Homer Iliad 1.130

ed. David B. Monro, ed. Thomas W. Allen

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Iliad. Homer. ed. David B. Monro, ed. Thomas W. Allen. Oxford. 1908-1920.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ἰλιάς (Greek) (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.)

Translations (10)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 1.130 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 1.120 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 1.130 focus
Then the warlord Agamemnon said, “Achilles, valiant though you be, you shall not thus get the better of me in matters of the mind [ noos]. You shall not overreach and you shall not persuade me. Are you to keep your own prize [ geras], while I sit tamely under my loss and give up the girl at your bidding? [135] Let the Achaeans find me a prize [ geras] in fair exchange to my liking, or I will come and take your own, or that of Ajax or of Odysseus; and to whomsoever I may come shall regret my coming. [140] But of this we will take thought hereafter; for the present, let us draw a ship into the sea, and find a crew for her expressly; let us put a hecatomb on board, and let us send Khrysēis of the lovely cheeks also; further, let some chief man among us be in command, [145] either Ajax, or Idomeneus, or godlike Odysseus, or yourself, son of Peleus, mighty warrior that you are, that we may offer sacrifice and appease the anger of the Arch-Destroyer god.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 1.130 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 1.130 focus
Then thus the king. 'Shall I my prize resign
'With tame content, and thou possess'd of thine?
'Great as thou art, and like a god in fight,
'Think not to rob me of a soldier's right.
170
'At thy demand shall I restore the maid?
'First let the just equivalent be paid; 1
'Such as a king might ask; and let it be
'A treasure worthy her, and worthy me.
'Or grant me this, or with a monarch's claim
175
'This hand shall seize some other captive dame.
'The mighty Ajax shall his prize resign,
'Ulysses' spoils, or e'en thy own be mine.
'The man who suffers, loudly may complain;
'And rage he may, but he shall rage in vain.
180
'But this when time requires. It now remains
'We launch a bark to plough the watery plains,
'And waft the sacrifice to Chrysa's shores,
'With chosen pilots, and with lab'ring oars.
'Soon shall the fair the sable ship ascend,
185
'And some deputed prince the charge attend.
'This Creta's king, or Ajax shall fulfil,
'Or wise Ulysses see perform'd our will;
'Or, if our royal pleasure shall ordain,
'Achilles' self conduct her o'er the main;
190
'Let fierce Achilles, dreadful in his rage,
'The god propitiate, and the pest assuage.'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 1.130 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 1.130 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 1.130 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 1 focus
English Bridge (Amelia Parrish and Gregory Crane, 2021) (OCR draft) Experimental (English Bridge (Amelia Parrish and Gregory Crane, 2021)) — 1.130 focus

New Alexandria Commentaries

Gregory Nagy

The comments I offered in Classical Inquiries 2016-2017 on Iliad Rhapsody 1 through Rhapsody 24, starting here with Rhapsody 1, were based mostly on details that derive from seven books that I indicate in the Bibliography by way of these abbreviations: BA, GMP, H24H, HC, HPC, HQ, HR, MoM, PasP, PH. Each one of these books has its own index locorum. My colleague Anita Nikkanen, an Associate Editor for the online project A Homer commentary in progress, tracked the sequences of Homeric verses as listed in the indices for six of these books and then summarized my comments on those verses. Following up on her meticulous work, I am in the process of converting her summaries into a form of commentary that is being incorporated into AHCIP. My comments on the Iliad as I presented them in Classical Inquiries 2016-2017 are merely samplings of the content that I hope to contribute to the overall commentary, to which a number of other colleagues are also contributing their own comments. That said, I now proceed to offer a sampling of comments on Rhapsody 1. At this point, my comments about this beginning of beginnings need no further introduction of their own.

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“The Rage of Achilles,” by Giovanni Battista Tiepolo, 1757, [public domain], via Wikimedia Commons.

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theoeikelos applied only to Achilles in the Iliad (as in this verse), in the context of analyzing the convergences between the (wording) of Sappho 44 and the Iliad, here specifically the application of the epithet in Sappho 44 to Hector and Andromache and its ominous dimension when analyzed in light of the Iliad

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The theme of the Will of Zeus is relevant to questions of juridical responsibility, as expressed by the adjective aitios ‘responsible’. More on the meaning of aitios and its relevance to the Will of Zeus in GN 2016.05.26.

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The traditional epithet for Phthie, the homeland of Achilles, is bōti-aneira ‘she who nourishes men’. There is a paradox built into this noun+epithet combination, since the name Phthiē is associated with the idea of ‘wilting’, as conveyed by the verb phthinesthai ‘wilt, perish’. See also the comments on I.19.322–323 and I.19.329–330, I.19.337.

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When Achilles calls Agamemnon kun-ōpa ‘having the looks of a dog’, he is engaging in the language of blame.

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Leonard Muellner

commentary on Agamemnon’s perception of Achilles’ bidding him to give up his geras

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commentary on Agamemnon’s perception of Achilles’ bidding him to give up his geras

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commentary on the language of insult, questions of hierarchy and Agamemnon’s disregard for the rules of exchange

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comment on pantōn ekpaglotat’ andrōn being unambiguously pejorative

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commentary on ‘gracious’ in the context of appeasing Apollo’s mēnis through ritual

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comment on Achilles’ speaking of how Agamemnon has undermined the basis of his authority

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commentary on the opposition of Phthia and kleos

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commentary on it being too much for Achilles to have his prestige damaged by those whose prestige he has come to restore from so far away

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commentary on it being too much for Achilles to have his prestige damaged by those whose prestige he has come to restore from so far away

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commentary on Achilles calling Agamemnon kunopa, language of blame

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comment on Achilles’ complaint that Agamemnon does not look him in the eye (in I.09) already perhaps implicit in the insult kunōpa

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comment on the process of exchange and value of the terms proposed by Chryses as meeting the social approval of the whole group, as Mauss’ principles would require

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commentary on interconnections of dasmos/daiomai, geras, dais, and the division and hierarchy

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commentary on Achilles’ and Poseidon’s analogous grief at their disregard and abuse of communal division

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Agamemnon’s mēnis (in the context of discussing mēnis as incurred by violations of the value system based on group distribution and reciprocal exchange)

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commentary on timē as ‘prestige’ in this context

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