Homer Iliad 13.754

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This said, the towering chief prepares to go,
Shakes his white plumes that to the breezes flow,
And seems a moving mountain topp'd with snow.
Through all his host, inspiring force, he flies,
And bids anew the martial thunder rise.
950
To Panthus' son, at Hector's high command,
Haste the bold leaders of the Trojan band:
But round the battlements, and round the plain,
For many a chief he look'd, but look'd in vain;
Deïphobus, nor Helenus the seer,
955
Nor Asius' son, nor Asius' self appear.
For these were pierc'd with many a ghastly wound,
Some cold in death, some groaning on the ground;
Some low in dust (a mournful object) lay,
High on the wall some breath'd their souls away.
960

Iliad. Homer. London. 1863.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) (English) (English (Alexander Pope, 1720, ed. Watson, 1857))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 13.754 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 13.754 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 13.701 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 13.754 focus
He then sped onward, towering like a snowy mountain, [755] and with a loud cry flew through the ranks of the Trojans and their allies. When they heard his voice they all hastened to gather round Polydamas, the excellent son of Panthoös, but Hector kept on among the foremost, looking everywhere to find Deiphobos and prince Helenos, Adamas, son of Asios, [760] and Asios, son of Hyrtakos; living, indeed, and unscathed he could no longer find them, for the two last were lying by the sterns of the Achaean ships, losing their life-breath [ psūkhē] at the hands of the Argives, while the others had been also stricken and wounded by them; [765] but upon the left wing of the dread battle he found Alexandros, husband of lovely-haired Helen, cheering his men and urging them on to fight. He went up to him and upbraided him. “Paris,” said he, “evil-hearted Paris, fair to see but woman-mad and false of tongue, [770] where are Deiphobos and King Helenos? Where are Adamas son of Asios, and Asios son of Hyrtakos? Where too is Othryoneus? Ilion is undone and will now surely fall!”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 13.754 focus
He spake, and with a shout he rushed away,
Seen from afar, like a snow-mountain's peak,
950
And flew among the Trojans and allies,
Who crowded round the brave Polydamas,
The son of Panthöus, at Hector's call.
Among the foremost combatants he sought
Deiphobus, and mighty Helenus,
955
The king; he looked for Adamas, the son
Of Asius, and for Asius of the house
Of Hyrtacus. Some not unharmed he found,
Yet not o'ercome; while others lay in death
Beneath the galley-sterns, where Grecian hands
960
Had slain them; others on the wall, struck down
By missiles, or in combat hand to hand.
There on the left of that disastrous fray
He met the noble Alexander, spouse
Of fair-haired Helen, as he cheered his men,
965
And rallied them to battle. Hector thus
Addressed his brother with reproachful words: -
"Accursed Paris! noble but in form,
Effeminate seducer! where are now
Deiphobus, and mighty Helenus?
970
And Adamas, the son of Asius, where?
And Asius, son of Hyrtacus? and where
Orthryoneus? Now towering Ilium sinks
From her high summit, and thy fate is sure."
And then the godlike Paris answered thus:-
975
"Since it hath pleased thee, Hector, thus to cast
Reproach on me, though innocent, I may
Another day neglect the toils of war,
Although in truth my mother brought me forth
Not quite unapt for combat. Since the hour
980
When thou didst lead the battle to the ships
With thy companions, we have held our ground,
Here on this spot, contending with the Greeks.
Three chiefs for whom thou askest have been slain.
Deiphobus and mighty Helenus,
985
Both wounded in the hand by massive spears,
Have left the field; the son of Saturn saved
Their lives. Now lead us wheresoe'er thou wilt,
And we will follow thee with resolute hearts,
Nor deem that thou wilt find in us a lack
990
Of valor while our strength of arm remains.
The boldest cannot fight beyond his strength.”
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 13.754 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 13.754 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 13.754 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 13 focus

Notes on the current edition

Iliad

1. The reproaches which Hector here casts on Paris give us the character of this hero, who in many things resembles Achilles. It is he who is obstinate in attacking the intrenchments, yet asks an account of those who were slain in the attack, from Paris. Pope.

New Alexandria Commentaries

Douglas Frame

example of laos as referring to one’s own in contexts where there is a contrast between “leader(s)” and those who “follow”

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example of laos as referring to one’s own in contexts where there is a contrast between “leader(s)” and those who “follow”

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illustration of the meaning of hizein (as in this line, “to set upon”) in the context of the argument that m’ anesei masks an original phrase me nesei in O.18.265

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evidence for the description of D.B. Monro’s understanding of the verb anései, as a compound verb meaning “to place” or “set upon”

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comparison of Ionians to Phaeacians (in terms of their fame for their dress)

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analysis of the name “Ionian” and its wide use arising from the Panionic league, here, its only occurrence in Homer where it means Athenian

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analysis of the name “Ionian” and its wide use arising from the Panionic league, here, its only occurrence in Homer where it means Athenian – what the Neleids would have wanted it to mean in terms of their own origin

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example of laos as referring to one’s own in contexts where there is a contrast between “leader(s)” and those who “follow”

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analysis of Hektor and Polydamas in terms of the twin myth

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comparison of Nestor and Polydamas, the counselors on their respective sides, in terms of noos (in the context of interpreting them in terms of the twin myth)

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citation of formulaic use of haloûsá te perthoménē te as example where halṓō means “to be seized” in Homer

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Gregory Nagy

The momentum of the Trojan onslaught led by Hector intensifies here, and the prospects of the Achaeans look grim, almost hopeless. Hector is so successful that he feels tempted, toward the end of Rhapsody 13, to equate himself with immortal gods. Meanwhile, the intensity of the narrative keeps pace, and the poetic virtuosity approaches the sublime.

draft js image errorHector and Polydamas. After a drawing by John Flaxman. Image via Wikimedia Commons.

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Here the title ‘best of the Achaeans’ is narrowed in scope: Teukros is ‘best of the Achaeans’ in archery.

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Idomeneus together with Meriones as his therapōn ‘attendant, ritual substitute’ take their stand side by side on the battlefield.

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The role of Zeus in awarding nīkē ‘victory’ is primary, while the corresponding role of Athena is secondary.

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While the hero Asios is fighting pezos ‘on foot’ against the Achaeans, I.13.385, the two horses that draw his chariot are right behind him, practically breathing down his neck—that is, down his shoulders. The driver of the horses is an unnamed hēni-okhos ‘chariot driver’, who is described as the therapōn ‘attendant, ritual substitute’ of Asios, I.13.386. After Asios is killed, I.13.386–393, and his corpse is just lying there in front of the horses that once drew his chariot, I.13.392, the focus reverts to the hēni-okhos ‘chariot driver’, I.13.394. Still standing on the chariot platform, the chariot driver freezes, failing to turn the chariot around and drive the horse team back to safety, I.13.394–396. The Achaean hero Antilokhos takes this opportunity to spear the chariot driver, who then falls out of the chariot, and now Antilokhos can mount the empty chariot and drive it away himself, horses and all, I.13.396–401.

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Variants like stenakhonta and stenakhonte at I.13.423 can be seen as formulaic—in terms of the overall system of Homeric diction.

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In this context, the use of a noun for ‘eyes’ as the direct object of the verb thelgein ‘put a trance on, enchant’ shows the visual connotations that are built into this verb. See the comment on I.02.308, with reference to the omen about the serpent and the nine birds: here the etymology of drakōn ‘serpent’ as ‘the one who looks [derkesthai]’ is relevant.

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At the very moment when the hero dies here, the war-god Ares literally takes away the hero’s life or menos ‘mental power’. To be compared is I.05.296, where the hero’s menos ‘mental power’ is released from his body at the moment of death. But now we see that the agent for taking away the menos of the hero is Ares. Thus the ultimate killer of the generic hero as warrior is Ares himself, no matter who the immediate killer may be—as in this case, where the killing is performed by the hero Idomeneus with the direct help of the god Poseidon. The role of Ares in taking away the life of the generic hero at the moment of heroic death is relevant to the epithet of heroes as generic warriors: therapontes or ‘ritual substitutes’ of Ares. See the comment on I.02.110.

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Besides Achilles, another epic hero who experiences mēnis ‘anger’ is Aeneas, and this hero’s anger is directed at the king Priam.

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A nameless therapōn is mentioned here in passing: he happens to be the ‘attendant’ of the hero Agenor.

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See the anchor comment at I.12.198 on: Battle for the Ships, fire of Hector, breaking through the Wall of the Achaeans.

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This insulting epithet hubristai ‘men of outrage’ at I.13.633 is applied here to the Trojans, whose menos ‘mental power’ is said to be atasthalon ‘reckless’, I.13.634. The connotations of these words are comparable to what is said in Pindar Pythian 11.34 about the habrótās ‘luxuriance’ of the Trojans.

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To be added is a relevant comment.

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At I.15.704–746 we will see more details about the beached ship of Protesilaos. Here at I.13.681, the details are few: the reference to this hero’s ship is followed by a passing reference to the ships of Ajax, likewise beached along the shore, and this extended perspective now leads to a wider view of all these ships, the sterns of which are somehow contiguous with the Wall of the Achaeans, I.13.682–684.

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Here is the only direct reference to Ionians in Homeric Iliad and Odyssey. The juxtaposition of Ionians with Boeotians is significant.

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The comparison of Hector here to a phlox ‘burst of flame’ is relevant to the overall theme of Hector’s fire. See the anchor comment at I.12.198 on: Battle for the Ships, fire of Hector, breaking through the Wall of the Achaeans.

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It is significant that the Ionians, mentioned only at I.13.685, are drawn into proximity with the Athenians.

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It is also significant that the Ionians and Athenians are together drawn into proximity with the Boeotians.

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It is said here that the nóos ‘mind’, I.13.732, enables the hero to ‘recognize’, gignōskein, I.13.734.

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The taunting here of Agamemnon by Sthenelos, chariot driver of Diomedes, recalls the epic traditions of the Epigonoi = Sons-of-the-Seven-against-Thebes. See also I.02.119–130 and the comments on those verses.

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See the anchor comment at I.12.198 on: Battle for the Ships, fire of Hector, breaking through the Wall of the Achaeans.

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Hector here is said to be īsos or ‘equal’ to Ares. This kind of equating of a hero with the war god will figure prominently in future scenes of mortal combat.

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Here is a working translation: ‘|825 If only I could be the child of aegis-bearing Zeus |826 for all days to come, and the Lady Hērā could be my mother, |827 and if only I could be honored [tiesthai] just as Athena and Apollo are honored, |828 —as surely as this day brings misfortune to the Argives, |829 all of them’ (|825 εἰ γὰρ ἐγὼν οὕτω γε Διὸς πάϊς αἰγιόχοιο |826 εἴην ἤματα πάντα, τέκοι δέ με πότνια Ἥρη, |827 τιοίμην δ’ ὡς τίετ’ Ἀθηναίη καὶ Ἀπόλλων, |828 ὡς νῦν ἡμέρη ἥδε κακὸν φέρει Ἀργείοισι |829 πᾶσι μάλ’). Hector expresses his aspiration to be immortal—not only to be the son of the divinities Zeus and Hērā but also to be divine just as Athena and Apollo are divine. On the syntax of the wording here, see the comment on I.18.464–466. Hector’s aspiration typifies a pattern of antagonism between immortal and mortal, divinity and hero: see the comments at I.08.538–541 and, further back, at I.06.286–311.

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Hector’s threat, to feed to dogs and birds the corpses of the Achaeans that he expects to kill, shows that he is ready to descend to the depths of brutality, matching the horror of such a prospect as expressed at the very beginning of the epic, Ι.001.003–005.

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Leonard Muellner

analysis of eukhesthai in its concrete sense ‘say a prayer’ with the adverb megala, in the context of postulating ‘say (in a functionally marked context)’ as antecedent of ‘pray’ (eukhesthai in sacral contexts)

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in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

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in a list of expressions which do not specify the speaker’s name, in the context of analyzing I.11.379 and demonstrating the functional equivalence of eukhesthai in (X) || kai eukhomenos epos ēuda or (Y) hōs ephat’ Argeioisi d’akhos genet’ euxamenoio

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in a list of examples of formulas for introducing a speech by an eukhomenos warrior, which Paris’ name-epithet formulas do not fit (in the context of analyzing I.11.379)

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analysis of the meaning of eukhesthai (formulas) in statements that the speaker has killed the warrior he stands over

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in a list of secular eukhesthai indicating direct speech (concluding speech)

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analysis of the metaphor of binding for “killing” of an immortal etc., and here, thunderbolt binding a warrior

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in a list of examples of formulas for introducing a speech by an eukhomenos warrior, which Paris’ name-epithet formulas do not fit (in the context of analyzing I.11.379)

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in a list of secular eukhesthai reporting speech (absolute usage)

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in a list of usages contextually parallel to the death-eukhesthai usage

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in a list of secular eukhesthai indicating direct speech (introducing speech)

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in a list of occurrences of the figura etymologica ‘eukhomenos epos ēuda’ in Homeric Greek (in comparison of the figure in Indo-Iranian)

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list of instances when mortals (and narrator and gods) utter the root noun mēnis

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analysis of Menelaos’ speech to Trojans on the mēnis of Zeus Xenios (identifying the Achaean expedition to Troy with it, and mēnis and group offence/solidarity) [MRBTP: 'ff']

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in the list of offenses that (threaten to) incur mēnis

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comment on the violent consequences of crossing Zeus xeinios (in the context of analyzing eukhesthai einai + hiketēs formulas)

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in a list of instances where phanai substitutes for eukhesthai where it is combined with comparative/superlative

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analysis of instances of eukhesthai + aorist infinitive

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analysis of the application of isos Arēi (and variants) to heroes in their aristeiai

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in the context of analyzing the only place in the Homeric corpus where a dative noun after eukhesthai is not a god/gods (but Hektor, and these verses among references to his ‘godhead’) [MRBTP: 'ff']

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