Homer Iliad 3.381

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 3.383 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 3.418 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 3.383 focus
Then she went to call Helen, and found her on a high tower with the Trojan women crowding round her. [385] She took the form of an old woman who used to dress wool for her when she was still in Lacedaemon, and of whom she was very fond. Thus disguised she plucked her by perfumed robe and said, [390] “Come here; Alexandros says you are to go to the house; he is on his bed in his own room, radiant with beauty and dressed in gorgeous apparel. No one would think he had just come from fighting, but rather that he was going to a dance [ khoros], or had done dancing [ khoros] and was sitting down.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 3.383 focus
But Venus for a goddess easily
465
Can work such marvels - rescued him, and, wrapped
In a thick shadow, bore him from the field
And placed him in his chamber, where the air
Was sweet with perfumes. Then she took her way
To summon Helen. On the lofty tower
470
She found her, midst a throng of Trojan dames,
And plucked her perfumed robe. She took the form
And features of a spinner of the fleece,
An aged dame, who used to comb for her
The fair white wool in Lacedæmon's halls,
475
And loved her much. In such an humble guise
The goddess Venus thus to Helen spake: -
"Come hither, Alexander sends for thee;
He now is in his chamber and at rest
On his carved couch; in beauty and attire
480
Resplendent, not like one who just returns
From combat with a hero, but like one
Who goes to mingle in the choral dance,
Or, when the dance is ended, takes his seat."
She spake, and Helen heard her, deeply moved;
485
Yet when she marked the goddess's fair neck,
Beautiful bosom, and soft, lustrous eyes,
Her heart was touched with awe, and thus she said: -
"Strange being! why wilt thou delude me still?
Wouldst thou decoy me further on among
490
The populous Phrygian towns, or those that stud
Pleasant Mæonia, where there haply dwells
Some one of mortal race whom thou dost deign
To make thy favorite. Hast thou seen, perhaps,
That Menelaus, having overpowered
495
The noble Alexander, seeks to bear
Me, hated as I must be, to his home?
And hast thou therefore fallen on this device?
Go to him, sit by him, renounce for him
The company of gods, and never more
500
Return to heaven, but suffer with him; watch
Beside him till he take thee for his wife
Or handmaid. Thither I shall never go,
To adorn his couch and to disgrace myself.
The Trojan dames would taunt me. O, the griefs
505
That press upon my soul are infinite!"
Displeased, the goddess Venus answered: "Wretch,
Incense me not, lest I abandon thee
In anger, and detest thee with a zeal
As great as is my love, and lest I cause
510
Trojans and Greeks to hate thee, so that thou
Shalt miserably perish." Thus she spake;
And Helen, Jove-begotten, struck with awe,
Wrapped in a robe of shining white, went forth
In silence from amidst the Trojan dames,
515
Unheeded, for the goddess led the way.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 3.383 focus
Meantime the brightest of the female kind,
The matchless Helen, o'er the walls reclin'd:
To her, beset with Trojan beauties, came,
475
In borrow'd form, the laughter-loving dame.
(She seem'd an ancient maid, well skill'd to cull
The snowy fleece, and wind the twisted wool.)
The goddess softly shook her silken vest
That shed perfumes, and whisp'ring thus address'd:
480
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 3.383 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 3.383 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 3.383 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 3 focus

Notes on the current edition

Iliad

1. 1
2. 1

New Alexandria Commentaries

Gregory Nagy

The Master Narrator of the Homeric Iliad is looking here at Helen for the very first time—or, to say it more accurately, as if for the very first time. Just as Rhapsody 2 needed a new Catalogue of Ships—or, again to say it more accurately—a renewed Catalogue, so also Rhapsody 3 needs a new look at Helen. It seems as if the Trojan War is happening all over again, starting from the very beginning. The old grievances of Menelaos about the abduction of Helen by Paris can now be renewed and even relived, becoming fresh new grievances as the estranged husband and the new lover proceed to engage in mortal combat. But this one-on-one struggle over life and death will soon modulate into a renewal of all-out war between the Achaeans and the Trojans.

draft js image errorMenelaos pulling Paris by the helmet. Detail of Roman sarcophagus of Aurelia Botania Demetria (2nd c. CE); Antalya Archaeological Museum. Photo via Wikimedia Commons.

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