Homer Iliad 23.740

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 23.740 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 23.703 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 23.740 focus
The son of Peleus then offered prizes for speed in running—a mixing-bowl beautifully wrought, of pure silver. It would hold six measures, and far exceeded all others in the whole world for beauty; it was the work of cunning artificers in Sidon, [745] and had been brought into port by Phoenicians from beyond the sea [ pontos], who had made a present of it to Thoas. Eueneus son of Jason had given it to Patroklos in ransom of Priam’s son Lykaon, and Achilles now offered it as a prize [ āthlon] in honor of his comrade to him who should be the swiftest runner. [750] For the second prize he offered a large ox, well fattened, while for the last there was to be half a talent of gold. He then rose and said among the Argives, “Stand forward, you who will essay this contest [ āthlos].”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 23.740 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 23.740 focus
And now succeed the gifts ordain'd to grace
The youths contending in the rapid race:
A silver urn that full six measures held,
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By none in weight or workmanship excell'd:
Sidonian artists taught the frame to shine,
Elaborate, with artifice divine;
Whence Tyrian sailors did the prize transport,
And gave to Thoas at the Lemnian port:
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From him descended, good Eunæus heir'd
The glorious gift; and, for Lycaon spar'd,
To brave Patroclus gave the rich reward.
Now, the same hero's funeral rites to grace,
It stands the prize of swiftness in the race.
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A well-fed ox was for the second plac'd;
And half a talent must content the last.
Achilles rising then bespoke the train:
‘Who hope the palm of swiftness to obtain,
‘Stand forth, and bear these prizes from the plain.’
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English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 23.740 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 23.740 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 23.740 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 23 focus

Notes on the current edition

Iliad

1. 551.1
2. 551.2

New Alexandria Commentaries

Douglas Frame

comparison of the language of turning for home after routing the Epeians in Nestor’s story in I.11 and the language of rounding the turning post in the chariot race for Patroclus, with a phrase also shared by the second half to the footrace in this verse

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comparison of the footrace with the nostoi of Achaeans (specifically, Odysseus and Ajax)

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comparison of the footrace with the nostoi of Achaeans (specifically, Odysseus and Ajax)

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comparison of the footrace with the nostoi of Achaeans (specifically, Odysseus and Ajax)

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Gregory Nagy

The funeral that Achilles arranges here for Patroklos in the Iliad is in some ways a preview of the funeral that the Achaeans will arrange for Achilles himself beyond the time-frame of the Iliad. A high point of the funeral in Iliad 23 is a spectacular chariot race arranged by Achilles to honor his dead comrade Patroklos. But an earlier high point is a comparably spectacular cremation of his friend’s body. But this cremation of Patroklos, as a ritual, is far from perfect: it is in fact polluted, and the pollution will make Achilles look bad, at least for the moment. The polluted thoughts of the hero, as evidenced by his dragging the corpse of Hector behind his speeding chariot, will drive him to extremes that will challenge the cosmic order. But the Master Narrator of the Iliad will remedy the pollution, and the remedy will take the form of actually narrating the grim story. In the process of this narration, a great lesson will be learned about life, death, and a hoped-for recovery of life.

draft js image errorAchilles dragging the body of Hector. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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analysis of Zeus’ role in awarding nikē as primary and Athena’s as secondary

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analysis of Zeus’ role in awarding nikē as primary and Athena’s as secondary

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Leonard Muellner

analysis of the versatility of poetic technique to report prayers (invocation, grant of favor, request of favor)

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example of a very compressed prayer, in the context of the analysis of composition by theme in prayers, which can be amplified or minimized according to circumstances

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