Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.
Sponsored by Perseus Project, Tufts University.
Funding provided by The Annenberg CPB/Project.
Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.
Sponsored by Perseus Project, Tufts University.
Funding provided by The Annenberg CPB/Project.
Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)
reference to same lines in similar thematic connection in Il. XXIV.328
reference to location and time (sunset) of Herme’s meeting with Priam, the tomb if Ilus. Indication of Priam’s ransom of Hector as a to the underworld and consequent ‘return to life’ [MRBTP: 'ff']
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
quoted and translated; analysis of the role of nóos in the encounter between Priam and Hermes
The Iliad ends with the funeral of Hector, not of Achilles. And it is Hector, not Achilles, who is lamented at the end. But it is Achilles who makes it all happen, since he has transcended his rage and has shown mercy to an old father. The tears of Priam had made Achilles think of his own old father, of his own ancestors—and of Patroklos, who embodied the glories of the ancestors. Achilles was looking bad at the beginning of Iliad 23 and even at the beginning of Iliad 24, but he looks very good by the time Iliad 24 comes to a close.
Mourners lament as Hector’s corpse is laid out in preparation for the funeral that closes Iliad Rhapsody 24. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman.
Image via Wikimedia Commons.
comment on overlap between Hermes and Athena (here, Athena’s wearing Hermes’ sandals), in the context of analyzing her reminding of Hermes in O.13.221ff.