Homer Iliad 4.85

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 4.85 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 4.104 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 4.85 focus
Thus did they converse. Then Athena took the form of Laodokos, son of Antenor, and went through the ranks of the Trojans to find godlike Pandaros, the terrifying son of Lykaon, a man blameless and powerful. She found him [90] standing among the stalwart heroes who had followed him from the banks of the Aisopos, so she went close up to him and said, “Brave and high-spirited son of Lykaon, will you do as I tell you? If you dare send an arrow at Menelaos [95] you will win honor and gratitude [ kharis] from all the Trojans, and especially from prince Alexandros—he would be the first to requite you very handsomely if he could see warlike Menelaos, son of Atreus mount his funeral pyre, slain by an arrow from your hand. [100] Take your home aim then, and pray to Lycian Apollo, the famous archer; vow that when you get home to your strong city of sacred Zelea you will offer a hecatomb of firstling lambs in his honor.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 4.85 focus
So Greeks and Trojans said. The goddess went
Among the Trojan multitude disguised:
She seemed Laodocus, Antenor's son,
A valiant warrior, seeking through the ranks
For godlike Pandarus. At length she found
110
Lycaon's gallant and illustrious son,
Standing with bucklered warriors ranged around,
Who followed him from where Æsepus flows;
And, standing near, she spake these winged words:
"Son of Lycaon! wilt thou hear my words,
115
Brave as thou art? Then wilt thou aim a shaft
At Menelaus; thus wilt thou have earned
Great thanks and praise from all the men of Troy,
And chiefly from Prince Paris, who will fill,
Foremost of all, thy hands with lavish gifts,
120
When he shall look on Menelaus slain -
The warlike son of Atreus - by thy hand,
And laid upon his lofty funeral pile.
Aim now at Menelaus the renowned
An arrow, while thou offerest a vow
125
To Lycian Phœbus, mighty with the bow,
That thou wilt bring to him a hecatomb
Of firstling lambs, when thou again shalt come
Within thine own Zeleia's sacred walls."
So spake Minerva, and her words o'ercame
130
The weak one's purpose. He uncovered straight
His polished bow, made of the elastic horns
Of a wild goat, which, from his lurking-place,
As once it left its cavern lair, he smote,
And pierced its breast, and stretched it on the rock.
135
Full sixteen palms in length the horns had grown
From the goat's forehead. These an artisan
Had smoothed, and, aptly fitting each to each,
Polished the whole and tipped the work with gold.
To bend that bow, the warrior lowered it
140
And pressed an end against the earth. His friends
Held up, meanwhile, their shields before his face,
Lest the brave sons of Greece should lift their spears
Against him ere the champion of their host,
The warlike Menelaus, should have felt
145
The arrow. Then the Lycian drew aside
The cover from his quiver, taking out
A well-fledged arrow that had never flown, -
A cause of future sorrows. On the string
He laid that fatal arrow, while he made
150
To Lycian Phœbus, mighty with the bow,
A vow to sacrifice before his shrine
A noble hecatomb of firstling lambs
When he should come again to his abode
Within his own Zeleia's sacred walls.
155
Grasping the bowstring and the arrow's notch,
He drew them back, and forced the string to meet
His breast, the arrow-head to meet the bow,
Till the bow formed a circle. Then it twanged.
The cord gave forth a shrilly sound; the shaft
160
Leaped forth in eager haste to reach the host.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 4.85 focus
They said, while Pallas through the Trojan throng
115
(In shape a mortal) pass'd disguis'd along.
Like bold Laödocus, her course she bent,
Who from Antenor trac'd his high descent.
Amidst the ranks Lycaon's son she found,
The warlike Pandarus, for strength renown'd;
120
Whose squadrons, led from black Æsepus' 1 flood,
With flaming shields in martial circle stood.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 4.85 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 4.85 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 4.85 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 4 focus

Notes on the current edition

Iliad

1. 161.1
2. 161.2

New Alexandria Commentaries

Douglas Frame

example of laos as referring to one’s own in contexts where there is a contrast between “leader(s)” and those who “follow”

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Gregory Nagy

The Trojan War is being fought here as if for the very first time. There is a sense of novelty at first in contemplating all the violent woundings and deaths yet to follow. Of special interest is all the beautiful detail lavished on the wounding of Menelaos: it is as if his bleeding wound here could be pictured as the original trauma of the Trojan War.

draft js image errorImage: The healer Makhaon attends to the wounded Menelaos. Engraving by Francesco Nenci for an edition of the Iliad published in 1838.

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reference to Reeve’s contention that Aristarchus’ use of perissós could have rested on documentary evidence (Reeve 1972.250). These three lines are examples of athetesis that rests on documentary evidence

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The collocation ērare tektōn (ἤραρε τέκτων) ‘the joiner joined together’ is relevant to the etymologies of both the verb and the noun here, which are respectively ar-ar-iskein ‘fit together, join together’ and tektōn ‘carpenter, joiner’. Although the Indo-European verb-root from which tektōn is derived, tek(s)-, is no longer attested in Greek, it does in fact survive in Latin as texō*, which can refer to the craft of woodworking, not only the craft of weaving. Correspondingly, although there is no Greek attestation of an abstract noun ar-ti- derived from the verb-root of ar-ar-iskein, such a noun does in fact survive in Latin as ars, artis* ‘craft’.

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Epitome from Nagy 2015§85. When the hero Pandaros makes his announcement-in-prayer, as expressed by the verb eukhesthai, I.04.119, he says that he will perform an animal sacrifice, I.04.120, in hopes that Apollo, the god to whom he is praying, will grant him what he is wishing for, which is a safe homecoming, I.04.121. But the wish—and therefore the prayer—is a failure, since Pandaros will soon be killed on the battlefield, I.05.290-296. To paraphrase in cognate Latin terms: the vōtum as an ‘announcement-in-prayer’ is a failure here because the same vōtum as a ‘wish-in-prayer’ is not fulfilled: the hero Pandaros will never return home safe and sound.

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discussion of elliptic plural, with here the example of toxa as ‘bow and arrows’

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Leonard Muellner

in a list of examples of eukhesthai + infinitive, analysis of the fixed doublet passages, the only doublets with sacral eukhesthai (this one and I.04.119ff.) [MRBTP: 'ff']

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the one formulaic expression for Apollo that begins with a consonant, in the context of analyzing eukhesthai with personal pronouns rather than names of divinities [MRBTP: 'ff']

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comparison with I.05.654, I.11.445, I.16.625, in the context of analyzing eukhos and kudos

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comment on the relationship between ‘coming home’ and ‘escaping death’

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the one formulaic expression for Apollo that begins with a consonant, in the context of analyzing eukhesthai with personal pronouns rather than names of divinities [MRBTP: 'ff']

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comment on the relationship between ‘coming home’ and ‘escaping death’ [MRBTP: 'ff']

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comparison with I.05.654, I.11.445, I.16.625, in the context of analyzing eukhos and kudos

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in a list of examples of eukhesthai + infinitive, analysis of the fixed doublet passages, the only doublets with sacral eukhesthai (this one and I.04.101ff.) [MRBTP: 'ff']

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