Homer Iliad 2.640

Samuel Butler (Translator)

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Perseus

Iliad (English) (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 2.653 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 2.653 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 2.653 focus
Tlepolemos, son of Hēraklēs, a man both brave and large of stature, brought nine ships of lordly warriors from Rhodes. [655] These dwelt in Rhodes which is divided among the three cities of Lindos, Ialysos, and Kameiros, that lies upon the chalk. These were commanded by Tlepolemos, son of mighty Hēraklēs and born of Astyochea, whom he had carried off from Ephyra, on the river Selleis, [660] after destroying many cities of valiant warriors. When Tlepolemos grew up, he killed his father’s uncle Likymnios, scion of Arēs, who had been a famous warrior in his time, but was then grown old. Then he built himself a fleet, gathered a great following, [665] and fled beyond the sea [ pontos], for he was menaced by the other sons and grandsons of Hēraklēs. After a voyage during which he suffered great hardship, he came as a wanderer to Rhodes, where the people divided into three communities, according to their tribes, and were dearly loved by Zeus, the lord of gods and men; [670] wherefore the son of Kronos who is lord over all gods and all men, showered down great riches upon them.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 2.653 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 2.653 focus
Tlepolemus, the son of Hercules,
Led nine swift vessels through the foamy seas;
From Rhodes, with everlasting sunshine bright,
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Jalyssus, Lindus, and Camirus white.
His captive mother fierce Alcides bore
From Ephyr's walls, and Sellè's winding shore,
Where mighty towns in ruins spread the plain,
And saw their blooming warriors early slain.
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The hero, when to manly years he grew,
Alcides' uncle, old Licymnius, slew;
For this, constrain'd to quit his native place,
And shun the vengeance of th' Herculean race,
A fleet he built, and with a numerous train
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Of willing exiles, wander'd o'er the main;
Where, many seas and many sufferings past,
On happy Rhodes the chief arriv'd at last:
There in three tribes divides his native band,
And rules them peaceful in a foreign land;
810
Increas'd and prosper'd in their new abodes
By mighty Jove, the sire of men and gods;
With joy they saw the growing empire rise,
And showers of wealth descending from the skies.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 2.653 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 2.653 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 2.653 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 2 focus

New Alexandria Commentaries

Douglas Frame

contrast between the entries for Sume (singled out for its weakness and that of its leader Nireus) and for Athens, both of which name only one town

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example of laos as referring to one’s own in contexts where there is a contrast between “leader(s)” and those who “follow”

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Gregory Nagy

The narrative of Rhapsody 2 now follows up on the dire consequences of the quarrel between Achilles and Agamemnon as narrated in Rhapsody 1. Achilles has already withdrawn from the war because of his anger. So, now that this greatest hero of the Achaeans is out of the picture, what will happen next? How will the absence of Achilles affect the story of the Trojan War? Many new doubts and fears set in, and the resolve of the Achaeans is harshly tested. There is negative talk, and there are omens. Thus the story of the Trojan War, as told and retold countless times in the distant past, must now be retold yet again, and Rhapsody 2 will set the terms for the retelling still to come. For setting the terms, Rhapsody 2 will need a new Catalogue of Ships, now happening in the tenth year of the war, as a replacement for any old Catalogue that would have logically happened already in the first year. This new Catalogue is of course not really new: rather, it is the oldest possible Catalogue that is now being renewed for the newest possible retelling of the Trojan War, reconsidered in the glaring light of the grim consequences facing the Achaeans now that Achilles has withdrawn from the war. With these consequences in view, the Catalogue will reassess all the Achaean heroes involved in the Trojan War. Of special interest will be the role of Protesilaos, who had been the first Achaean to die in the war, as a model for Achilles. As the Master Narrator notes most ruefully, Protesilaos is now terribly missed by his fellow warriors. So too will Achilles be missed.

draft js image errorOn the reverse side of the coin: Inscription: ΘΗΒΑΙΩΝ. Pictured: the Greek hero Protesilaos, the first Achaean to step on Trojan soil and, according to the myth, the first to die in the Trojan War. The myth is retold in Iliad 2.695–709.

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We see here the earliest attestation of a reference to ktisis-poetry, which is a special form of poetry centering on the colonization of daughter-cities by mother-cities.

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The division of the island of Rhodes into three cities is comparable to the division of any given Dorian city into three phūlai ‘subdivisions’.

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The name of Hēraklēs is linked with the epic theme of biē in the sense of martial ‘force, violence, strength’; even the name of Hēraklēs can be formulated periphrastically as ‘the force of Hēraklēs’.

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See anchor comment at I.12.188.

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See the comment on I.02.658.

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The tripartition of the whole island of Rhodes kata-phūladon ‘by way of subdivision’ is comparable to the traditional tripartition of many Dorian cities into three phūlai ‘subdivisions’. In Dorian societies comprised of three phūlai, kings are conventionally chosen from the second phūlē. Similarly in Indic traditions, kings are conventionally chosen from the second varṇa- or ‘subdivision’ of society.

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