Homer Iliad 21.34

ed. David B. Monro, ed. Thomas W. Allen

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Iliad. Homer. ed. David B. Monro, ed. Thomas W. Allen. Oxford. 1908-1920.

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Current edition Perseus

Ἰλιάς (Greek) (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.)

Translations (9)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 21.34 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 21.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 21.34 focus
There he found Lykaon, son of Priam, seed of Dardanos, [35] as he was escaping out of the water; he it was whom he had once taken prisoner when he was in his father’s vineyard, having set upon him by night, as he was cutting young shoots from a wild fig-tree to make the wicker sides of a chariot. [40] Achilles then caught him to his sorrow unawares, and sent him by sea to Lemnos, where the son of Jason bought him. But a guest-friend, Eëtion of Imbros, freed him with a great sum, and sent him to Arisbe, whence he had escaped and returned to his father’s house. [45] He had spent eleven days diverting his heart [ thūmos] with his friends after he had come from Lemnos, but on the twelfth heaven again delivered him into the hands of Achilles, who was to send him to the house of Hādēs sorely against his will. He was unarmed when swift-footed Achilles caught sight of him, and had neither helmet nor shield; [50] nor yet had he any spear, for he had thrown all his armor from him on to the bank, and was sweating with his struggles to get out of the river, so that his strength was now failing him.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 21.34 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 21.34 focus
Now, tir'd with slaughter, from the Trojan band
Twelve chosen youths he drags alive to land;
35
With their rich belts their captive arms constrains;
(Late their proud ornaments, but now their chains;)
These his attendants to the ships convey'd,
Sad victims! destin'd to Patroclus' shade.
Then, as once more he plung'd amid the flood,
40
The young Lycaon in his passage stood;
The son of Priam, whom the hero's hand
But late made captive in his father's land,
(As from a sycamore his sounding steel
Lopp'd the green arms to spoke a chariot wheel,)
45
To Lemnos' isle he sold the royal slave,
Where Jason's son the price demanded gave:
But kind Eetion, touching on the shore,
The ransom'd prince to fair Arisbe 1 bore.
Ten days were past, since in his father's reign
50
He felt the sweets of liberty again:
The next, that god 2 whom men in vain withstand,
Gives the same youth to the same conquering hand:
Now never to return! and doom'd to go
A sadder journey to the shades below.
55
His well-known face when great Achilles eyed,
(The helm and vizor he had cast aside
With wild affright, and dropp'd upon the field
His useless lance and unavailing shield,)
As trembling, panting, from the stream he fled,
60
And knock'd his faltering knees, the hero said:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 21.34 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 21.34 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 21.34 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 21 focus

New Alexandria Commentaries

Gregory Nagy

The momentum of Achilles continues to heat up. The Trojans are now retreating as fast as they can, heading back toward Troy to find safety there within the sacred walls of that ancient citadel. In their hurry to get away from the field of battle, their hasty retreat has quickly turned into a chaotic and humiliating rout. Achilles is right behind them, in hot pursuit, slaughtering left and right the fleeing Trojans. The hero seems unstoppable. But Achilles meets his match when he provokes the river god Scamander, whose clear streams he has polluted with the gore of countless Trojans that he slaughters while they are desperately attempting to ford the god’s river.

draft js image errorCopperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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