Homer Iliad 18.284

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‘Return?’ (said Hector, fir'd with stern disdain,)
‘What! coop whole armies in our walls again?
‘Was't not enough, ye valiant warriors say,
335
‘Nine years imprison'd in those towers ye lay?
‘Wide o'er the world was Ilion fam'd of old
‘For brass exhaustless, and for mines of gold;
‘But while inglorious in her walls we stay'd,
‘Sunk were her treasures, and her stores decay'd;
340
‘The Phrygians now her scatter'd spoils enjoy,
‘And proud Mæonia wastes the fruits of Troy.
‘Great Jove at length my arms to conquest calls,
‘And shuts the Grecians in their wooden walls:
‘Dar'st thou dispirit whom the gods incite?
345
‘Flies any Trojan? I shall stop his flight.
‘To better counsel then attention lend;
‘Take due refreshment, and the watch attend.
‘If there be one whose riches cost him care,
‘Forth let him bring them for the troops to share;
350
‘'Tis better generously bestow'd on those,
‘Than left the plunder of our country's foes.
‘Soon as the morn the purple orient warms,
‘Fierce on yon navy will we pour our arms.
‘If great Achilles rise in all his might,
355
‘His be the danger: I shall stand the fight.
‘Honour, ye gods! or let me gain, or give;
‘And live he glorious, whosoe'er shall live!
‘Mars is our common lord, alike to all:
‘And oft the victor triumphs, but to fall.’
360

Iliad. Homer. London. 1863.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) (English) (English (Alexander Pope, 1720, ed. Watson, 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 18.284 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 18.284 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 18.254 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 18.284 focus
Hector of the shining helmet looked fiercely at him and answered, [285] “Polydamas, your words are not to my liking in that you bid us go back and be pent within the city. Have you not had enough of being cooped up behind walls? In the old-days the city of Priam was famous the whole world over for its wealth of gold and bronze, [290] but our treasures are wasted out of our houses, and much goods have been sold away to Phrygia and fair Maeonia, for the hand of Zeus has been laid heavily upon us. Now, therefore, that the son of scheming Kronos has granted me to win glory here and to hem the Achaeans in at their ships, prate no more in this foolish way among the population [ dēmos]. [295] You will have no man with you; it shall not be; do all of you as I now say;—take your suppers in your companies throughout the army, and keep your watches and be wakeful every man of you. [300] If any Trojan is uneasy about his possessions, let him gather them and give them out among the people. Better let these, rather than the Achaeans, have them. At daybreak we will arm and fight about the ships; [305] granted that radiant Achilles has again come forward to defend them, let it be as he will, but it shall go hard with him. I shall not shun him, but will fight him, to fall or conquer. The god of war deals out like measure to all, and the slayer may yet be slain.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 18.284 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 18.284 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 18.284 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 18.284 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 18 focus

New Alexandria Commentaries

Gregory Nagy

The centerpiece of Iliad 18 is the shield of Achilles, envisioned as a work of art that defines the universe. The divine artisan Hephaistos makes this shield by way of metalwork, but Homeric poetry reconfigures the artistry of this metalwork by way of verbal art. And the artistry of Homeric poetry will now create or re-create a cosmos that is designed to contain the Iliad itself.

draft js image error“The Shield of Achilles.” Illustration originally published in The Penny Magazine of the Society for the Diffusion of Useful Knowledge, September 22, 1832.

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The particle de (δέ) of I.18.356 is syntactically correlated with the particle men (μέν) in a preceding verse, I.18.354. But a rhapsode (rhapsōidos) could begin his performance with the de-clause, thus “stranding,” as it were, the preceding men-clause. Here is an example, with reference to the performance of a rhapsode in the Ptolemaic era of Alexandria:

καὶ ὁ μὲν ῥαψῳδὸς εὐθὺς ἦν διὰ στόματος πᾶσιν, ἐν τοῖς Πτολεμαίου γάμοις ἀγομένου τὴν ἀδελφὴν καὶ πρᾶγμα δρᾶν ἀλλόκοτον <νομιζ>ομένου καὶ ἄθεσμον ἀρξάμενος ἀπὸ τῶν ἐπῶν ἐκείνων·

Ζεὺς δ᾿ Ἥρην ἐκάλεσσε κασιγνήτην ἄλοχόν τε [I.18.356]

The rhapsode [rhapsōidos] was the talk of everybody—the one who, at the wedding of Ptolemy who, in marrying his own sister was considered to be committing a deed unnatural and unholy, began with the following words: ‘And [de] Zeus summoned Hērā his sister, his wife’ [I.18.356]

Plutarch Table Talk 736e

The historical occasion is the wedding, in the first quarter of the third century before our era, of Ptolemy II Philadelphus to his sister, Arsinoe, in accordance with the practice of Egyptian pharaohs—and in violation of Hellenic practices. Evidently, then, the particle de could be used to begin a rhapsodic performance, even in contexts were such a use was dependent on a preceding men-clause. For an example of such a de at the beginning of a Homeric rhapsody, see the comment on O.03.001.

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The domos ‘abode’ of Hephaistos, I.18.369, is described as aphthitos ‘imperishable’, I.18.370, and khalkeos ‘made of bronze’, Ι.18.371. More in a later comment about the implications.

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Leonard Muellner

analysis of kēdea as a social phenomenon that creates a bond of solidarity – philotēs – and its narrowness in Achilles’ case in this passage

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analysis of kēdea as a social phenomenon that creates a bond of solidarity

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in a list of instances where phanai substitutes for eukhesthai where it is combined with comparative/superlative

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Hephaistos’ making objects that move by themselves, mētis and its associations with females (specifically the creation of children), and the Hesiodic account of his birth, in the context of analyzing his role in Iliad 1 in quelling the dispute between Zeus and Hera

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