Homer Iliad 13.640

ed. David B. Monro, ed. Thomas W. Allen

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Iliad. Homer. ed. David B. Monro, ed. Thomas W. Allen. Oxford. 1908-1920.

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Current edition Perseus

Ἰλιάς (Greek) (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.)

Translations (9)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 13.640 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 13.581 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 13.640 focus
So saying blameless Menelaos stripped the bloodstained armor from the body of Peisandros, and handed it over to his men; then he again ranged himself among those who were in the front of the fight.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 13.640 focus
So spake the illustrious man, and, having stripped
The bloody armor from the dead, he gave
The spoil to his companions, and rejoined
The warriors in the van. Harpalion then,
805
A son of King Pylæmenes, with whom
He left his home to join the war at Troy,
Assaulted him. He never saw again
His native land. Close to Atrides' shield,
He struck it in the centre with his lance,
810
Yet could not drive the weapon through the brass,
And backward shrank, in fear of death, among
His comrades, looking round him lest some foe
Should wound him with the spear. Meriones
Let fly a brazen arrow after him,
815
Which, entering his right flank below the bone,
Passed through and cleft the bladder. Down he sank
Where the shaft struck him, breathing out his life
In the arms of his companions. Like a worm
He lay extended on the earth; his blood
820
Gushed forth, a purple stream, and steeped the soil.
The large-souled Paphlagonians came around,
And placed him in a chariot, sorrowing,
And bore him to the gates of sacred Troy.
The father followed weeping, but no hand
825
Was raised to avenge the slaughter of his son.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 13.640 focus
This said, he seiz'd (while yet the carcass heav'd)
The bloody armour, which his train receiv'd:
Then sudden mix'd among the warring crew,
And the bold son of Pylæmenes slew.
Harpalion had through Asia travell'd far,
805
Following his martial father to the war;
Through filial love he left his native shore,
Never, ah never, to behold it more!
His unsuccessful spear he chanc'd to fling
Against the target of the Spartan king;
810
Thus of his lance disarm'd, from death he flies,
And turns around his apprehensive eyes.
Him, through the hip transpiercing as he fled,
The shaft of Merion mingled with the dead.
Beneath the bone the glancing point descends,
815
And, driving down, the swelling bladder rends:
Sunk in his sad companions' arms he lay,
And in short pantings sobb'd his soul away,
(Like some vile worm extended on the ground,)
While life's red torrent gush'd from out the wound.
820
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 13.640 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 13.640 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 13.640 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 13 focus

New Alexandria Commentaries

Douglas Frame

illustration of the meaning of hizein (as in this line, “to set upon”) in the context of the argument that m’ anesei masks an original phrase me nesei in O.18.265

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evidence for the description of D.B. Monro’s understanding of the verb anései, as a compound verb meaning “to place” or “set upon”

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Gregory Nagy

The momentum of the Trojan onslaught led by Hector intensifies here, and the prospects of the Achaeans look grim, almost hopeless. Hector is so successful that he feels tempted, toward the end of Rhapsody 13, to equate himself with immortal gods. Meanwhile, the intensity of the narrative keeps pace, and the poetic virtuosity approaches the sublime.

draft js image errorHector and Polydamas. After a drawing by John Flaxman. Image via Wikimedia Commons.

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To be added is a relevant comment.

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Leonard Muellner

analysis of instances of eukhesthai + aorist infinitive

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