, but in truth she is a dreadful monster and no one—not even a god—could face her without being terror-struck. She has twelve misshapen feet, and six [90] necks of the most prodigious length; and at the end of each neck she has a frightful head with three rows of teeth in each, all set very close together, so that they would crunch anyone to death in a moment, [95] and she sits deep within her shady cell thrusting out her heads and peering all round the rock, fishing for dolphins or dogfish or any larger monster that she can catch, of the thousands with which Amphitrite teems. No ship ever yet got past her without losing some men, for she shoots out all her heads at once, [100] and carries off a man in each mouth.
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 12.73 focus
"High in the air the rock 1 its summit shrouds
"In brooding tempests, and in rolling clouds;
"Loud storms around, and mists eternal rise,
"Beat its bleak brow, and intercept the skies.
90
"When all the broad expansion, bright with day,
"Glows with th' autumnal or the summer ray,
"The summer and the autumn glow in vain,
"The sky for ever lowers, for ever clouds remain.
"Impervious to the step of man it stands,
95
"Though borne by twenty feet, though arm'd with twenty hands;
"Smooth as the polish of the mirror rise
"The slippery sides, and shoot into the skies.
"Full in the centre of this rock display'd,
"A yawning cavern casts a dreadful shade:
100
"Nor the fleet arrow from the twanging bow,
"Sent with full force, could reach the depth below.
"Wide to the west the horrid gulf extends,
"And the dire passage down to hell descends.
"O fly the dreadful sight! expand thy sails,
105
"Ply the strong oar, and catch the nimble gales;
"Here Scylla bellows from her dire abodes,
"Tremendous pest, abhorr'd by man and gods!
"Hideous her voice, and with less terrors roar
"The whelps of lions in the midnight hour.
110
"Twelve feet deform'd and foul the fiend dispreads;
"Six horrid necks she rears, and six terrific heads;
"Her jaws grin deadful with three rows of teeth;
"Jaggy they stand, the gaping den of death;
"Her parts obscene the raging billows hide;
115
"Her bosom terribly o'erlooks the tide.
"When stung with hunger she embroils the flood
"The sea-dog and the dolphin are her food;
"She makes the huge leviathan her prey,
"And all the monsters of the watery way;
120
"The swiftest racer of the azure plain
"Here fills her sails, and spreads her oars in vain;
"Fell Scylla rises, in her fury roars,
"At once six mouths expands, at once six men devours.
"Close by, a rock of less enormous height
125
"Breaks the wild waves, and forms a dangerous strait;
"Full on its crown a fig's green branches rise,
"And shoot a leafy forest to the skies;
"Beneath, Charybdis holds her boisterous reign
"'Midst roaring whirlpools, and absorbs the main;
130
"Thrice in her gulfs the boiling seas subside,
"Thrice in dire thunders she refunds the tide.
"Oh, if thy vessel plough the direful waves
"When seas retreating roar within her caves,
"Ye perish all! though he who rules the main
135
"Lends his strong aid, his aid he lends in vain.
"Ah, shun the horrid gulf! by Scylla fly,
"'Tis better six to lose, than all to die!"
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 12.73 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 12.73 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 12.73 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 12 focus

New Alexandria Commentaries

Douglas Frame

reference to Circe’s description of the cattle and sheep of Helios. Comparison with the parallel story of Euenius (Hdt. 9.92.2-95), which suggests traditional link between prophesy, intelligence, sleep, and death that lies behind Od. XII. Similar association between cattle and the return from darkness and death is found in Vedic mythology (RV 2.24.3, 6.65.5, 6.13.3), the story of Hercules and cattle of Geryon, and the Homeric Hymn to Apollo (411 ff.)

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Gregory Nagy

The storytelling of Odysseus is about to confront three of its most mystical moments here: the Song of the Sirens, Scylla and Charybdis, the Cattle of the Sun. The myths that shape these moments will become for Odysseus a set of powerful metaphors that drive his own odyssey.

draft js image error“Ulysses and the Sirens” (ca. 1909). Herbert James Draper (English, 1863–1920). Image via Wikimedia Commons.

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This name Krataiḯs is parallel to the epithet krataiḯs at O.11.597, the meaning of which can be explained as ‘having a power that has violence’. See the comment on I.05.083.

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