Homer Iliad 17.543

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And now Minerva, from the realms of air,
Descends impetuous, and renews the war;
For, pleas'd at length the Grecian arms to aid,
The lord of thunders sent the blue-ey'd maid.
615
As when high Jove, denouncing future woe,
O'er the dark clouds extends his purple bow;
(In sign of tempests from the troubled air,
Or, from the rage of man, destructive war;)
The drooping cattle dread th' impending skies,
620
And from his half-till'd field the labourer flies.
In such a form the goddess round her drew
A livid cloud, and to the battle flew.
Assuming Phoenix' shape, on earth she falls,
And in his well-known voice to Sparta calls:
625
'And lies Achilles' friend, belov'd by all,
'A prey to dogs beneath the Trojan wall?
'What shame to Greece for future times to tell,
'To thee the greatest, in whose cause he fell!'

Iliad. Homer. London. 1863.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) (English) (English (Alexander Pope, 1720, ed. Watson, 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 17.543 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 17.543 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 17.543 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 17.543 focus
And now the fierce groanful fight again raged about Patroklos, for Athena came down from the heavens [545] and roused its fury by the command of far-seeing Zeus, who had changed his mind [ noos] and sent her to encourage the Danaans. As when Zeus bends his bright bow in the heavens in token to humankind either of war or of the chill storms that stay men from their labor and plague the flocks—even so, [550] wrapped in such radiant raiment, did Athena go in among the army and speak man by man to each. First she took the form and voice of Phoenix [555] and spoke to strong Menelaos son of Atreus, who was standing near her. “Menelaos,” said she, “it will be shame and dishonor to you, if dogs tear the noble comrade of Achilles under the walls of Troy. Therefore be staunch, and urge your men to be so also.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 17.543 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 17.543 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 17.543 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 17.543 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 17 focus

New Alexandria Commentaries

Gregory Nagy

The main preoccupation of the Achaeans here in Iliad 17 is to recover the corpse of Patroklos. Their efforts are understandable, in that they are showing their sense of solidarity by trying to rescue from harm the body of a fellow warrior who has fallen in battle. But the motivation here goes deeper. Patroklos is a cult hero in the making, and the corpses of heroes are essential for establishing hero cults in their honor. And the foreseen status of Patroklos as cult hero prefigures a comparable status for Achilles himself beyond the Iliad.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.Photographed/scanned by H.-P.Haack (Antiquariat Dr. Haack Leipzig) [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0) or Public domain], via Wikimedia Commons.

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Even at this relatively late stage in the plot of the Iliad, Zeus is still being perceived as giving nīkē ‘victory’ to the Trojans, not to the Achaeans.

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