Homer Iliad 9.453

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 9.453 focus
τῇ πιθόμην καὶ ἔρεξα· πατὴρ δʼ ἐμὸς αὐτίκʼ ὀϊσθεὶς
πολλὰ κατηρᾶτο, στυγερὰς δʼ ἐπεκέκλετʼ Ἐρινῦς,
μή ποτε γούνασιν οἷσιν ἐφέσσεσθαι φίλον υἱὸν
455
ἐξ ἐμέθεν γεγαῶτα· θεοὶ δʼ ἐτέλειον ἐπαρὰς
Ζεύς τε καταχθόνιος καὶ ἐπαινὴ Περσεφόνεια.
1
ἔνθʼ ἐμοὶ οὐκέτι πάμπαν ἐρητύετʼ ἐν φρεσὶ θυμὸς
πατρὸς χωομένοιο κατὰ μέγαρα στρωφᾶσθαι.
ἦ μὲν πολλὰ ἔται καὶ ἀνεψιοὶ ἀμφὶς ἐόντες
αὐτοῦ λισσόμενοι κατερήτυον ἐν μεγάροισι,
465
πολλὰ δὲ ἴφια μῆλα καὶ εἰλίποδας ἕλικας βοῦς
ἔσφαζον, πολλοὶ δὲ σύες θαλέθοντες ἀλοιφῇ
εὑόμενοι τανύοντο διὰ φλογὸς Ἡφαίστοιο,
πολλὸν δʼ ἐκ κεράμων μέθυ πίνετο τοῖο γέροντος.
εἰνάνυχες δέ μοι ἀμφʼ αὐτῷ παρὰ νύκτας ἴαυον·
470
οἳ μὲν ἀμειβόμενοι φυλακὰς ἔχον, οὐδέ ποτʼ ἔσβη
πῦρ, ἕτερον μὲν ὑπʼ αἰθούσῃ εὐερκέος αὐλῆς,
ἄλλο δʼ ἐνὶ προδόμῳ, πρόσθεν θαλάμοιο θυράων.
ἀλλʼ ὅτε δὴ δεκάτη μοι ἐπήλυθε νὺξ ἐρεβεννή,
καὶ τότʼ ἐγὼ θαλάμοιο θύρας πυκινῶς ἀραρυίας
475
ῥήξας ἐξῆλθον, καὶ ὑπέρθορον ἑρκίον αὐλῆς
ῥεῖα, λαθὼν φύλακάς τʼ ἄνδρας δμῳάς τε γυναῖκας.
φεῦγον ἔπειτʼ ἀπάνευθε διʼ Ἑλλάδος εὐρυχόροιο,
Φθίην δʼ ἐξικόμην ἐριβώλακα μητέρα μήλων
ἐς Πηλῆα ἄναχθʼ· ὃ δέ με πρόφρων ὑπέδεκτο,
480
καί μʼ ἐφίλησʼ ὡς εἴ τε πατὴρ ὃν παῖδα φιλήσῃ
μοῦνον τηλύγετον πολλοῖσιν ἐπὶ κτεάτεσσι,
καί μʼ ἀφνειὸν ἔθηκε, πολὺν δέ μοι ὤπασε λαόν·
ναῖον δʼ ἐσχατιὴν Φθίης Δολόπεσσιν ἀνάσσων.
καί σε τοσοῦτον ἔθηκα θεοῖς ἐπιείκελʼ Ἀχιλλεῦ,
485
ἐκ θυμοῦ φιλέων, ἐπεὶ οὐκ ἐθέλεσκες ἅμʼ ἄλλῳ
οὔτʼ ἐς δαῖτʼ ἰέναι οὔτʼ ἐν μεγάροισι πάσασθαι,
πρίν γʼ ὅτε δή σʼ ἐπʼ ἐμοῖσιν ἐγὼ γούνεσσι καθίσσας
ὄψου τʼ ἄσαιμι προταμὼν καὶ οἶνον ἐπισχών.
πολλάκι μοι κατέδευσας ἐπὶ στήθεσσι χιτῶνα
490
οἴνου ἀποβλύζων ἐν νηπιέῃ ἀλεγεινῇ.
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 9.513 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 9.453 focus
and in the course of time I yielded. But my father soon came to know, and cursed me bitterly, calling the dread Furies [ Erinyes] to witness. [455] He prayed that no son of mine might ever sit upon my knees—and the gods, Zeus of the world below and terrifying Persephone, fulfilled his curse. I took counsel to kill him, but some god stayed my rashness and bade me think [460] on men’s evil tongues and how I should be branded as the murderer of my father: nevertheless I could not bear to stay in my father’s house with him so bitter against me. My cousins and clansmen came about me, [465] and pressed me sorely to remain; many a sheep and many an ox did they slaughter, and many a fat hog did they set down to roast before the fire; many a jar, too, did they broach of my father’s wine. [470] Nine whole nights did they set a guard over me taking turns to watch, and they kept a fire always burning, both in the cloister of the outer court and in the inner court at the doors of the room wherein I lay; but when the darkness of the tenth night came, [475] I broke through the closed doors of my room, and climbed the wall of the outer court after passing quickly and unperceived through the men on guard and the women servants. I then fled through Hellas till I came to fertile Phthia, mother of sheep, [480] and to King Peleus, who made me welcome and treated me as a father treats an only son who will be heir to all his wealth. He made me rich and set me over much people, establishing me on the borders of Phthia where I was chief ruler over the Dolopians.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 9.453 focus
Many a fatling ewe
And many a slow-paced ox with curving horns
They slew, and many a fattened swine they stretched
575
Over the flame of Vulcan. From the casks
Of the old chief his wine was freely drawn.
Nine nights they slept surrounding me, while each
Kept watch in turn: nor ever were the fires
Put out; one blazed beneath the portico
580
Of the fair hall, and near the chamber-door
Another glimmered in the vestibule.
But when upon me rose the tenth dark night,
I broke my aptly-jointed chamber-doors,
And issued forth, and easily o'erleaped
585
The wall around the palace, quite unseen
Of watching men and of the serving maids.
I fled through spacious Hellas to the fields
Of Phthia, nurse of flocks, and to her king,
Peleus, who kindly welcomed me, and loved
590
Me as a father loves his only son.
Born to large wealth in his declining years,
He made me rich, and gave me sovereign rule
Over much people. My abode was fixed
In farthest Phthia, where I was the prince
595
Of the Dolopians. As for thee, my care,
Godlike Achilles, made thee what thou art.
I loved thee from my soul: thou wouldst not go
With any other to the feast, nor take
Thy food at home until upon my knees
600
I placed thee, carved thy meats, and gave them thee,
And poured thy wine. The tunic on my breast
Was often wetted by thee when the wine
Gushed in thy petulant childhood from thy lips.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 9.453 focus
'My sire with curses loads my hated head,
'And cries, "Ye furies! barren be his bed."
'Infernal Jove, the vengeful fiends below,
'And ruthless Proserpine, confirm'd his vow.
585
'Despair and grief attract my labouring mind;
'Gods! what a crime my impious heart design'd!
'I thought (but some kind God that thought suppress'd)
'To plunge the poniard in my father's breast:
'Then meditate my flight; my friends in vain
590
'With prayers entreat me, and with force detain.
'On fat of rams, black bulls, and brawny swine,
'They daily feast, with draughts of fragrant wine:
'Strong guards they plac'd, and watch'd nine nights entire:
'The roofs and porches flam'd with constant fire.
595
'The tenth, I forc'd the gates, unseen of all;
'And, favour'd by the night, o'erleap'd the wall.
'My travels thence through spacious Greece extend:
'In Phthia's court at last my labours end.
'Your sire receiv'd me, as his son caress'd,
600
'With gifts enrich'd, and with possessions bless'd.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 9.453 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 9.453 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 9.453 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 9 focus

New Alexandria Commentaries

Gregory Nagy

The Master Narrator now approaches what can surely be seen as the highest point so far in the narrative arc of the Homeric Iliad. Achilles has not spoken since Rhapsody 1. Now, in Rhapsody 9, he will speak again. And what he says will define what can and cannot happen in the rest of the Iliad.

draft js image errorThe embassy to Achilles, featuring Phoenix and Odysseus in front of Achilles. Attic red-figure hydra, circa 480 BCE. Public domain image via Wikimedia Commons.

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Here, finally, is the speech of Phoenix, postponed because Odysseus took the initiative of speaking first. Whereas the Master Narrator did not use formal wording to introduce the speech of Odysseus at I.09.225–306, he does use formal wording to introduce at I.09.432–433 the speech of Phoenix.

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Leonard Muellner

analysis of Phoenix’s speech (the part of how he came to know Achilles) as expressing his philotēs and attempting to evoke Achilles’ as an antidote to his mēnis

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analysis of Phoenix’s speech (the part of how he came to know Achilles) as expressing his philotēs and attempting to evoke Achilles’ as an antidote to his mēnis

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