Homer Iliad 2.840

Samuel Butler (Translator)

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Perseus

Iliad (English) (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 2.858 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 2.858 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 2.858 focus
Khromis, and Ennomos the augur, led the Mysians, but his skill in augury availed not to save him from destruction, [860] for he fell by the hand of the fleet descendant of Aiakos in the river, where he slew others also of the Trojans.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 2.858 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 2.858 focus
There, mighty Chromis led the Mysian train,
And augur Ennomus, inspired in vain,
For stern Achilles lopp'd his sacred head,
Roll'd down Scamander with the vulgar dead.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 2.858 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 2.858 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 2.858 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 2 focus

New Alexandria Commentaries

Douglas Frame

analysis of the Homeric references to the Lydians in the context of discussing the performance of the Homeric poems at the Panionia

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analysis of the Gygaean lake (name, location) in the context of discussing the Homeric poems’ awareness of the Lydians and Gyges

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analysis of Iliadic references to “the lake of Gyges”

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analysis of the Homeric reference to Cape Mykale, the site of the future Panionia, in the context of discussing the performance of the Homeric poems at the Panionia

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analysis of an Ionian Athens in I.13.685-691 as fitting in with a Carian Miletus in the Trojan Catalogue of Ships

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analysis of the Homeric references to the Lydians in the context of discussing the performance of the Homeric poems at the Panionia

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Gregory Nagy

The narrative of Rhapsody 2 now follows up on the dire consequences of the quarrel between Achilles and Agamemnon as narrated in Rhapsody 1. Achilles has already withdrawn from the war because of his anger. So, now that this greatest hero of the Achaeans is out of the picture, what will happen next? How will the absence of Achilles affect the story of the Trojan War? Many new doubts and fears set in, and the resolve of the Achaeans is harshly tested. There is negative talk, and there are omens. Thus the story of the Trojan War, as told and retold countless times in the distant past, must now be retold yet again, and Rhapsody 2 will set the terms for the retelling still to come. For setting the terms, Rhapsody 2 will need a new Catalogue of Ships, now happening in the tenth year of the war, as a replacement for any old Catalogue that would have logically happened already in the first year. This new Catalogue is of course not really new: rather, it is the oldest possible Catalogue that is now being renewed for the newest possible retelling of the Trojan War, reconsidered in the glaring light of the grim consequences facing the Achaeans now that Achilles has withdrawn from the war. With these consequences in view, the Catalogue will reassess all the Achaean heroes involved in the Trojan War. Of special interest will be the role of Protesilaos, who had been the first Achaean to die in the war, as a model for Achilles. As the Master Narrator notes most ruefully, Protesilaos is now terribly missed by his fellow warriors. So too will Achilles be missed.

draft js image errorOn the reverse side of the coin: Inscription: ΘΗΒΑΙΩΝ. Pictured: the Greek hero Protesilaos, the first Achaean to step on Trojan soil and, according to the myth, the first to die in the Trojan War. The myth is retold in Iliad 2.695–709.

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See anchor comment at I.12.188.

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In Homeric poetry, both in the Iliad and Odyssey, there is a pattern of avoidance in making overt references to the twelve confederated states known as the Ionian Dodecapolis. In Herodotus 1.142.3, the locations of these states are listed as follows: Miletus, Myous, Priene, Ephesus, Colophon, Lebedos, Teos, Klazomenai, Phocaea, the island-states of Samos and of Chios, and, lastly, Erythrai. (See under Ionian Dodecapolis in the inventory of Words and Ideas.) Even in the two exceptional cases where Homeric poetry refers to any of these locations, what gets highlighted is merely the place, not the status of that place as a city-state or, when it comes to Chios and Samos, as an island-state. In one of these two exceptional cases, the mention of Chios at Ο.03.170 and at O.03.172 refers not to the famous island-state that Chios eventually became but simply to the island. In the other case, which we have here at I.02.868, the mention of Miletus refers not to the spectacularly famous polis or ‘city-state’ that Miletus eventually became but simply to the city—and this city is supposedly not even Greek as of yet. It is as if the Ionians had not yet settled Miletus: instead, Miletus at the time of the Trojan War is supposedly inhabited only by Carians, who do not even speak Greek: at I.02.867, these Carians who inhabit Miletus are described as barbaro-phōnoi ‘speakers of a barbarous language’.

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