Homer Iliad 6.332

ed. David B. Monro, ed. Thomas W. Allen

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Iliad. Homer. ed. David B. Monro, ed. Thomas W. Allen. Oxford. 1908-1920.

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Current edition Perseus

Ἰλιάς (Greek) (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.)

Translations (9)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 6.332 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 6.305 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 6.332 focus
And godlike Alexandros answered, “Hector, your rebuke is just; listen therefore, and believe me when I tell you that [335] I am not here so much through rancor or ill-will [ nemesis] towards the Trojans, as from a desire to indulge my grief. My wife was even now gently urging me to battle, and I hold it better that I should go, for victory is ever fickle. [340] Wait, then, while I put on my armor, or go first and I will follow. I shall be sure to overtake you.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 6.332 focus
Then answered Paris of the godlike form:-
"Hector! although thou justly chidest me,
And not beyond my due, yet let me speak.
Attend and hearken. Not in sullenness,
435
Nor angry with the Trojans, sat I here
Within my chamber, but that I might give
A loose to sorrow. Even now my wife
With gentle speeches has besought of me
That I return to battle; and to me
440
That seems the best, for oft doth victory
Change sides in war. Remain thou yet awhile,
Till I put on my armor; or go thou,
And I shall follow and rejoin thee soon."
He ended. Hector of the beamy helm
445
Heard him, and answered not; but Helen spake,
And thus with soothing words addressed the chief: -
"Brother-in-law, - for such thou art, though I
Am lost to shame, and cause of many ills, -
Would that some violent blast when I was born
450
Had whirled me to the mountain wilds, or waves
Of the hoarse sea, that they might swallow me,
Ere deeds like these were done! But since the gods
Have thus decreed, why was I not the wife
Of one who bears a braver heart and feels
455
Keenly the anger and reproach of men?
For Paris hath not, and will never have,
A resolute mind, and must abide the effect
Of his own folly. Enter thou meanwhile,
My brother; seat thee here, for heavily
460
Must press on thee the labors thou dost bear
For one so vile as I, and for the sake
Of guilty Paris. An unhappy lot,
By Jupiter's appointment, waits us both, -
A theme of song for men in time to come."
465
Great Hector of the beamy helm replied:-
"Nay, Helen, ask me not to sit; thy speech
Is courteous, but persuades me not. My mind
Is troubled for the Trojans, to whose aid
I hasten, for they miss me even now.
470
But thou exhort this man, and bid him haste
To overtake me ere I leave the town.
I go to my own mansion first, to meet
My household, my dear wife and little child;
Nor know I whether I may come once more
475
To them, or whether the great gods ordain
That I must perish by the hands of Greeks."
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 6.332 focus
'Brother, 'tis just,' (replied the beauteous youth,)
'Thy free remonstrance proves thy worth and truth:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 6.332 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 6.332 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 6.332 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 6 focus

New Alexandria Commentaries

Gregory Nagy

A high point here in Rhapsody 6 is a tearful scene of farewell for Andromache and Hector. The loving wife will never again see her husband alive. The scene is justly admired for its artistic portrayal of this tragically doomed couple, but the verbal artistry extends even further: also to be most admired here is the remarkable precision of poetic language in representing lament as it was actually performed in ancient Greek song culture.

draft js image errorApulian red-figure column-crater (ca. 370–360 BCE) depicting an intimate family scene: Hector removes his helmet as he says his final farewell to his wife Andromache and to their child Astyanax. Public domain image by Jastrow via Wikimieda Commons

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Here at I.06.333 as also at I.03.059, Paris actually accepts the words of blame directed at him by his quarreling brother.

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Leonard Muellner

Paris’ motto (in the context of analyzing I.11.379)

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