Homer Iliad 1.480

Samuel Butler (Translator)

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Perseus

Iliad (English) (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 1.493 focus
Translations (9)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 1.493 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 1.493 focus
Now after twelve days the immortal gods came back in a body to Olympus, [495] and Zeus led the way. Thetis was not unmindful of the charge her son had laid upon her, so she rose from under the sea and went through the great sky with early morning to Olympus, where she found the mighty wide-seeing son of Kronos sitting all alone upon its topmost ridges. [500] She sat herself down before him, and with her left hand seized his knees, while with her right she caught him under the chin, and besought him, saying,
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 1.493 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 1.493 focus
Twelve days were past, and now the dawning light
640
The gods had summon'd to th' Olympian height:
Jove, first ascending from the watery bowers, 1
Leads the long order of ethereal powers.
When like the morning mist, in early day,
Rose from the flood the daughter of the sea;
645
And to the seats divine her flight address'd.
There, far apart, and high above the rest,
The Thunderer sat; where old Olympus shrouds
His hundred heads in heaven, and props the clouds.
Suppliant the goddess stood: one hand she placed
650
Beneath his beard, and one his knees embraced.
'If e'er, O father of the gods!' she said,
'My words could please thee, or my actions aid;
'Some marks of honour on thy son bestow,
'And pay in glory what in life you owe.
655
'Fame is at least by heavenly promise due
'To life so short, and now dishonour'd too.
'Avenge this wrong, oh ever just and wise!
'Let Greece be humbled, and the Trojans rise;
'Till the proud king, and all th' Achaian race
660
'Shall heap with honours him they now disgrace.'
Thus Thetis spoke, but Jove in silence held
The sacred councils of his breast conceal'd.
Not so repuls'd, the goddess closer press'd,
Still grasp'd his knees, and urged the dear request.
665
'O sire of gods and men! thy suppliant hear,
'Refuse, or grant; for what has Jove to fear?
'Or, oh! declare, of all the powers above,
'Is wretched Thetis least the care of Jove?'
She said, and sighing thus the god replies,
670
Who rolls the thunder o'er the vaulted skies:
'What hast thou ask'd? Ah why should Jove engage
'In foreign contests, and domestic rage,
'The gods' complaints, and Juno's fierce alarms,
'While I, too partial, aid the Trojan arms?
675
'Go, lest the haughty partner of my sway
'With jealous eyes thy close access survey;
'But part in peace, secure thy prayer is sped:
'Witness the sacred honours of our head,
'The nod that ratifies the will divine,
680
'The faithful, fix'd, irrevocable sign;
'This seals thy suit, and this fulfils thy vows—'
He spoke, and awful bends his sable brows; 2
Shakes his ambrosial curls, and gives the nod;
The stamp of fate, and sanction of the god:
685
High heaven with trembling the dread signal took,
And all Olympus to the centre shook.
Swift to the seas profound the goddess flies,
Jove to his starry mansion in the skies.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 1.493 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 1.493 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 1.493 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 1 focus
English Bridge (Amelia Parrish and Gregory Crane, 2021) (OCR draft) Experimental (English Bridge (Amelia Parrish and Gregory Crane, 2021)) — 1.493 focus

New Alexandria Commentaries

Gregory Nagy

The comments I offered in Classical Inquiries 2016-2017 on Iliad Rhapsody 1 through Rhapsody 24, starting here with Rhapsody 1, were based mostly on details that derive from seven books that I indicate in the Bibliography by way of these abbreviations: BA, GMP, H24H, HC, HPC, HQ, HR, MoM, PasP, PH. Each one of these books has its own index locorum. My colleague Anita Nikkanen, an Associate Editor for the online project A Homer commentary in progress, tracked the sequences of Homeric verses as listed in the indices for six of these books and then summarized my comments on those verses. Following up on her meticulous work, I am in the process of converting her summaries into a form of commentary that is being incorporated into AHCIP. My comments on the Iliad as I presented them in Classical Inquiries 2016-2017 are merely samplings of the content that I hope to contribute to the overall commentary, to which a number of other colleagues are also contributing their own comments. That said, I now proceed to offer a sampling of comments on Rhapsody 1. At this point, my comments about this beginning of beginnings need no further introduction of their own.

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“The Rage of Achilles,” by Giovanni Battista Tiepolo, 1757, [public domain], via Wikimedia Commons.

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In the words of the immortal goddess Thetis, speaking to the all-powerful god Zeus on behalf of her mortal son Achilles, the status of this hero as ‘best of the Achaeans’ is linked with the akhos ‘grief’ that he experiences over the damage to his tīmē ‘honor’. The mother is here reframing the words of her son, spoken earlier at I.01.407–412. The akhos ‘grief’ of Achilles leads to his mēnis ‘anger’, which in turn will lead to the collective akhos ‘grief’ of all the Achaeans, and it will be enacted by the Will of Zeus, who is the father that Achilles never had. And the Will of Zeus will be enhanced by the mētis ‘intelligence’ of Thetis, whom Zeus never got a chance to impregnate.

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Once the Achaeans collectively have akhos ‘grief’, ordained by the Will of Zeus, the Trojans will correspondingly have kratos ‘winning-power’, likewise ordained by the god. This correspondence is relevant to the etymology of the name Akhaio-/Akhaiā-.

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Leonard Muellner

the source Agamemnon’s and Achilles’ grievance against each other bound up with the mēnis theme, here explicitly attached to Achilles

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analysis of Achilles’ alienation and the opposition of mēnis and philotēs

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analysis of the verbal legitimating of Achilles’ mēnis and it’s exceptional nature

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Achilles’ own suffering from his mēnis as he yearns for the social occupations of a warrior male

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Thetis’ plea to Zeus does not use Achilles’ proposed tale to justify it but a broader claim

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analysis of Thetis and Zeus’ exchange, Zeus’ guaranteeing the mēnis of Achilles to also be his own

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