Homer Iliad 23.388

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 23.388 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 23.429 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 23.388 focus
Athena saw the trick which Apollo had played the son of Tydeus, [390] so she brought him his whip and put spirit into his horses; moreover she went after the son of Admetos in a rage and broke his yoke for him; the mares went one to one side the course, and the other to the other, and the pole was broken against the ground. [395] Eumelos was thrown from his chariot close to the wheel; his elbows, mouth, and nostrils were all torn, and his forehead was bruised above his eyebrows; his eyes filled with tears and he could find no utterance. But the son of Tydeus turned his horses aside and shot far ahead, [400] for Athena put fresh strength into them and covered Diomedes himself with glory.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 23.388 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 23.388 focus
The fraud celestial Pallas sees with pain,
Springs to her knight, and gives the scourge again,
And fills his steeds with vigour. At a stroke,
She breaks his rival's chariot from the yoke:
470
No more their way the startled horses held;
The car revers'd came rattling on the field;
Shot headlong from his seat, beside the wheel,
Prone on the dust th' unhappy master fell;
His batter'd face and elbows strike the ground;
475
Nose, mouth, and front one undistinguish'd wound:
Grief stops his voice, a torrent drowns his eyes;
Before him far the glad Tydides flies;
Minerva's spirit drives his matchless pace,
And crowns him victor of the labour'd race.
480
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 23.388 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 23.388 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 23.388 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 23 focus

New Alexandria Commentaries

Douglas Frame

analysis of the motivation of Nestor’s speech of advice to Antilochus – evoking Nestor’s own earlier race (the turning post, on which Nestor spends so much time, is ignored in the description of the race)

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analysis of Diomedes’ chariot racing, with Athena’s help (returning the whip and putting strength into his horses), in terms of the Indo-European twin myth, where the whip belongs to the immortal twin

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comparison of Eumelos’ and Nestor’s chariot racing (lack of restraint in letting fly of the reins and the yoke breaking for Nestor and Eumelos, respectively, and crashing the chariot)

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analysis of the symbolism of the whip and the yoke in Diomedes’ race

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analysis of the differences between Nestor at his chariot race against the twins and Antilochus at the race in Iliad 23, here, slow and old horses

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analysis of the symbolism of the whip and the yoke in Diomedes’ race

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analysis of the interconnections of Menelaus’ chariot race in this passage and the success of his (and Agamemnon’s) nostos

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analysis of the differences between Nestor at his chariot race against the twins and Antilochus at the race in Iliad 23, here, slow and old horses

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comparison of Antilochus with the skilled charioteer in Nestor’s speech and Antilochus’ taking to heart what Nestor says (oude me lēsei/he lēthei)

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analysis of the role of noos in Antilochus’ race (contra Menelaus’ words regarding Antilochus’ noos)

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Gregory Nagy

The funeral that Achilles arranges here for Patroklos in the Iliad is in some ways a preview of the funeral that the Achaeans will arrange for Achilles himself beyond the time-frame of the Iliad. A high point of the funeral in Iliad 23 is a spectacular chariot race arranged by Achilles to honor his dead comrade Patroklos. But an earlier high point is a comparably spectacular cremation of his friend’s body. But this cremation of Patroklos, as a ritual, is far from perfect: it is in fact polluted, and the pollution will make Achilles look bad, at least for the moment. The polluted thoughts of the hero, as evidenced by his dragging the corpse of Hector behind his speeding chariot, will drive him to extremes that will challenge the cosmic order. But the Master Narrator of the Iliad will remedy the pollution, and the remedy will take the form of actually narrating the grim story. In the process of this narration, a great lesson will be learned about life, death, and a hoped-for recovery of life.

draft js image errorAchilles dragging the body of Hector. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

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