Homer Iliad 16.200

ed. David B. Monro, ed. Thomas W. Allen

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Iliad. Homer. ed. David B. Monro, ed. Thomas W. Allen. Oxford. 1908-1920.

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Current edition Perseus

Ἰλιάς (Greek) (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.)

Translations (9)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 16.200 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 16.249 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 16.200 focus
“Myrmidons, remember your threats against the Trojans while you were at the ships in the time of my anger, and you were all complaining of me. ‘Cruel son of Peleus,’ you would say, ‘your mother must have suckled you on gall, so ruthless are you. You keep us here at the ships against our will; [205] if you are so relentless it were better we went home over the sea.’ Often have you gathered and thus chided with me. The hour is now come for those high feats of arms that you have so long been pining for, therefore keep high hearts each one of you to do battle with the Trojans.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 16.200 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 16.200 focus
Soon as Achilles with superior care
Had call'd the chiefs, and order'd all the war,
This stern remembrance to his troops he gave:
'Ye far-fam'd Myrmidons, ye fierce and brave!
'Think with what threats you dar'd the Trojan throng,
240
'Think what reproach these ears endur'd so long:
'"Stern son of Peleus" (thus ye us'd to say,
'While restless, raging, in your ships you lay,)
'"Oh nurs'd with gall, unknowing how to yield!
'"Whose rage defrauds us of so fam'd a field,
245
'"If that dire fury must for ever burn,
'"What make we here? Return, ye chiefs, return!"'
'Such were your words. Now, warriors, grieve no more,
'Lo there the Trojans! bathe your swords in gore!
'This day shall give you all your soul demands;
250
'Glut all your hearts! and weary all your hands!'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 16.200 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 16.200 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 16.200 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 16 focus

New Alexandria Commentaries

Douglas Frame

in the context of discussing the interpretation of Nestor’s name and the meaning of forms from the root *nes- as “safe return home” or without “home” where it needed to be specified

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Gregory Nagy

It seems at first as if everything is coming together here in Iliad 16. Achilles, best of the Achaeans, sends out his other self, Patroklos, to fight Hector and his Trojans, who are now on the verge of setting on fire and destroying all the beached ships of the Achaeans. Patroklos does in fact succeed in stopping the fire, which had been endangering not only the survival of the Achaeans but even the very existence of their notional descendants, imagined as the Greeks who are listening to the story of the Iliad in their own time. The conflagration that could have burned down the beached ships of the Achaeans is now literally ‘quenched’ by Patroklos, whose heroic action in putting out the fire of the Trojans is compared in a simile to a cosmic action taken by Zeus himself when this weather-god drenches and thus destroys in a violent rainstorm the farmlands of unjust men. Clearly, Zeus is now once again on the Achaean side of the Trojan War. But the success of Patroklos is not to last: soon after he kills Sarpedon, son of Zeus himself, in the course of a spectacular chariot fight, Patroklos now gets killed in the course of a second spectacular chariot fight. This time, Patroklos has gone too far, daring to attack not only Hector but also the divine protector of that hero, Apollo himself. Now everything is about to come apart again, and Achilles has yet to find out about the tragedy that awaits him.

draft js image errorA chariot driver and a chariot fighter in a biga (two-horses chariot). Terracotta, Late Helladic IIIA–IIIB (ca. 1400–1200 BCE). Louvre Museum, CA 2959. Credit line: Purchase, 1934.  Image Marie-Lan Nguyen (User:Jastrow), 2009-06-28 [CC BY 2.5 (http://creativecommons.org/licenses/by/2.5)], via Wikimedia Commons.

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This word biē ‘force, violence, strength’ and its synonym īs are conventionally associated with violent winds.

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This word hupophētai ‘spokesmen’ refers to interpreters of oracular pronouncements.

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As it was noted in the comment on I.13.111–113, Agamemnon ‘dishonored’ Achilles, I.13.113, as expressed by the verb a-tīmân, and Zeus therefore punished the Achaeans. Again here at I.16.237, the Achaeans are being punished by Zeus, while he ‘honors’, tīmân, Achilles.

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Achilles is sending off Patroklos to fight in his place, but he is not sure whether he can identify himself with his best friend when Patroklos goes off on his own. This uncertainty, as we will see in the comment on I.16.244, is relevant to the use of the word therapōn.

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Here, for the second time in the Iliad, Patroklos is marked as the therapōn of Achilles. His dual role as ‘attendant’ and ‘ritual substitute’ is already implicit.

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Leonard Muellner

analysis of mēnis as a tabu deformation and here specifically an example the relaxation of the speech tabu

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analysis of the development of the meaning of Latin spendō, in the context of analyzing the development of uoueō/eukhesthai

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in a list of examples of Homeric prayers, in the context of analyzing the meaning of eukhesthai in formula (A) and here specifically the Homeric notion of prayer

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analysis of kluein + eukhesthai formulas (here, examples of absolute eukhesthai)

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in a list of examples of absolute use of eukhesthai to report prayers (kluein + eukhesthai formulas)

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example of a transformation parallel to that of formula (A) to formula (B), where eukhomenos is deleted because of the change of context from sacral to secular [MRBTP: 'ff']

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analysis of mēnis in Patroklos’ aristeia

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analysis of Achilles’ intentions in sending Patroklos out to fight in his own armor, giving up his mēnis and identification with Patroklos

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Richard Martin

The powerful muthos performed by Achilles as he marshals the Myrmidons begins with an injunction to recall their previous threats (apeilai) against the Trojans: "Myrmidons, let no one forget on me the threats with which you threatened the Trojans at the ships all during the time of anger" (16.200-201). Although Achilles mentions threats, he does so not to threaten anyone himself but to challenge the Myrmidons—a strategy of recalling past speech-acts to shame the present hearers into action, already displayed by Nestor early in the poem (2.349). Achilles' challenge is the more effective because he not only recalls one speech-act but uses a direct quotation to mimic another, one the Myrmidons had employed, and then dismisses these earlier grumbling speeches as mere talk (ebazete, 16.207). In familiar flyting fashion, he contrasts "then" with "now": the Myrmidons used to talk of going home because Achilles was angered, "but now has appeared the great work of strife, of which you were previously enamored" (16.207-8) (Martin 1993:71-72).

For the broader analysis of the flyting genre and the recalled-speech strategy, see the comment on Iliad 4.336-421.

References

Martin, R. P. 1993. The Language of Heroes: Speech and Performance in the Iliad. Ithaca.

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