Homer Iliad 19.309

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He spoke, and from the warriors turn'd his face:
Yet still the brother-kings of Atreus' race,
330
Nestor, Idomeneus, Ulysses sage,
And Phoenix, strive to calm his grief and rage:
His rage they calm not, nor his grief control:
He groans, he raves, he sorrows from his soul.

Iliad. Homer. London. 1863.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) (English) (English (Alexander Pope, 1720, ed. Watson, 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 19.309 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 19.309 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 19.349 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 19.309 focus
Then he sent the other princes away, [310] save only the two sons of Atreus and radiant Odysseus, Nestor, Idomeneus, and the old charioteer Phoenix, who stayed behind and tried to comfort him in the bitterness of his sorrow [ akhos]: 312 nor was he gladdened in his thūmos 313 until he entered the jaws of bloody war, and he fetched sigh on sigh, thinking ever of Patroklos. Then he said,
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 19.309 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 19.309 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 19.309 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 19.309 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 19 focus

Notes on the current edition

Iliad

1. Where Achilles had left his son, when he sailed for Troy.

New Alexandria Commentaries

Gregory Nagy

The time has come for Achilles to re-enter the war against the Trojans. For this to happen, Agamemnon must first settle with Achilles. But the over-king feels the need to say more than simply to formulate his proposed terms of settlement. His aim is to excuse himself from responsibility for dishonoring Achilles, and the story that he tells in order to achieve this aim is a retelling of a cosmic atē ‘aberration’ that resulted in the Labors of Hēraklēs. Such a retelling, however, is destined to backfire: it will result in further damage to Agamemnon’s own royal status and in further advancement for the heroic prestige of Achilles, for whom Hēraklēs now becomes a perfect model.

draft js image errorHerakles at the tree of the Hesperides, holding three of the golden apples in his left hand. Behind him is the apple tree with the guardian serpent clinging around it. Bronze, 104.5cm (Roman, 1st century C.E.). Image via The British Museum.

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After the epic is done with quoting, as it were, the lament of Briseis for Patroklos, I.19.282–302, it proceeds to quote the lament of Achilles himself for his best friend, I.19.314–338; like Briseis, Achilles too is represented as actually singing the lament.

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The name Phthiē here at I.19.330 is associated with the verb (apo-)phthinesthai ‘wilt, perish’ at I.19.329 and at I.19.337. See also the comments on I.01.155 and I.19.322–323.

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The name Phthiē here at I.19.330 is associated with the verb (apo-)phthinesthai ‘wilt, perish’ at I.19.329 and at I.19.337. See also the comments on I.01.155 and I.19.322–323.

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Achilles finally puts on the armor that had been made for him by the divine artisan Hephaistos. What dominates the visualization of this armor is the Shield.

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