Homer Iliad 23.192

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 23.192 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 23.177 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 23.192 focus
Now the pyre about dead Patroklos would not kindle. Swift-footed radiant Achilles therefore had thoughts of another matter; he went apart and prayed to the two winds [195] Boreas and Zephyros vowing them goodly offerings. He made them many drink-offerings from the golden cup and besought them to come and help him that the wood might make haste to kindle and the dead bodies be consumed. Fleet Iris heard him praying and started off to fetch the winds. [200] They were holding high feast in the house of boisterous Zephyros when Iris came running up to the stone threshold of the house and stood there, but as soon as they set eyes on her they all came towards her and each of them called her to him, but Iris would not sit down. “I cannot stay,” she said, [205] “I must go back to the streams of Okeanos and the land of the Ethiopians who are offering hecatombs to the immortals, and I would have my share; but Achilles prays that Boreas and shrill Zephyros will come to him, and he vows them goodly offerings; [210] he would have you blow upon the pyre of Patroklos for whom all the Achaeans are lamenting.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 23.192 focus
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 23.192 focus
Nor yet the pile, where dead Patroclus lies,
Smokes, nor as yet the sullen flames arise;
But, fast beside, Achilles stood in prayer,
Invok'd the gods whose spirit moves the air,
And victims promis'd, and libations cast,
240
To gentle zephyr and the Boreal blast:
He call'd th' aerial powers, along the skies
To breathe, and whisper to the fires to rise.
The winged Iris heard the hero's call,
And instant hasten'd to their airy hall,
245
Where, in old Zephyr's open courts on high,
Sat all the blustering brethren of the sky.
She shone amidst them, on her painted bow;
The rocky pavement glitter'd with the show.
All from the banquet rise, and each invites
250
The various goddess to partake the rites.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 23.192 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 23.192 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 23.192 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 23 focus

New Alexandria Commentaries

Douglas Frame

analysis of allusions/references to traditions outside of the Homeric epics, here by Iliad to other epic traditions regarding the death of Achilles and his killing Memnon (Kakridis’ argument)

source
Gregory Nagy

The funeral that Achilles arranges here for Patroklos in the Iliad is in some ways a preview of the funeral that the Achaeans will arrange for Achilles himself beyond the time-frame of the Iliad. A high point of the funeral in Iliad 23 is a spectacular chariot race arranged by Achilles to honor his dead comrade Patroklos. But an earlier high point is a comparably spectacular cremation of his friend’s body. But this cremation of Patroklos, as a ritual, is far from perfect: it is in fact polluted, and the pollution will make Achilles look bad, at least for the moment. The polluted thoughts of the hero, as evidenced by his dragging the corpse of Hector behind his speeding chariot, will drive him to extremes that will challenge the cosmic order. But the Master Narrator of the Iliad will remedy the pollution, and the remedy will take the form of actually narrating the grim story. In the process of this narration, a great lesson will be learned about life, death, and a hoped-for recovery of life.

draft js image errorAchilles dragging the body of Hector. Copperplate etching (1795) by Tommaso Piroli, after a drawing (1793) by John Flaxman. Image via Wikimedia Commons.

source

Memnon’s ideal suitability for the theme of immortalization and the role of Eos/Dios thugatēr in the preservation of the hero in the afterlife

source

location of the land of Aithiopes and Olympians’ habitually going there to receive sacrifice

source

analysis of the evidence of hero cult in the Iliad and the Odyssey (here, wine libation)

source